Results
-
£64.99Saturday Night Fever, Selections from
The current Broadway revival of this high-powered musical prooves that Disco is still hot! Featuring some of the best dance music of the 70's, this medley includes: Stayin' Alive, Jive Talkin', You Should Be Dancing, How Deep Is Your Love, and Night Fever.
Estimated dispatch 7-14 working days
-
£74.95Saturday Market (Overture) (Concert Band - Score and Parts) - Hedges, Anthony
This exciting overture is a transcription from the original orchestral version and will make a perfect piece to open any concert.
Estimated dispatch 7-14 working days
-
£14.95
Saturday Market (Overture) (Concert Band - Score Only) - Hedges, Anthony
This exciting overture is a transcription from the original orchestral version and will make a perfect piece to open any concert.
Estimated dispatch 7-14 working days
-
£42.60A Saturday Overture (Flexible Ensemble - Score and Parts) - Fernie, Alan
4 Part Flexible Ensemble and Percussion
Estimated dispatch 7-14 working days
-
£42.60Saturday Morning Music (Flexible Ensemble - Score and Parts) - Wood, Stephen D.
4 Part Flexible Ensemble and PercussionContains:Start With A MarchA Little SongMinor StompFolk SongMoody MinorFrantic Finale
Estimated dispatch 7-14 working days
-
£49.50 -
£64.99SATURDAY NIGHT FEVER (Selection) (Young Band) - Vinson, Johnnie
The current Broadway revival of this high-powered musical prooves that Disco is still hot! Featuring some of the best dance music of the 70's, this medley includes: Stayin' Alive, Jive Talkin', You Should Be Dancing, How Deep Is Your Love, and Night Fever
Estimated dispatch 7-14 working days
-
£168.50Manhattan - Philip Sparke
Version for Concert BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing the second movement, Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Eachmovement can also be played individually when a shorter solo is required.
Estimated dispatch 7-14 working days
-
£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
-
£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
View Music