Results
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£56.00Fughetta - Wilhelm Friedemann Bach
Taken from piano repertoire, arranger Andrew Balent uses his long career of experience to provide bands with an exceptional teaching piece. Fughetta acts as an introduction to the Baroque style, and also teaches young students how to play contrapuntal music, a difficult and important skill. This piece has great potential for inclusion on contest/festival required lists.
Estimated dispatch 12-14 working days
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£59.95Lyric Dance - Paul Okkenhaug - Ray Farr
Paul Okkenhaug was a prolific composer and organ virtuoso, but due to his own modesty and self-criticism, only a few of his compositions have been published. He has composed chamber music, orchestral music, piano music, and music for the theatre....
Estimated dispatch 5-7 days
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£39.95Taps in Tempo - Jan Nerneska - Rodney Newton
Despite his European name, Jan Berenska was a Midlander and something of a youthful prodigy, playing piano, violin and cello and giving his first broadcast at the age of 15 from Station 5IT (based in Witton, near Birmingham) in the...
Estimated dispatch 5-7 days
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£63.58Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£78.00Dashing away with the smoothing iron - Ray Steadman-Allen
The composer writes... A lighthearted arrangement of an old folk song. The style is generally bright with a short, slower change of pace in the middle. En route there are a couple of quotations which got into the music almost unbidden: a fragment of one of Mozart's horn concerti and 'A-hunting we will go'. '... a splendid concert piece for advanced tuba players.' WINDS Autumn 2008 Duration: c.3:00 Also available with piano or brass band.
Estimated dispatch 7-14 working days
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£65.00
Thirty To Tango - David Matthews
This tango was originally composed in 1990 as the fourth movement of the composer's Fourth Symphony. It was intended there as a modern equivalent of the classical minuet. The tango is the most alluring of contemporary dances, and a number of arrangements of it exist, including ones for solo piano and for various chamber ensembles. This latest version for thirty (or more) players was arranged in 1999 by the composer especially for the Faber Wind Band Series.
In stock: Estimated delivery 1-3 days
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£143.00
VirtEuphonity (CB) - Jan De Maeseneer
VirtEuphonity is a virtuoso and funky solo work for euphonium and band (or piano & drums). The work is written for Kevin Van Giel (euphonium at the Belgian Royal Air Force Band) and consists of three parts. The first is an atmospheric opener that taps the technical skills of the euphonium player with his many notes, double tones and jumps over the registers. The second part is a ballad and the third part you get a funky solo with Oriental influences to end again with the opening theme.
Estimated dispatch 7-14 working days
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£82.00
Chi il bel sogno di Doretta (CB) - Giacomo Puccini - Bert Van Thienen
Aria for soprano voice and band from the opera 'La Rondine' by Giacomo Puccini (1858-1924). Starts with a cadenza for the piano, then Doretta sings her love dream.
Estimated dispatch 7-14 working days
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£78.00
The Water is Wide (CB) - Scottish Traditional - David Byles
"The Water Is Wide" is a folk song of Scottish origin, based on lyrics that date to the 1600s. Classical composers like Benjamin Britten and John Rutter made arrangements for voice, piano and strings. David Byles made a beautiful version for band, perfect for any concert and/or occasion.
Estimated dispatch 7-14 working days
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£110.00Caramba! (Concert Band - Score and Parts) - Blezard, William - Noble, Paul
William Blezard began writing Caramba! during a tour of New Zealand. Yet the musical basis of this work is about as far away from Kiwi culture as one can get. The word Caramba has several translations from the Spanish, including Dear Me!, or Goodness Me!, or perhaps more colloquially, Golly, or even Holy cow!. The entire work has an exotic feel to it that is so suggestive of things Spanish or Latin American. This is helped by the extensive use of percussion, and of course the brass is pure Latin American dance style. The demanding piano part is featured as almost a 'concertante'. In the Concert Band arrangement, the piano is highly desirable to replicate the original score, but the arrangement includes enough doubling and a short cut to make the piece entirely playable without the piano. Caramba! has all the hallmarks of a great piece of concert music that pleases as well as excites. For bands that want a challenge that is sure to bring an audience to its feet, Caramba! is the piece!
Estimated dispatch 7-14 working days
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