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£54.95Chrysalis (Concert Band - Score and Parts) - Story, Michael
Although generally defined as any sheltered or growth stage of development, a chrysalis is literally the third stage of growth in the development of a butterfly. Using this fact as his inspiration, Michael Story has musically depicted the butterfly's development in this stunning overture for your beginners. Duration: 1.45
Estimated dispatch 7-14 working days
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£44.99Mystic Dance (Concert Band - Score and Parts) - Sweeney, Michael
A bold, adventuresome overture for developing bands. Features an optional djembe drum in the percussion section.
Estimated dispatch 7-14 working days
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£59.40I Saw Three Ships (Concert Band - Score and Parts)
Bold dynamic overture for medium level bands. (incl. 4 scores)
Estimated dispatch 7-14 working days
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£47.52
Red Rock Canyon (Concert Band - Score and Parts)
Return to the days of yesteryear with this action-packed overture for intermediate level bands. Definitely featuring a taste of the old wild west. Trails of Glory is sure to be a favorite with students and audiences alike.
Estimated dispatch 7-14 working days
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£34.65
The King of Swing (Concert Band - Score and Parts)
Excitement explodes with the opening allegro in this intriguing overture for contest and concert. A masterfully arranged slow section provides just the right amount of contrast, and young players will thoroughly enjoy both the rehearsals and final concert.
Estimated dispatch 7-14 working days
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£154.99
Poet and Peasant Overture - Franz von Suppé
Preludes and overtures were often written to set the mood of Viennese folk plays and therefore might be used for more than one production. Such was the case for Poet and Peasant, which introduced a comedy of the that name in 1846. The piece had already been heard as the overture to the play Lots of money, short of sleep and may also have prefaced two other plays. This overture did not belong to an opera until several years after its 1845 composition date. The themes from this overture are among the most often quoted material for comic effects for stage productions and animated cartoons. Probably, they represent, in sound, an era of nostalgia from the old-time park band concerts andare familiar to audiences of all age groups. This composition deserves to be heard in its original context as a serious, but highly entertaining, selection.
Estimated dispatch 7-14 working days
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£58.50Delmar Festival Overture - John O'Reilly
Delmar Festival Overture is a powerful concert overture utilizing many of the contemporary compositional techniques that distinguish John O'Reilly's work. From the opening brass fanfare to the exciting conclusion, syncopated rhythms and numerous, interesting shifts of meter abound. Biting polychords establish the predominant harmonic structure for the opening Allegro, but the majestic theme that follows in the horns and saxes takes on a decidedly British band style. The lyrical middle section begins with a fully scored chorale, which serves as the subject for a lovely melodic development featuring woodwinds and French horn. A brilliant brass fanfare ushers in a return tothe opening section, which is now reorganized and further developed to bring this exciting overture to its dramatic conclusion. A great concert opener that will show off the talents of your musicians!
Estimated dispatch 7-14 working days
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£22.50BEGINNING BAND BOOK No.3 (Score inc. CD) - Edmondson & McGinty
An affordable collection of concert repertoire for beginning bands; great sight reading material for more advanced bands! Features include: Grade 1 concert band music; Playable with only 1 flute, 2 clarinets, 1 alto saxophone, 2 cornets/trumpets and percussion, up to full instrumentation; Full, complete sound, even without bass clef instruments. The bass clef part in octaves is optional; Both clarinet parts stay below the break; Optional F Horn and Tenor Saxophone parts are written in their best ranges; Bell part for teaching melodic percussion. Contents: Aztec Sunrise; Cambridge Overture; Clarinet Caravan; Foxwood Overture; Kensington March; Magna Carta March; March of the Sentinels; Mystic Legend; Name Those Tunes; Overture in Bb; Stony Creek March; Tatum Square Festival; Those Wonderful Woodwinds; Tyrannosaurus Rocks; Windhaven Celebration.
Estimated dispatch 7-14 working days
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£90.00Bright Dawn Overture, Op. 59 - Franco Cesarini
Bright Dawn Overture was commissioned to Franco Cesarini by the Swiss Band Association as part of a project for the renewal and expansion of the artistic repertoire. "There was never a night or a problem that could defeat sunrise or hope.". This sentence by the English philosopher Bernard Williams inspired Franco Cesarini in composing this overture. In fact, even the darkest night is always followed by the sunrise and metaphorically, in every moment of difficulty, man clings to the hope of a better future. Bright Dawn Overture is written in the classic form of an Italian overture (fast-slow-fast). It is intended as a hymn of hope of recovery after a period of great difficulty. A single theme characterizes the composition, passing through the various registers and presents itself in new forms, while constantly being transformed. In the central part the theme takes on an almost mystical character, while in the finale it presents itself in a heroic guise and the composition concludes with a gesture of decisive optimism.A piece accessible to most concert bands, perfect as an opening work!
Estimated dispatch 7-14 working days
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£150.00Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.
Estimated dispatch 7-14 working days
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