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  • £99.99

    A Monmouth Overture - Philip Sparke

    A Monmouth Overture was composed in 2007 for the Haberdashers' Symphonic Winds, as part of Philip Sparke's year as composer-in-residence at the Monmouth school. The work is based around the 15th century Agincourt Song, written inhonor of Henry V's victory over the larger but outdated French army. Henry V was born in Monmouth in 1387, giving this wonderful overture its historical title. Bring a piece of history with a modern twist to your concert program.Dur: 4:30

    Estimated dispatch 7-14 working days

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  • £83.50

    River of Life - Steven Reineke

    The first in a long line of wonderful band compositions by Steven Reineke. Full of soaring melodies, unique harmonies and exciting rhythms, "River of Life" is a quality composition that has had many quality performances at contests and concerts all over the world.

    Estimated dispatch 7-14 working days

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  • £83.00

    Pomp and Circumstance Theme in B-flat - Edward Elgar

    Clare Grundman's arrangement of Pomp and Circumstance has become the standard for graduation ceremonies over the years. Now including a full score rather than just a condensed score, here is Elgar's familiar theme in all of itsstately and regal grandeur. (Grade 3)

    Estimated dispatch 7-14 working days
  • £109.99

    Motown Story

    Motown is much more than a record company. From its humble beginnings in 1959, it has become a sound, a style, a whole movement. Founder Berry Gordy, Jr. had no idea what lay ahead over the following decades as he began producing records with the likes of The Jackson 5, Marvin Gaye, Diana Ross, Stevie Wonder, Lionel Richie, and many others. Motown Story is a tribute to the unique Motown-sound and contains optional parts for piano/keyboard and the electric or bass guitar. This medley features: ABC (The Jackson 5), Stop in the Name of Love (The Supremes), I Heard It through the Grapevine (Marvin Gaye) and Dancing in the Street (Martha Reeves & The Vandellas).

    Estimated dispatch 7-14 working days

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  • £149.99

    Moretus - Bart Picqueur

    Jan Moretus (1543-1610) was a book printer and publisher in his native city of Antwerp. He worked as assistant to his father-in-law, the renowned master printer and publisher Christoffel Plantijn. After Plantijn's death in 1589 Moretus took over the business.The composition Moretus consists of four parts that draw on the remarkable personality of Jan Moretus aswell as the printing business. In both the titles of the movements and the thematic structure we can see a certain symmetry: a playful allusion to the process of printing.Part 1, A Celebrated Gentleman, describes the illustrious figure of Moretus in a festive chorale. In the second part, ExpressiveImpressions, the printing press itself is brought to life in repeated motifs - despite the industrial, mechanical nature of the process, the product always has an artistic and cultural dimension. In the third part, Impressive Expression, the wind band is invited (or challenged), to intone the slow theme with a poignant expressiveness. Part 4, A Gentle Celebration, is a celebratory finale with a fresh theme.

    Estimated dispatch 7-14 working days

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  • £84.99

    Saint Paul's Cathedral - Filip Ceunen

    Saint Paul's Cathedral in London has been rebuilt several times over the centuries. The building of today's cathedral began at the end of the 17th Century and lasted some 30 years. It was partly damaged in the bombing raids of the Second World War. The building is known above all for the monumental dome and for the many personalities who are laid to rest - such as Admiral Nelson, Florence Nightingale and Winston Churchill. In Saint Paul's Cathedral, Philip Ceunen gives his own impression from his visit to this iconic building.

    Estimated dispatch 7-14 working days

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  • £134.99

    Gulliver's Travels - Bert Appermont

    The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The shipsdoctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common themein the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase thetension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of theHouyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitiveyahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues areprovided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built."

    Estimated dispatch 7-14 working days

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  • £184.99

    Rubicon - Bert Appermont

    The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.

    Estimated dispatch 7-14 working days

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  • £84.99

    It Takes Two - Sylvia Moy

    It Takes Two was a huge hit when it came out in 1965, perhaps one of Marvin Gaye's biggest ever. The lyrics talk about how it is easier to pursue dreams together with someone else rather than by yourself. Over the years, many artists have covered It Takes Two in various styles and genres. Stef Minnebo's arrangement proves that it can even be a big hit with concert bands!

    Estimated dispatch 7-14 working days

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  • £78.95

    Canon for Christmas - Larry Clark

    Johann Pachelbel's Canon in D has long been one of the most popular classical pieces, and has already been connected to Christmas through various setting of the piece. In this arrangment, the Canon is combined with popular Christmas carols as part of the fabric of the piece. Carols like Hark, the Herald Angels Sing and The First Noel fit nicely over the harmonic progression of Pachelbel's famous canon. This arrangement will work nicely with band alone or with the option to include choir (CM9401).

    Estimated dispatch 7-14 working days