Results
-
£109.99A Little Suite of Horror (Concert Band - Score and Parts) - Doss, Thomas
A Little Suite of Horror is an easy suite for beginner bands, consisting of five contrasting movements. With this piece it is also possible to pick and choose only a few movements to showcase at a concert as well. The story behind this composition is somewhat grim and ghoulish, so prepare your musicians and audience for a nerve-wracking experience! Friday the 13th: A day unlike any other runs its mysterious course...Midnight Scene: Footsteps, creaking, and the hoot of an owl precede the twelve strokes of midnight ringing from the steeple. Suddenly, a fairy-like apparition appears in the room. Wurdalak: "Wurdalak" is a vampiresque creature roaming about the Slavic countries. A single bite makes entire villages cower and tremble in fear. Voodoo: Performing voodoo rituals has enchanted many a human over the years. Halloween Party March: Jack-o-lanterns, skeletons, zombies, and other creepy characters march down the street. Is anyone brave enough to join this haunted parade?Duration: 10:30
Estimated dispatch 7-14 working days
-
£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£68.00Requiem Aeternam (from Edgar) (Concert Band - Score and Parts) - Puccini, Giacomo - De Meij, Johan
Giacomo Puccini was commissioned to write a second opera after the resounding success of his first, Le Villi. However, the original four-act, grand opera Edgar, to a libretto by Ferdinando Fontana, received a rather lukewarm reception at its premiere in La Scala in Milan in 1889. Initially, the work was only performed three times. Of all the planned performances in the subsequent two years, only one took place, in Lucca, Puccini's birthplace. There, the work was well received. Nevertheless, the composer decided to make drastic changes to Edgar the most radical being the reduction of the opera to three acts, as well as altering a few arias, characters and instrumental parts. In its revised form, the work was even less popular than before. The discarded fourth act later provided material for Tosca (the duet Amoro sol' per te), but Puccini never felt the need to defend Edgar as he did other less fortunate operas, such as La Rondine and Suor Angelica. On a piano excerpt for his female friend Sybil Seligman he even corrupted the title to 'E Dio ti Guarda da quest' opera' (may God preserve you from this opera). This did not prevent Arturo Toscanini performing the Requiem from the third act at Puccini's funeral in Milan Cathedral on 3 December 1924. The Requiem in the third act is being played when the long funeral procession carries the alleged body of Edgar, the confused young man hesitating between the love of the virtuous Fidelia and the exotic Tigrana. The mass hails Edgar as a hero, but a monk claims that he has betrayed his country for a few gold pieces. When the soldiers try to desecrate the body, they discover that the armor contains none. The monk reveals himself as Edgar. He wants to leave with his faithful Fidelia, but the vengeful Tigrana stabs him and kills Fidelia. Edgar grieves over the lifeless body of his beloved, while Tigrana is arrested and the people submerge into prayer. Duration: 3.30
Estimated dispatch 7-14 working days
-
£52.95Pony Express (Concert Band - Score and Parts) - Bernotas, Chris M.
Pony Express reminds us of a time when the fastest way to deliver a message was on horseback, riding across the plains, mountains and desert. This piece has a slight "off-beat" gallop for the horseback ride and a lyrical section that is reminiscent of looking out over the vast spaciousness of the plains... and then we are back on the mission to deliver the mail and on to a most enjoyable finish!Duration: 4.00
Estimated dispatch 7-14 working days
-
£41.50Winter Fun (Concert Band - Score and Parts) - O'Reilly, John
Winter Fun is a sure winner for that very first Christmas concert. An original melody is combined with Jingle Bells, Deck the Halls and Over the River and Through the Woods. Everyone in the band gets to play the melody and join in the holiday fun.Duration: 1:40
Estimated dispatch 7-14 working days
-
£48.95Anthem of Liberty (Concert Band - Score and Parts) - Hodges, Steve
Anthem of Liberty is introduced with a warm major-key chorale presented by the woodwinds and then again by the brass. This leads to an intense second presentation in the relative minor, featuring exciting rhythmic motives passed from section to section. Following a dynamic transition, the initial chorale is again presented in a majestic manner over the driving double-time percussion and is complemented with active woodwind countermelodies. From the sensitive introduction to the stirring conclusion, this piece provides many expressive opportunities for the young musicians.Duration: 2:45
Estimated dispatch 7-14 working days
-
£72.00North Bay Vistas (Concert Band - Score and Parts) - Smith, Robert W.
Composer Robert W. Smith's journey to the San Francisco Bay Area inspired this musical panorama. Beginning with an intriguing fanfare statement representing the unforgettable skyline of San Francisco and the unique images of the Golden Gate and Bay Bridges, our journey begins north over the waters of the bay. Sailing across the water, we are treated to magnificent vistas including both the city and the surrounding mountains. An early morning sunrise looking down on the vineyards of Sonoma was the inspiration for the center of the piece. The early morning mist combined with light and shadow creates a very peaceful scene that is not soon forgotten. The piece concludes with the return to the city providing a new perspective of this truly unique American landscape.Duration: 6.15
Estimated dispatch 7-14 working days
-
£99.99A Whole New World (Concert Band - Score and Parts) - Menken, Alan - Hoshide, Takashi
A Whole New World was an Academy Award winning song from the Disney Film Aladdin. The song, which is heard over the final credits, is a love song between the main characters Aladdin and Jasmine, about the new world they're going to discover together. This beautiful, sensitive ballad, will remain in the heads of your audience, both young and old alike, for many hours after the concert.Duration: 4:45
Estimated dispatch 7-14 working days
-
£48.95More Cowbell (Cowbell Feature with Concert Band - Score and Parts) - Williams, Mark
More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: "slit throat" gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new "rock star" takes another bow at the end of the piece. Have fun, and may your life always have more cowbell! Duration: 2.00
Estimated dispatch 7-14 working days
View Music