Results
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£66.95The Haunted Carousel (Concert Band - Score and Parts) - Svanoe, Erika
Winner of the 2014 National Band Association Young Band Composition Contest, "The Haunted Carousel" was conceived as a piece for band utilising the sound of a theremin, an electronic instrument often used in old science fiction and horror movies. The part is optional and all critical material is doubled with other instruments of the band. The theremin part is designed to be performed live on an amplified iPad with the GarageBand application. This is one Halloween piece your entire audience will be talking about long after the concert!Duration: 4:30
Estimated dispatch 7-14 working days
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£76.99A Christmas Night (Concert Band - Score and Parts) - Jeanbourquin, Marc
Christmas night evokes a multitude of images within every one of us: memories of sharing delicious meals with our family, of magical encounters, of celebrations, carol singing and music. In this work, Marc Jeanbourquin revisits four great Christmas Eve classics. The first chorale, Adeste Fideles, majestically opens this piece before taking the audience on to the famous Joy to the World. Such an arrangement would not be complete without the equally well-known Jingle Bells in a jazz version, before We wish you a Merry Christmas as a fitting conclusion to the piece. With A Christmas Night, you will be able to express in music the traditional Christmastime wishes to your public.Duration: 4.00
Estimated dispatch 7-14 working days
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£66.95October Farewell (Concert Band - Score and Parts) - Williams, Justin
A must listen! Written as a memorial piece for the composer's grandfather, this gorgeous and emotional new work features tender melodies that blend with tasteful solos and warm textures in a piece that explores the emotions experienced when a loved one is lost: sadness, grief, acceptance, and hope. Your players and listeners alike will surely be moved by this beautiful new addition to the concert band library. Emotional and moving!Duration: 4:15
Estimated dispatch 7-14 working days
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£11.95Shout! (Trombone Solo with Concert Band - Score only) - Wiffin, Rob
Shout! was written for Brett Baker to demonstrate a particular musical aspect of his trombone playing. It is a Latin jazz piece subtitled CCC 4 BB - Cha cha cha for Brett Baker - and shows the trombone's ability to act as a declamatory jazz voice, covering much of the range and expressive power of the instrument. In one sense the title also refers to the jazz tradition of a Shout chorus which often appears towards the end of a jazz piece, bringing the players together after they have all taken their improvised solos.Shout! should hopefully be enjoyable to listen to and, although not without its technical challenges, fun to play.Duration: 3.45
Estimated dispatch 7-14 working days
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£59.95
Shout! (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
Shout! was written for Brett Baker to demonstrate a particular musical aspect of his trombone playing. It is a Latin jazz piece subtitled CCC 4 BB - Cha cha cha for Brett Baker - and shows the trombone's ability to act as a declamatory jazz voice, covering much of the range and expressive power of the instrument. In one sense the title also refers to the jazz tradition of a Shout chorus which often appears towards the end of a jazz piece, bringing the players together after they have all taken their improvised solos.Shout! should hopefully be enjoyable to listen to and, although not without its technical challenges, fun to play.Duration: 3.45
Estimated dispatch 7-14 working days
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£289.99Atlas Symphony (Concert Band - Score and Parts) - Deleruyelle, Thierry
The Atlas Symphony for symphonic wind band is an impressive and subtle work, thematically complex, with a rich orchestration, but also great beauty. The composer was keen to draw a parallel between an atlas, where all the geographical maps of the world are collected in one book, and his score, which brings together all the facets of his musical style. Despite being written without any breaks, the symphony is structured around three main ideas. It is based upon a series of notes that will become the very essence of the piece, its building blocks. Like the works of composers of serial music, the series appears in different forms - melodic and harmonic, thematic or simply as an accompaniment. With its wealth of rhythms and contrapuntal power, this piece is a compelling concerto for orchestra. The Orchestre de la Police Nationale was the first to be attracted to this work and premiered it with excellence under the baton of composer Thierry Deleruyelle.Duration: 16:30
Estimated dispatch 7-14 working days
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£295.00Partita (Concert Band - Score and Parts) - Rutter, John - Noble, Paul
Xylophones ahoy! John Rutter's Partita of 1976, is not a piece you might necessarily have expected from the renowned composer of some of the classics of contemporary sacred choral music. Yet this is a giant of a piece that allows everyone in the ensemble to truly shine, and one which surely will become a significant addition to the repertoire of the Concert Band. With hints of Gershwin, and filled with joy, majesty, wonder, and power, it will excite your ensemble and capture your audience. The original orchestra composition was written for, and dedicated to, the London Junior Orchestra.
Estimated dispatch 7-14 working days
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£140.00Prelude and Fugue (The Spitfire) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
The Prelude and Fugue (The Spitfire) by William Walton, written to accompany the film, The First of the Few, was the film story of the designer of the Spitfire fighter aircraft, R. J. Mitchell. This work was lifted, almost bodily out of the film score: exceptionally (for film music) it needed hardly any modification to turn it into a first-rate concert piece. The prelude, called by Stephen Lloyd one of Walton's finest marches, is the music heard over the opening credit titles in the movie. A central lyrical solo depicts the exhaustion and dying by illness of the aircraft's designer R. J. Mitchell. The fugue is used to describe the making of the Spitfire, and then the patriotic march returns joined with the fugue to mark the completion of the fighter aircraft. The majestic march-like drama of the Prelude is well-suited for graduation and other ceremonial events, and the total piece is a tour de force for contest performance.
Estimated dispatch 7-14 working days
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£144.99Dances and Sonnets (Concert Band - Score and Parts) - De Haan, Jacob
Dances and Sonnets is a piece by Jacob de Haan, inspired by the dance and poetry of the 19th Century Europe. Lively instrumental dances alternate with spoken sonnets that are recited by one or more readers, accompanied by quiet, solemn music to provide contrast. De Haan has compiled a list of suggested poems to be read, but other poems may be selected that better fit the occasion. Dances and Sonnets is a dramatic and truly special piece!Duration: 11:00
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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