Results
-
£154.99The Power of the Megatsunami - Carl Wittrock
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions ofmany countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature.
Estimated dispatch 7-14 working days
-
£66.95Mele Kalikimaka (Flexible Ensemble - Score and Parts) - Anderson, R. Alex - Esplo, Haakon
Finally, the Christmas carol Mele Kalikimaka is available for flexible ensemble in a fun and catchy arrangement.Mele Kalikimaka is well known, but perhaps not one of our most played Christmas carols. It has a Hawaiian theme and melodic effects and was written in 1949 by R. Alex Anderson. The title means Merry Christmas in Hawaiian. One of the earliest recordings of this song was by Bing Crosby and the Andrews Sisters in 1950 on Decca. It has been sung and recorded by many artists and used in several films.Flexible instrumentation (Flex 5 ShowBlow) makes it playable for small as well as larger ensembles.Duration: 2.15
Estimated dispatch 7-14 working days
Audio Player -
£69.99New Orleans Funk (Flexible Ensemble - Score and Parts) - Schaars, Peter Kleine
Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is characterized by an independent bass line that emphasizes each first beat of the bar (the one), as well as by a rhythmic combination of syncopated melodies and accompaniments with lots of harmonic additions. This style-conscious composition by Peter Kleine Schaars contains a healthy blend of the harmonic ingredients as well as the rhythmic challenges of funk music. On the one hand, New Orleans Funk is an educational exercise with the rhythmic cells 9, 10, 14, 15 and 16: on the other hand, it is a funky highlight of your rehearsal or concert!Duration: 3.15
Estimated dispatch 7-14 working days
-
£75.00Zion Hears the Watchmen's Voices (Concert Band with Optional Choir - Score and Parts) - Bach, Johann Sebastian - Noble & Rutter
Zion Hears the Watchmen Singing (Zion hrt die Wchter singen) is the fourth of seven movements of Bach's cantata Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), BWV 140, also known as Sleepers Wake. It is regarded as one of his most mature and popular sacred cantatas. It is written in the style of a chorale prelude, with the phrases of the chorale, sung as a cantus firmus by the tenors (or by the tenor soloist), entering intermittently against a famously lyrical melody played in this arrangement in unison principally by the woodwinds. Bach composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
Audio Player -
£75.00O God, Our Help in Ages Past (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Considered one of the finest paraphrases written by Isaac Watts, O God, Our Help in Ages Past expresses a strong note of assurance, promise, and hope as recorded in the first part of Psalm 90. This Festive fanfare and hymn arrangement by John Rutter, adapted by Paul Noble, makes a powerful piece for combined Concert/Wind Band and Chorus, one that is a very accessible and a worthy addition to the repertoire of the Concert Band.
Estimated dispatch 7-14 working days
Audio Player -
£55.00She Loves You (Concert Band - Score and Parts) - Lennon & McCartney - Story, Michael
As recorded by the Beatles. Ranked by Rolling Stone on the top 100 songs of all time and one of the five Beatles songs all in the top five simultaneously in April of 1964, this classic rock-and-roll hit remains a real charmer. Prepared for first year students, this one will be recognized by young and old alike. Great classic rock for your first pop program.Duration: 2:15
Estimated dispatch 7-14 working days
Audio Player -
£94.99Beat it (Concert Band - Score and Parts) - Jackson, Michael - Amano, Masamicz
Beat It, is one of Michael Jackson's most popular songs, awarded two Grammys for its commercial success. Seen by many as a rock song, Beat It was ranked by Rolling Stone magazine as one of the "100 Greatest Guitar Songs of All Time." Since its release, the song has been covered and famously reinterpreted by artists such as Fall Out Boy, Fergie and most recently Masamicz Amano, who has made this wonderful arrangement for concert band!Duration: 4:15
Estimated dispatch 7-14 working days
Audio Player -
£204.99Storia Eroica (Concert Band - Score and Parts) - Waignein, Andre
This composition was commissioned by the "Municipal Brass Band of Luxembourg-Bonnevoie". It was premiered in presence of the Grand-Duke Heir Henri on January 24, 1998 with this orchestra, and with the composer as director. This work is a musical evocation describing this magnificent Luxembourgian region and her inhabitants. The overture evokes the serenity met in this region. An orchestrale development, as rhythmic as sound, propels the orchestra in a "military" atmosphere putting in evidence all the registers of the orchestra. This tension is maintained until the general explosion of the whole. One cantilena appears in all the innocence. Gradually, the orchestration suppresses, until the exhaustion. The passage which follows represents the tempestuous events which took place through ages. A spectacular cadence, by the clarinet or by the soprano saxophone, terminates this disorder. An ample and lyric theme reflects the generosity which always played an important role. Then, having found some of initial themes, work ends in an atmosphere of enjoyment, developed in rich and eclectic one variety which proves the sphere of influence of the sound colour at Andr Waignein.Duration: 14:00
Estimated dispatch 7-14 working days
Audio Player -
£154.99The Power of the Megatsunami Wind Band Set (Score & Parts)
The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30
Estimated dispatch 7-14 working days
-
£84.99Bread and Games - William Vean
'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.
Estimated dispatch 7-14 working days
Audio Player
View Music