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  • £75.00

    Zion Hears the Watchmen's Voices (Concert Band with Optional Choir - Score and Parts) - Bach, Johann Sebastian - Noble & Rutter

    Zion Hears the Watchmen Singing (Zion hrt die Wchter singen) is the fourth of seven movements of Bach's cantata Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), BWV 140, also known as Sleepers Wake. It is regarded as one of his most mature and popular sacred cantatas. It is written in the style of a chorale prelude, with the phrases of the chorale, sung as a cantus firmus by the tenors (or by the tenor soloist), entering intermittently against a famously lyrical melody played in this arrangement in unison principally by the woodwinds. Bach composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated dispatch 7-14 working days

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  • £75.00

    O God, Our Help in Ages Past (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Considered one of the finest paraphrases written by Isaac Watts, O God, Our Help in Ages Past expresses a strong note of assurance, promise, and hope as recorded in the first part of Psalm 90. This Festive fanfare and hymn arrangement by John Rutter, adapted by Paul Noble, makes a powerful piece for combined Concert/Wind Band and Chorus, one that is a very accessible and a worthy addition to the repertoire of the Concert Band.

    Estimated dispatch 7-14 working days

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  • £55.00

    She Loves You (Concert Band - Score and Parts) - Lennon & McCartney - Story, Michael

    As recorded by the Beatles. Ranked by Rolling Stone on the top 100 songs of all time and one of the five Beatles songs all in the top five simultaneously in April of 1964, this classic rock-and-roll hit remains a real charmer. Prepared for first year students, this one will be recognized by young and old alike. Great classic rock for your first pop program.Duration: 2:15

    Estimated dispatch 7-14 working days

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  • £94.99

    Beat it (Concert Band - Score and Parts) - Jackson, Michael - Amano, Masamicz

    Beat It, is one of Michael Jackson's most popular songs, awarded two Grammys for its commercial success. Seen by many as a rock song, Beat It was ranked by Rolling Stone magazine as one of the "100 Greatest Guitar Songs of All Time." Since its release, the song has been covered and famously reinterpreted by artists such as Fall Out Boy, Fergie and most recently Masamicz Amano, who has made this wonderful arrangement for concert band!Duration: 4:15

    Estimated dispatch 7-14 working days

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  • £204.99

    Storia Eroica (Concert Band - Score and Parts) - Waignein, Andre

    This composition was commissioned by the "Municipal Brass Band of Luxembourg-Bonnevoie". It was premiered in presence of the Grand-Duke Heir Henri on January 24, 1998 with this orchestra, and with the composer as director. This work is a musical evocation describing this magnificent Luxembourgian region and her inhabitants. The overture evokes the serenity met in this region. An orchestrale development, as rhythmic as sound, propels the orchestra in a "military" atmosphere putting in evidence all the registers of the orchestra. This tension is maintained until the general explosion of the whole. One cantilena appears in all the innocence. Gradually, the orchestration suppresses, until the exhaustion. The passage which follows represents the tempestuous events which took place through ages. A spectacular cadence, by the clarinet or by the soprano saxophone, terminates this disorder. An ample and lyric theme reflects the generosity which always played an important role. Then, having found some of initial themes, work ends in an atmosphere of enjoyment, developed in rich and eclectic one variety which proves the sphere of influence of the sound colour at Andr Waignein.Duration: 14:00

    Estimated dispatch 7-14 working days
  • £154.99

    The Power of the Megatsunami Wind Band Set (Score & Parts)

    The word 'tsunami' is of Japanese origin. When you look it up in a dictionary, you will find that it means 'a great sea wave produced by submarine earth movement or volcanic eruption'. A megatsunami is the superlative of this awesome expression of power that nature can create, and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred, but since then we have become all too familiar with the disastrous consequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunami took the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami, such as the island of La Palma, one of the Canary Islands. This island is based on oceanic crust at a fracture zone and as such is one of nature's time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma, the tidal wave will move in the direction of South America, where it may reach 50 km inland, destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air, the music creating an oppressive atmosphere of impending disaster. Themes are interrupted, broken off suddenly, followed by silence, suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake, and the megatsunami is a fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature's force has spent itself, resignation sets in and the composition ends with a majestic ode to nature. 10:30

    Estimated dispatch 7-14 working days

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  • £84.99

    Bread and Games - William Vean

    'Panem et Circenses', Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans, the Games were Popular Pastime Number One for everybody.There were different kinds of games, such as chariot races (especially popular with female spectators), or wild-beast fights, where lions, tigers, bulls or bears were set on one another or even on human beings. Most popular, however, were the Gladiator fights. In 'Bread and Games' William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for, after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child's play in this part.On the contrary, they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate, depending on the mercy of the audience. Waving one's handkerchief meant mercy, a turned-down thumb meant no pardon. The Emperor had the right to take the final decision, but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves, convicted criminals, or prisoners of war. Consequently, winning was very important, as it would mean fame, honour and sometimes even wealth. A lap of honour, therefore, was the winner's due reward.

    Estimated dispatch 7-14 working days

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  • £79.99

    Sir Roger de Coverley - Frank Bridge

    Frank Bridge (1879 – 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen’s Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge’s lively treatment of one of England’s most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley’s traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig’s party in Dickens’ A Christmas Carol.

    Estimated dispatch 7-14 working days
  • £85.00

    Sir Roger de Coverley - Frank Bridge

    Frank Bridge (1879 - 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge's lively treatment of one of England's most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.

    In stock: Estimated delivery 1-3 days
  • £100.00 £100.00
    Buy from Peter Meechan Music

    Forgotten Children - Peter Meechan

    Forgotten Children is a short work for wind orchestra and electronic accompaniment. Adapted from it's original form (for brass quartet and CD, Forgotten Children was written for The Desert Winds and their conductor Chuck Maguire, to whom the piece is dedicated.Whilst conceiving the piece, the subject of the war in Syria dominated news headlines, specifically the refusal by Western nations to intervene. There were, of course, political reasons at the heart of the decision, complicated by a situation that no one understood in a country no one understands. The harrowing images of chemical weapons being used on children was seemingly not enough to persuade the West that their help was needed, but those silent voices fell on even deafer ears. They were, and still are, the Forgotten Children.Please download the electronic accompaniment below.

    Estimated dispatch 5-14 working days

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