Results
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£89.99The Leaves Are Falling - Warren Benson
Distinguished composer Warren Benson has contributed a wealth of significant literature to the band repertoire. 'The Leaves Are Falling' is undoubtedly one of his best known, and now is once again available in this new edition from Hal Leonard.
Estimated dispatch 7-14 working days
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£84.99Columbus - Thierry Deleruyelle
Columbus is a brilliant and dynamic overture with a soft and melodious central passage. The composer was inspired by the European space laboratory Columbus that is part of the International Space Station. In this lab, hundreds of scientific experiments are carried out on a yearly basis. This work was commissioned by the Brass Band Bourgueillois, which was founded ten years ago and has since been a 'laboratory' of musical creativity. In response to the many positive reactions to this attractive work, the composer has now also produced a version for concert band.
Estimated dispatch 7-14 working days
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£64.99Taylor Swift: Eras
Pop icon Taylor Swift has continued to expand her popularity thanks to her Eras Tour across the country, and now a concert film. Here is a great-sounding medley for young bands featuring signature hits from her various eras. Includes: You Belong to Me, Enchanted, I Knew You Were Trouble, Shake It Off, Look What You Made Me Do, Cardigan, and Anti-Hero.
Estimated dispatch 7-14 working days
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£119.60In Flanders Fields - Guillaume Détrez
"In Flanders Fields" is a play recounting the Battle of Vimy Ridge (France) which took place from April 9 to 12, 1917. The introduction refers to the thousands of graves found at the site of Notre-Dame de Lorette. Then begins the episode of preparation and fierce battle. Thanks to the Canadian Expeditionary Force that came as reinforcements, the battle was won and the site secured at 6 a.m. (brass choir accompanied by 6 bells). The title of this work also refers to a poem by John Mac Rae located at the entrance to the memorial museum."In Flanders Fields"By Col. John McCrae,In Flanders Fields The poppies blowBetween the crosses row on rowThat mark our place; and in the skyThe larks, still bravely singing, flyScarce heard amid the guns below.We are the dead, short days agoWe lived, felt dawn, saw sunset glow,Loved and were loved and now we lieIn Flanders Fields.Take up our quarrel with the foeTo you, from failing hands, we throwThe torch, be yours to hold it high.If ye break faith with us, who dieWe shall not sleep, though poppies growIn Flanders Fields
Estimated dispatch 7-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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£73.60True Sorry - Ibrahim Maalouf
Lebanese-born French trumpeter Ibrahim Maalouf is part of the modern jazz and blues movement. This now famous trumpeter recorded "True Sorry" for his 2013 album Illusions. This album but especially the song "True Sorry" made him known to the general public. The trumpet solo is impressive, yet very playable for many. The music transports us between jazz, pop, rock and eastern sounds. It alternates soft melodies with powerful, tormented, heady passages.
Estimated dispatch 7-14 working days
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£69.00
Walking the Dog - George Gershwin
Walking the Dog is one of the many songs George Gershwin wrote for the film "Shall We Dance." George Gershwin at the height of his powers. Instead of the bustling, complex symphonic scores he was now accustomed to writing, it is a simple, elegant little walk, as the title suggests.In the 1937 film, it accompanies a scene of (you guessed it) walking a little dog, aboard the luxurious deck of a cruise ship. Since it was heard in the film, however, the tune has taken on a life of its own and has become a popular piece for clarinetists around the world. In 1960, the song was published as "Promenade." Interestingly, it is also the only part of the film score of "Shall We Dance" that remains - the rest of the film's music unfortunately remains unpublished there are not even any recordings.
Estimated dispatch 7-14 working days
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£236.00Pome symphonique en forme d'ouverture - Paul Gilson
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Gil blas - Jules Strens
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Tartarin de Tarascon - Marcel Poot
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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