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  • £59.40

    National Emblem - Bagley, Edwin Eugene - Schissel, Loras

    Everyone loves this great march and the new edition by Loras Schissel will help your band sound their best when they perform it. Solid as a rock and not simplified in any way.

    Estimated dispatch 7-14 working days

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  • £149.99

    Bridge Between Nations Wind Band Set (Score & Parts)

    This work builds a musical bridge between the nations of the European Union. In this composition each country is represented by a fragment of its national anthem. The listener will continually be surprised by the creative way the national anthems are presented. The national anthems of the nations that have become part of the EU in 2004 have already been included in this piece. Because the fragments follow each other and complement each other in a logical way, this work does not sound like a regular medley but rather like a varied concert work with interesting elements of folklore. For most of the national anthems Jacob de Haan has chosen a minor key, which gives this work an extra emotional, sometimes melancholic overtone. 0:09:30

    Estimated dispatch 7-14 working days

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  • £141.99

    Pulcinella - Philip Sparke

    Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.

    Estimated dispatch 7-14 working days
  • £33.10

    Hunyadi Indul - Ferenc Erkel

    The first performance of the opera "Hunyadi Lszl" by Ferenc Erkel (1810-1893) at the National Theater in Pest took place in times that foreboded the revolt of 1848. The rise of this stage work to Hungary's national opera and its ensuing immediate great success probably is due to the plot itself and the atmosphere prevailing in the country at that time. The great flute virtuoso and composer Franz Doppler (1821-1883) asked "Erkel to grant permission to write a march on the basis of motifs from this opera for my citizen's guards band, which he explicitly consented to ..." From the days of the revolution against Habsburg until today the "Hunyadi indul" ("March on Motifs of theOpera 'Hunyadi'") has remained to be popular throughout and therefore may rightly be addressed as a Hungarian national march.

    Estimated dispatch 7-14 working days
  • £84.99

    Saltus Hungaricus - László Zempléni

    The second half of the 18th century, for the people of East Central Europe, was the time of the awakening of national consciousness. The leading force in the Hungarian enlightenment, the lesser nobility, also regarded as important the national character of the country's culture. A valuable kind of national music was the Hungarian dance music that flourished in the 18th century. The greater part of the repertoire naturally perpetuates the 'Hungarian-style' pieces from the previous centuries (appearing in foreign collections too described as hungaricus, ungaresca, saltus hungaricus or Ungarischer Tanz), but beside these we can encounter contemporary European dances and entertaining instrumental pieces in almost every style. The majority of the sources are collections compiled by non-professional musicians and intendedfor private music-making. In this work the composer uses melodies from the 18th-century Linus dance collection, in trioform, with harmonies and bass appropriate to that period. The musical fabric is rich in counterparts, the sound is mademore colourful with many kinds of percussion instruments. The register and rhythmic simplicity of the parts make thepieces easily playable even by music school pupils.

    Estimated dispatch 7-14 working days
  • £141.99

    Pulcinella (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip

    Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close. Duration: 6.45

    Estimated dispatch 7-14 working days
  • £137.00

    Symphony No. 1 For Band - Claude T. Smith

    Commissioned by the National Honorary Band Fraternity, Kappa Kappa Psi and the National Honorary Band Sorority of Tau Beta Sigma, this sparkling masterwork contains four distinctive movements highlighting Smith's use of unique harmonic language, lavish melodies and imaginative rhythms. A virtuosic work for advanced wind ensembles.

    Estimated dispatch 7-14 working days
  • £56.50

    Relics Of The Past - Sean O'Loughlin

    As the title implies, here is a piece from popular composer Sean O'Loughlin that harkens back to ancient times. The minor mode gives the piece a seriousness that students will love. Relics of the Past was inspired by the composer's trip to Yosemite National Park with his family, where he was awed by the majestic, expansive views of the park. From Half Dome to Yosemite Falls to the giant Sequoia trees and more, Yosemite National Park embodies ancient beauty and conflict, reflected here in Relics of the Past. Beginning groups only need to use the first six notes that they learn to play this expressive, haunting piece.

    Estimated dispatch 7-14 working days
  • £104.90

    Festouverture [1902] - Armas Järnefelt

    The strong voice of Finnish national romanticism Armas Jrnefelt (1869-1958) composed his jubilant Festouverture (Festive Overture) for the official opening of the Finnish National Theatre on 9 April 1902 Robert J. Ambrose's transcription follows the tradition and makes this excellent work available for band platform. The work is well suited as a concert opener. The overture is a grade 4 work

    Estimated dispatch 7-14 working days
  • £79.99

    The Northern Pines - John Philip Sousa

    Best known for his military marches, John Philip Sousa was an American composer and conductor of the late Romantic era. Sousa's most famous marches include 'The Liberty Bell', 'The Thunderer', 'The WashingtonPost', 'Semper Fidelis' (Official March of the United States Marine Corps), and 'The Stars and Stripes Forever' (National March of the United States of America).The Northern Pines march was composed in 1931and is scored for Concert Band. Named for the tall and beautiful pine trees that blanket the National Music Camp at Interlochen in northern Michigan, Sousa dedicated the march to the students who came to the camp and toDr Joseph Maddy, its founder. Sousa was the guest conductor of the assembled student band for the premire.This G. Schirmer edition features a full score, full-sized parts and updated instrumentation.

    Estimated dispatch 7-14 working days