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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£71.28With Malice Toward None
This powerful arrangement, for concert band with optional narrator, is a musical tribute to the 16th President of the United States, Abraham Lincoln. Highly informative, the music traces the life and times of this great man who led the fight for freedom during the infamous Civil War. Dramatic excerpts from some of his best?known speeches are included while "Battle Hymn of the Republic," "Battle Cry of Freedom," "Dixie" and "Aura Lee" have been crafted into an emotionally charged expression of musical reverence. This selection will make a great finale for that very special concert. A real crowd pleaser!
Estimated dispatch 7-14 working days
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£210.80The Pied Piper of Hamelin (Concert Band - Score and Parts) - Schwarz, Otto M.
Stories, sagas and legends--who among us don't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the 'Soup-Kasper' of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colourful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognise this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain forever. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. The work may be performed in two different versions: 1. Purely instrumental (without narrator)--the GPs (pauses) must be kept short 2. With narrator--he speaks in the GPs but not during the music.Duration: 14.15
Estimated dispatch 7-14 working days
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£44.55
A Visit From Saint Nicholas
For band with narrator. Len Orcino's delightful and entertaining new arrangement of "The Night Before Christmas" for narrator and developing bands that is destined to become the highlight of many holiday performances. A wonderful way to involve your Principal or any local celebrity in your band's concert. Band parts are very effective and playable! A timeless "Classic" that just can't be beat!
Estimated dispatch 7-14 working days
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£70.50A New Birth of Freedom (Narrator with Concert Band - Score and Parts) - Bass, Randol Alan
This narrative setting of Lincoln's immortal Gettysburg Address is as beautiful as the speech is on paper, the best way to appreciate Lincoln's musical instinct for timbre, phrasing, and rhythmic patterns is through recitation and American composer Randol Alan Bass has created a unique musical opportunity for us to do that.Duration: 4:30
Estimated dispatch 7-14 working days
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£75.00Another Night Before Christmas (Narrator & Keyboard with Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The parody on the original poem is by England's Poet Laureate, Carol Ann Duffy, a Scottish poet and playwright. She is Professor of Contemporary Poetry at the Manchester Metropolitan University and is the first laureate to be chosen in the 21st century. The story is about a little girl who wants to see Santa Claus to prove to herself that he is real, but falls asleep at a critical moment.
Estimated dispatch 7-14 working days
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£64.99Bridges (Narrator with Concert Band - Score and Parts) - Hazo, Samuel R.
Composed at the request of Virginia Tech University and performed on the band's 2007 commencement tour, this work from Samuel Hazo pays tribute to the university's fallen students through a touching tone poem and accompanying inspirational text that helps build the bridges to healing.
Estimated dispatch 7-14 working days
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£87.50The Night Before Christmas (Narrator with Concert Band - Score and Parts) - Bass, Randol Alan
This magical piece is the quintessential setting for the Christmas holiday's most treasured poem. The Night Before Christmas, originally commissioned by the Cleveland Orchestra, includes numerous soloists and sparkling orchestration in this original and cinematic score that musically stages the poem from beginning to end. The reading of the poem fits seamlessly into this remarkable composition that is certain to become a lasting audience and ensemble tradition!Duration: 6:30
Estimated dispatch 7-14 working days
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£49.50Waltzing Bells (Concert Band - Score and Parts)
Medley with narrator takes the audience on a musical trip to various countries across the sea. Here is a piece that is fun to play while learning about tempo changes, style and conductor awareness.
Estimated dispatch 7-14 working days
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£123.95A More Perfect Union - The Legacy of James Madison - Larry Clark
Commissioned by the James Madison University Wind Symphony, Dr. J. Patrick Rooney, Larry Clark have produced a dynamic original piece for Narrator and Band that uses words by and about James Madison, the fourth President of the United States and principal author of the Bill of Rights. A patriotic piece with a characteristically "American" sound, A More Perfect Union is a challenging piece for band that will be a welcome alternative to Copland's A Lincoln Portrait, for directors seeking a patriotic selection using a narrator. Duration: 8'
Estimated dispatch 7-14 working days
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