Results
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£60.99Hymn to the Fallen (Concert Band - Score and Parts) - Williams, John - Sweeney, Michael
From the highly acclaimed Steven Spielberg film, this emotional hymn by John Williams evokes a feeling of hope and strength amid the overall tone of reverence. This arrangement is beautifully scored for young groups while maintaining the integrity of the original. Exposed sections featuring woodwinds or brass are cross cued for bands with incomplete instrumentation.
Estimated dispatch 7-14 working days
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£42.50Armed Forces March (Concert Band - Score and Parts) - Sweeney, Michael
These traditional themes have never sounded so good at this easy of a level! Written in 2/4 rather than cut time, this arrangement includes interesting parts for all instruments - including the low brass and percussion. Featuring Marine's Hymn, Anchors Aweigh and The Caissons Go Rolling Along, this is the perfect concert closer for beginning bands.Duration: 2:00
Estimated dispatch 7-14 working days
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£64.99The Saints' Hallelujah (Concert Band - Score and Parts) - Custer, Calvin
The lively combination of 'When The Saints Go Marching In' and 'The Hallelujah Chorus' has been a popular Canadian Brass concert selection for years. This playable version of that imaginative arrangement features a trumpet soli section an d solid concert band scoring throughout.
Estimated dispatch 7-14 working days
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£58.50Overture on an American Folk Tune (Concert Band - Score and Parts) - Akey, Douglas
This incredible overture was written for the All County Honor Band in Mercer County, Pennsylvania and is based on the familiar folk song, "Erie Canal." The slow, powerful introduction is comprised of fragments of the famous melody. The tempo then suddenly increases, yielding a driving, staccato variation featuring trumpets and percussion. After giving way to a mysterious section played by flutes and low brass, the "Allegro" reappears in an exciting contrapuntal form. Douglas Akey's Overture on an American Folk Tune is destined to become a classic! Duration: 4.45
Estimated dispatch 7-14 working days
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£53.50Valley of Fire (Concert Band - Score and Parts) - Sweeney, Michael
A majestic brass fanfare unveils the start of this exciting work for young bands. Once again Michael Sweeney's flair for innovative writing for young bands will ensure this piece's success with your students, giving them both musical and learning experience.
Estimated dispatch 7-14 working days
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£154.99Dynamica (Concert Band - Score and Parts) - Van der Roost, Jan
As the title suggests, this is a fiery and energetic, dynamic overture. Jan Van der Roost was commissioned to write the piece by the Japanese 'Band of the NEC-Tamagawa Plant' on the occasion of its 40th anniversary. From the first measure, the brass section sets the scene with rhythmical motives. Gradually we hear melodic and playful themes, often supported by (poly)rhythmic figures. A fermate in the trombone section prepares the way for the final theme, which virtuosically leads into a reprise of the first fanfare. The dynamic circle closes!Duration: 6:45
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£66.951812 Overture (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Williams, Mark
This powerful arrangement makes one of Tchaikovsky's most popular and dramatic orchestral works accessible for grade 3 concert bands. The expresive chorale that opens the work has been reworked for brass and bass clarinet, and its dramatic restatement near the end of the piece has been transposed down a perfect fourth so your trumpets will ring through right to the end. Mark Williams also offers some creative alternatives to achieve the cannon sounds. Close your next concert with this all-time classic!Duration: 7.15
Estimated dispatch 7-14 working days
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£264.99Poeme Montagnard (Concert Band - Score and Parts) - Van der Roost, Jan
Jan Van der Roost received the commission for this work from the Orchestre d'Harmonie du Val d'Aoste and dedicated the composition to Lino Blanchod, the conductor of the orchestra. The first performance was on 26th January 1997 by the orchestra itself and under the direction of the composer. This extensive symphonic poem depicts the atmosphere and history of the autonomous French speaking region Val d'Aoste in northern Italy, and is meant as a musical homage to the historical figure Catherine de Challant. The opening of this piece describes the rugged nature of this region dominated by Mont Blanc, the roof of Europe. A brief, combative passage conjures up the numerous wars fought here through the ages, later expanding into a surprising 'Renaissance Dance' with an original and fitting recorder quartet. A broad, lyrical theme portrays the love that has always played an important role here. After recapturing several of the earlier themes, the piece closes with the renaissance dance, this time played by the brass. A spectacular finale brings this symphonic poem to a close.Duration: 18:30
Estimated dispatch 7-14 working days
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