Results
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£76.99As All the Heavens Were a Bell (Concert Band - Score and Parts) - Bocook, Jay
Commissioned as a tribute to the Fire Department of New York City, this immensely moving work was premiered at an emotional performance for the firefighters in Manhattan this past March. The composition opens with a striking brass fanfare accompanied by woodwind flourishes. A sensitive treatment of the melody from America (My Country, 'Tis Of Thee) follows using haunting vocal colors (cued in F Horns). The nation in turmoil is depicted in an intensely driving and powerful section which evolves marvelously into a full-blown treatment of America with chorus and band. A truly magnificent musical tribute to the heroes of 9/11.
Estimated dispatch 7-14 working days
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£53.95Let Heaven and Nature Sing! (A Holiday Fanfare for Band) (Concert Band - Score and Parts) - Handel & Tchaikovsky - Smith, Robert W.
An opening fanfare or a superior holiday concert closer. Based on the traditional carol "Joy to the World," this arrangement features bold brass statements shifting to delicate melodic woodwind quotes allowing the beginning band a very mature and solid sound. This most effective setting will be greeted by audiences with great enthusiasm. Duration: 1.45
Estimated dispatch 7-14 working days
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£58.50Overture on an American Folk Tune (Concert Band - Score and Parts) - Akey, Douglas
This incredible overture was written for the All County Honor Band in Mercer County, Pennsylvania and is based on the familiar folk song, "Erie Canal." The slow, powerful introduction is comprised of fragments of the famous melody. The tempo then suddenly increases, yielding a driving, staccato variation featuring trumpets and percussion. After giving way to a mysterious section played by flutes and low brass, the "Allegro" reappears in an exciting contrapuntal form. Douglas Akey's Overture on an American Folk Tune is destined to become a classic! Duration: 4.45
Estimated dispatch 7-14 working days
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£53.50Valley of Fire (Concert Band - Score and Parts) - Sweeney, Michael
A majestic brass fanfare unveils the start of this exciting work for young bands. Once again Michael Sweeney's flair for innovative writing for young bands will ensure this piece's success with your students, giving them both musical and learning experience.
Estimated dispatch 7-14 working days
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£154.99Dynamica (Concert Band - Score and Parts) - Van der Roost, Jan
As the title suggests, this is a fiery and energetic, dynamic overture. Jan Van der Roost was commissioned to write the piece by the Japanese 'Band of the NEC-Tamagawa Plant' on the occasion of its 40th anniversary. From the first measure, the brass section sets the scene with rhythmical motives. Gradually we hear melodic and playful themes, often supported by (poly)rhythmic figures. A fermate in the trombone section prepares the way for the final theme, which virtuosically leads into a reprise of the first fanfare. The dynamic circle closes!Duration: 6:45
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£154.99Harlequin (Concert Band - Score and Parts) - Cesarini, Franco
An Overture for Concert BandThe overture Harlequin was composed in 1995 to mark the 50th anniversary of the Swiss Federation of Wind Band conductors. The striking ascending and descending melodic lines, heard throughout the composition, together with the intricate rhythm, form an entertaining whole. The work begins with a sparkling opening in which the strong rhythmic brass passages are surrounded by virtuoso woodwind embellishments. The theme of the energetic opening later returns in the Andante Rubato, but in a very different form. The middle movement develops towards a partial repeat of the opening section which leads quickly into a thundering Presto finale.Duration: 7:30
Estimated dispatch 7-14 working days
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£64.99Bill Bailey (Concert Band - Score and Parts) - Cannon, Hughie - Henderson & Marshall
No catalogue would be complete without some of that marvellous razz-a-ma-tazz entertainment that is a trademark of a Canadian Brass performance. David Marshall has transformed one of their biggest hits, Bill Bailey, into a fabulous show-stopper for concert band.
Estimated dispatch 7-14 working days
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£47.95Ride of the Valkyries (Concert Band - Score and Parts) - Wagner, Richard - Williams, Mark
This arrangement of a famous Wagner composition is from the opera Die Walkre and is skillfully presented here for the maturing intermediate concert band. Your brass players will have a great time playing the spectacular melody, while flutes and clarinets add trills and triplet figures that create tension and excitement. Your audience will be highly impressed with this dazzling adaptation of a popular classic. Duration: 2.00
Estimated dispatch 7-14 working days
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