Results
-
£87.99Once in Royal David's City (Concert Band - Score and Parts) - Gauntlett, Henry - Sparke, Philip
Sparkling woodwinds and majestic brass come together to bring us a wonderful arrangement of this classic carol! Each of the four verses are treated differently, creating beautiful textures and a multi-faceted setting of the familiar tune. This fresh arrangement for developing bands is a great choice for both church and school!Duration: 4:30
Estimated dispatch 7-14 working days
-
£69.99St. Louis Blues (Concert Band - Score and Parts) - Handy, W. C. - Brown & Henderson
Based on the famous Canadian Brass version by master arranger Luther Henderson, here is a wonderful adaptation for concert band by Michael Brown. Opening with a bluesy medium swing feel, the tuba section is featured on the melody along with a small group of players. Mid-way through the arrangement, the style changes to an up-tempo Dixieland style with the melody cleverly traded between various sections of the band. This rousing number is sure to be a favourite.
Estimated dispatch 7-14 working days
-
£38.50Freedom's Road (Concert Band - Score and Parts) - Lavender, Paul
Get your beginning band off to a great start on their first concert! This impressive-sounding composition has bold lines for brass and contrasting melodies for woodwinds all with nothing faster than quarter notes (8ths in percussion). Guaranteed success.Duration: 1.45
Estimated dispatch 7-14 working days
-
£76.99As All the Heavens Were a Bell (Concert Band - Score and Parts) - Bocook, Jay
Commissioned as a tribute to the Fire Department of New York City, this immensely moving work was premiered at an emotional performance for the firefighters in Manhattan this past March. The composition opens with a striking brass fanfare accompanied by woodwind flourishes. A sensitive treatment of the melody from America (My Country, 'Tis Of Thee) follows using haunting vocal colors (cued in F Horns). The nation in turmoil is depicted in an intensely driving and powerful section which evolves marvelously into a full-blown treatment of America with chorus and band. A truly magnificent musical tribute to the heroes of 9/11.
Estimated dispatch 7-14 working days
-
£53.95Let Heaven and Nature Sing! (A Holiday Fanfare for Band) (Concert Band - Score and Parts) - Handel & Tchaikovsky - Smith, Robert W.
An opening fanfare or a superior holiday concert closer. Based on the traditional carol "Joy to the World," this arrangement features bold brass statements shifting to delicate melodic woodwind quotes allowing the beginning band a very mature and solid sound. This most effective setting will be greeted by audiences with great enthusiasm. Duration: 1.45
Estimated dispatch 7-14 working days
-
£53.50Valley of Fire (Concert Band - Score and Parts) - Sweeney, Michael
A majestic brass fanfare unveils the start of this exciting work for young bands. Once again Michael Sweeney's flair for innovative writing for young bands will ensure this piece's success with your students, giving them both musical and learning experience.
Estimated dispatch 7-14 working days
-
£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£32.95Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
-
£154.99Harlequin (Concert Band - Score and Parts) - Cesarini, Franco
An Overture for Concert BandThe overture Harlequin was composed in 1995 to mark the 50th anniversary of the Swiss Federation of Wind Band conductors. The striking ascending and descending melodic lines, heard throughout the composition, together with the intricate rhythm, form an entertaining whole. The work begins with a sparkling opening in which the strong rhythmic brass passages are surrounded by virtuoso woodwind embellishments. The theme of the energetic opening later returns in the Andante Rubato, but in a very different form. The middle movement develops towards a partial repeat of the opening section which leads quickly into a thundering Presto finale.Duration: 7:30
Estimated dispatch 7-14 working days
-
£73.50American Jazz Suite (Trumpet Solo with Concert Band - Score and Parts) - Vizzutti, Allen
This spectacular work by trumpet virtuoso Allen Vizzutti features your trumpet soloist in the jazz idiom without losing accessibility to your Concert Band students. The opening begins with a trumpet cadenza using half valves, bending notes and timbre changes accompanied by stop chords in the band. An easy swing section follows with a groove established by the low brass, low woodwinds and percussion. The up tempo second movement features the soloist using a plunger mute. There's great interplay between the soloist and band in this exciting feature for your star trumpet player! Duration: 4.30
Estimated dispatch 7-14 working days
