Results
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£57.50Groovee! (Concert Band - Score and Parts) - Saucedo, Richard L.
A G minor Groove for Concert BandWritten entirely in 4/4 and using a single tempo throughout, Richard has created a marvellous work for young players that features logical pacing and variety along with a keen sense of rhythmic momentum. Using a recurring interlude for percussion and bluesy elements in the melody, this is effective as a concert piece and also just plain fun to play!Duration: 3.00
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£69.99Firebrook Prelude (Concert Band - Score and Parts) - Curnow, James
Captivated by the rolling hills, majestic horse farms and beautiful horses of the Central Kentucky Bluegrass region, James Curnow has named this exciting overture after one of the most scenic areas near his home. After a fanfare opening, the Percussion section provides high energy for the main theme. A contrasting middle section showcases the expressive abilities of your ensemble. With a return of the main theme, momentum builds steadily to the exciting conclusion. Exhilarating!Duration: 4.30
Estimated dispatch 7-14 working days
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£144.95FANFARE TO PLANET EARTH and MILLENNIUM MARCH (Prestige Concert Band - Score and Parts) - Fanshawe, David - Sparke, Philip
These two works may be performed individually or, as published, together. Fanfare to Planet Earth - the Fanfare opens dramatically with heraldic trumpets answered by sforzando strikes on deep percussion. The Fanfare embraces the splendour and grandeur of our planet Earth, molto grandioso, and culminates in a chordal cluster - a blaze of brass and percussion in G major, describing feelings of optimism at the start of the 21st century. Performance time 1'50". Millennium March - constructed along classical lines, the theme of Millennium March is catchy and not without humour. Its recurring motif on trumpets, con brio, develops the opening bars of the Fanfare. The March gathers momentum through several dramatic key-changes and ends with a surprise flourish of chromaticism, marked Tempo Apocalyptic. Cannons and fireworks are optional! Performance time 4'10'
Estimated dispatch 7-14 working days
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£32.95
FANFARE TO PLANET EARTH and MILLENNIUM MARCH (Prestige Concert Band - Score only) - Fanshawe, David - Sparke, Philip
These two works may be performed individually or, as published, together. Fanfare to Planet Earth - the Fanfare opens dramatically with heraldic trumpets answered by sforzando strikes on deep percussion. The Fanfare embraces the splendour and grandeur of our planet Earth, molto grandioso, and culminates in a chordal cluster - a blaze of brass and percussion in G major, describing feelings of optimism at the start of the 21st century. Performance time 1'50". Millennium March - constructed along classical lines, the theme of Millennium March is catchy and not without humour. Its recurring motif on trumpets, con brio, develops the opening bars of the Fanfare. The March gathers momentum through several dramatic key-changes and ends with a surprise flourish of chromaticism, marked Tempo Apocalyptic. Cannons and fireworks are optional! Performance time 4'10'
Estimated dispatch 7-14 working days
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£55.00RPM (Concert Band - Score and Parts) - Hindson, Matthew
RPM stands for Revolutions per Minute. This piece seeks to capture the feeling of unrelenting speed, acceleration and momentum. The composer was influenced by heavy metal music, and describes the overall effect as similar to that of driving in a car at a very high speed.Duration: 4.00
Estimated dispatch 7-14 working days
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£114.95
SOURCE (Journey of a Scottish River) (Prestige Concert Band - Score and Parts) - Fraser, Bruce
Sub-titled Journey of a Highland River it is a descriptive work with thematic material derived from the composer's initials BCEFA. It basically attempts to describe the origins of a Highland river in a deep mountain cavern and it's subsequent journey as mountain stream gathering momentum as wends it's way to the rolling waves of the sea. Performance time 7'39' (Recorded on QPRM148D, VIZCAYA, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£32.95
SOURCE (Journey of a Scottish River) (Prestige Concert Band - Score only) - Fraser, Bruce
Sub-titled Journey of a Highland River it is a descriptive work with thematic material derived from the composer's initials BCEFA. It basically attempts to describe the origins of a Highland river in a deep mountain cavern and it's subsequent journey as mountain stream gathering momentum as wends it's way to the rolling waves of the sea. Grade 5. Performance time 7'39' (Recorded on QPRM148D, VIZCAYA, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£43.56Surge (Concert Band - Score and Parts)
The boundless energy of young musicians is captured and focused in "Surge," an exciting work for the beginning band. A bold ostinato in the low brass and woodwinds provides momentum as interacting rhythmic figures and flowing counter lines create an intense musical experience. As you have come to expect from master educator/composer Robert W. Smith, "Surge" is an excellent teaching tool that will appeal to both performer and audience!
Estimated dispatch 7-14 working days
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