Results
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£154.60Strilefunk - Torstein Aagaard-Nilsen
The piece was commissioned by the Norwegian Band Federation Hordaland and conductor Arvid Anthun for the 40th anniversary of Hordaland Youth Band in 2021. The piece is dedicated to Arvid Anthun.Several of our collaborations have focused on arranging and performing Norwegian folk music. This includes projects such as the one Manger Musikklag undertook in the late 90s, concerts, and recording sessions with Jlster Musikklag alongside the fiddler Sigmund Eiks, and now, for the anniversary concert of Hordaland Youth Band.Arvid desired folk music in a modern style. We discussed, among other things, Valter Aamodt's "Hordarapsodi," and he mentioned my Norwegian Dance, a funky piece where I incorporate a folk tune as a crucial element. Aamodt uses the melody "Eg rodde meg ut," or "Strilevise," as it is also known, in his rhapsody.The concept for Strilefunk was therefore to utilize one of the melodies Aamodt had used and additionally draw on the rhythmic experiences that we, as modern band musicians, bring from other genres.Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£63.99Austrian Folk Fusion - Gerald Oswald
The composition 'Austrian Folk Fusion' vividly illustrates how old and new can harmoniously blend together. Traditional music serves as a solid foundation for creative developments and modern interpretations. This is demonstrated in the composition through the transition from traditional Lndler to contemporary rhythms. Skillful changes in tempo and meter, as well as diverse variations in motifs, support the journey from the traditional sounds to the modern musical language.
Estimated dispatch 7-14 working days
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£236.00Pome symphonique en forme d'ouverture - Paul Gilson
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Gil blas - Jules Strens
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Tartarin de Tarascon - Marcel Poot
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£123.20Rcitatif et Ronde - Francis de Bourguignon
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Zo'har - Gaston Brenta
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£87.20Guitenstreken-Gaminerie - Theo Dejoncker
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£236.00Brueghel Suite - Maurice Schoemaker
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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£87.20Epitaphe - RenĂ© Bernier
In September 1925, on the occasion of the sixty-fifth birthday of their 'master', seven students of Paul Gilson gathered to form the first composers' collective in Belgian national music history. The members of Les Synthtistes (the Synthetists) are Ren Bernier, Francis de Bourguignon, Gaston Brenta, Tho Dejoncker, Marcel Poot, Maurice Schoemaker and Jules Strens. Their intent is twofold and both theoretical and practical. Les Synthtistes want to distinguish themselves as the 'Brussels seven' by breaking away from the prevailing late-romantic music of their time. Their theoretical aim is to synthesize the modern tendencies in music from 1925 onwards, to connect with the 'acquisitions of contemporary music' and to apply them within balanced and well-defined forms. Their practical goal is to make it easier to find a stage to perform their new symphonic music by uniting. In a period when there is no professional symphonic orchestra in Belgium, apart from the opera orchestra, they compose and transcribe their original symphonic works for wind band. They work together with Arthur Prevost and the Royal Band of the Belgian Guides which grew into a model instrumentation of 85 musicians during the interwar period. Thanks to Prevost and the Guides a unique collection of original, modern music for wind band by Les Synthtistes can be heard on the Brussels concert stages during the interwar period. Because only a few works of this unique, forgotten collection of 75 works were published, this unique canon remained largely unknown. Thanks to a historical study of sources by Luc Vertommen, these works for wind band are now, a century after their creation, made accessible and recorded for the first time.
Estimated dispatch 7-14 working days
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