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  • £106.95

    Appalachian Folk Song Suite - William G. Harbinson

    In the style of the revered Holst and Vaughan Williams suites, William Harbinson has crafted an exciting band piece by using Appalachian folk songs that is destined to be a contest repertoire piece for years to come. Moderate in difficulty and imaginatively scored, the three movements (fast - slow - fast) of this charming suite make delightful use of such tunes as Matthy Groves, Soldier Boy for Me, Edward and The Rebel Soldier. Duration: 6' 40"

    Estimated dispatch 7-14 working days
  • £106.95

    Hands Across The Sea

    Andrew Balent arranging John Philip Sousa is a winning combination in itself, and this popular march has been scaled down sensitively and carefully for the younger band. Inspired by the friendship between the United States and their allies overseas, Sousa composed this march After hearing the phrase, "A sudden thought strikes me, let us swear eternal friendship." The touching patriotism and bold happiness of this work will make your group shine.

    Estimated dispatch 7-14 working days
  • £50.50

    The Band Picnic - Joseph Compello

    This piece takes the audience on a musical journey and introduces the students to the term quodlibet, which refers to a piece of music that combines several different melodies in counterpoint. During this musical journey you will hear: A-Tisket A- Tasket, Rain Rain Go Away, The Muffin Man, Shortin' Bread, Shoo Fly Don't Bother Me and Mary Had a Little Lamb. These songs are familiar, but the arrangement by Joseph Compello is unique and enjoyable.

    Estimated dispatch 7-14 working days
  • £84.99

    A Copland Portrait - David Conte

    Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."

    Estimated dispatch 7-14 working days

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  • £53.95

    Chicken In The Kitchen - Les Taylor

    This overture is written in the conventional three-part style. Extensive percussion includes anvil, slapstick, wind chimes, and crystal water glasses. The opening and closing themes are written in a spirited and festive style. The middle section explores a more contemporary setting of Thomas Hasting's hymn song, Rock of Ages, Clef for Me. Excellent for contest or festival.

    Estimated dispatch 7-14 working days
  • £174.99

    Two Symphonic Interludes - Harrie Janssen

    Based on the poems by German poet Carl Hauptmann (late Romanticism) and the English poet William Wordsworth (early Romanticism). Carl Hauptmann was in poor health as a child, but highly intelligent. He studied philosophy, psychology and biology. In the latter he was admitted to the degree of doctor. His marriage provided financial independence, so that he could focus on his studies. Hauptmann wrote various novels, plays, poetry and scientific works. Night Twilight floats above the valley's night mists are hanging, there's a whispering brook. Now the covering veil is lifting quite: come and look! See the magicland before our gaze: tall as dreams the silver mountains stand, crossed by silent silver paths shining from a secret land. Noble, pure, the dreaming country sleeps. By the path the shadow black and hogh of a beach. a wisp of a white smoke creeps to the dark'ning sky. Where the valley is the darkest hued countless little lights shine silently. O my soul! Drink of solitude! Carl Hauptmann Wordsworth 'introduced' a new type of poetry, based on the speech of the common man. This was his answer to the poetry of the classicism which was bound by rigid rules. His definition of poetry was: the spontaneous overflow of powerful feelings from emotions recollected in tranquility. My heart leaps up when I behold a rainbow in the sky My heart leaps up when I behold A rainbow in the sky: So was it when my life began. So is it now I am a man. So be it when I shall grow old, Or let me die! The Child is father of the Man. And I could wish my days to be Bound each to each by natural piety. William Wordsworth In a truly poetic manner Harrie Janssen has transformed the contemplative thoughts of the poets into two compositions for Concert Band.

    Estimated dispatch 7-14 working days

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  • £64.99

    Shania!

    Concert Band - Grade 3 One of the top crossover artists in recent years, Shania Twain has recorded hits that appeal to a wide range of audiences. Including Man! I Feel Like a Woman, You're Still the One, From This Moment On and That Don't Impress Me Much, this high-powered arrangement will become a focal point of any lighter program.

    Estimated dispatch 7-14 working days
  • £104.99

    South Pacific - Oscar Hammerstein II

    Hal Leonard is proud to offer this unique edition for band of one of Broadway's most treasured shows. Carefully adapted from Robert Russell Bennett's orchestral version, this is a must for all mature bands' libraries. Includes: Bali Ha'i, Bloody Mary, A Cock-Eyed Optimist, Dite-Moi (Tell Me Why), Happy Talk, Honey Bun, I'm Gonna Wash That Man Right Out Of My Hair, Some Enchanted Evening, There Is Nothin' Like a Dame, This Nearly Was Mine, A Wonderful Guy, Younger Than Springtime.

    Estimated dispatch 7-14 working days
  • £53.50

    Variants on an American Hymn - Michael Sweeney

    Based on the familiar hymn Abide With Me, this unique composition develops variations based on fragments of the original melody. Elements of the hymn are skillfully incorporated into a variety of styles, from slow flowing phrases to lively and rhythmic themes, before the hymn is gloriously presented near the end of the piece.

    Estimated dispatch 7-14 working days
  • £89.99

    1861 - Jonathan Newman

    1861 is a lyric hymn/fantasia for young concert bands, based on the beautiful 19th century Anglican hymn Lead Me, Lord (written in 1861 by Charles Sebastian Wesley). The hymn itself features a gorgeous melodic line over biting harmonies and striking counterpoint, and provides the pillars for this work. First is a soloistic treatment, followed with a dramatic full band tutti, and finally a section of evocative humming. Throughout are unique textures and colorful improvisitory accompaniments.

    Estimated dispatch 7-14 working days