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£22.50BEGINNING BAND BOOK No.3 (Score inc. CD) - Edmondson & McGinty
An affordable collection of concert repertoire for beginning bands; great sight reading material for more advanced bands! Features include: Grade 1 concert band music; Playable with only 1 flute, 2 clarinets, 1 alto saxophone, 2 cornets/trumpets and percussion, up to full instrumentation; Full, complete sound, even without bass clef instruments. The bass clef part in octaves is optional; Both clarinet parts stay below the break; Optional F Horn and Tenor Saxophone parts are written in their best ranges; Bell part for teaching melodic percussion. Contents: Aztec Sunrise; Cambridge Overture; Clarinet Caravan; Foxwood Overture; Kensington March; Magna Carta March; March of the Sentinels; Mystic Legend; Name Those Tunes; Overture in Bb; Stony Creek March; Tatum Square Festival; Those Wonderful Woodwinds; Tyrannosaurus Rocks; Windhaven Celebration.
Estimated dispatch 7-14 working days
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£42.00Wolverine Trail - Matthew Putnam
Matthew Putnam'sWolverine Trailis a concert march for beginning bands and is perfect for introducing beginners to the march form and style. This piece is based in the key of E flat major and uses only the first seven notes taught in most method books. It is also rhythmically accessible to beginners, with eighth-note combinations being the most difficult rhythms. This piece follows standard march form except that is does not modulate at the trio section.
Estimated dispatch 12-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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£69.99
Bandissima - Wim Laseroms
A festive introduction leads to the main part of this march, most notable for its exciting dynamic contrast and strings of ornate and technically interesting semiquaver passages. The trio creates a change of pace, introducing a beautiful, song-like melody which, over the course of several powerful interludes, undergoes a fascinating transformation that leads back to the march. Bandissima's technical prowess and well-defined structure make it an exciting contemporary concert march.
Estimated dispatch 7-14 working days
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£74.99Mt. Healthy - Henry Fillmore
This long-lost Fillmore march was written as a bet with fellow composer John Klohr in an attempt to prove that music sold because of its merit rather than because of the composer's popularity. To camouflage its origins, Fillmore wrote the march under the fictitious name, "Gus Beans" and called it Mt. Healthy by selecting the title at random from a list of Cincinnati, Ohio suburbs. An exceptional march for mid-level bands, Mt. Healthy is pure Henry Fillmore at his very best.
Estimated dispatch 7-14 working days
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£74.99Lights Out - McCoy
This famous "old line" march is finally available in a concert edition! This spirited march gives the entire band a chance to shine. The trio is presented first with a lyrical melody/countermelody, second with a delightful woodwind variation, and finally tutti with a solid trombone countermelody. Featuring a musical reference to the bugle call "Taps" (hence the title,) "Lights Out" is an excellent 6/8 march for mid-level bands. A guaranteed audience-pleaser!
Estimated dispatch 7-14 working days
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£85.50
Marche Triumphant - Claude T. Smith
A bold opening starts this previously unpublished march. Written in the style of a classic circus march, this piece has something in it for everyone. The tasteful use of contemporary harmonies at key points add a fresh sound to the march genre. Plenty of opportunities for great music in this new work that has been carefully edited for the modern concert band. It is certain to be a favorite with students and audiences.
Estimated dispatch 7-14 working days
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£85.50
Ancient And Honorable Artillery Company - Sousa
This rousing Sousa march from the March King's late career is available for the first time in an authentic concert-sized edition, meticulously edited by Sousa expert Keith Brion. Complete with extensive performance information, full score, and modern instrumentation, this march gem features a stirring treatment of "Auld Lang Syne" in the trio. Perfect for any performance situation, and ideally suited for adult community bands, this march will live on for generations to come. Exceptional!
Estimated dispatch 7-14 working days
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£49.50Intuition - Larry Clark
Intuition is a march for the youngest of students that uses only the first six notes of the Bb scale and the most difficult rhythm is two repeated eighth-notes. Even with limited technical demands, you won't believe how much this sounds like a more involved march. It has all of the hallmarks of an American march in form with three strains with different melodic material. The only difference is there is no modulation at the trio. It is a perfect vehicle to introduce this important form to beginning students, and its exceptionally tuneful as well!
Estimated dispatch 7-14 working days
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£35.50Triglav - Julius Fucik
Julius Fuc k (1872-1916) appreciated life in Sarajevo. First compositions were written, which soon made him become one of the leading representatives of his profession in Austria-Hungary. Among those works also figured his elaborate piece "Austria's Glory and Honor", which unfortunately remains kind of ill-fated up to now. Yet another area of activities, where Fu k was able to demonstrate his talents was to stage the symphony concerts introduced by him in Sarajevo. Late in fall of the year 1900 Fuc k's time had come, when the regiment deployed from Sarajevo to Budapest. He lived in that metropolis on the Danube for the next some ten years, and during that period most of hisworks were composed. At that time his popularity also grew from day to day. The first performances of his works met with general interest, and not only numerous officers most of them were friends of Fuc k attended these events, they rather were attractions for all ranks of the society. It should also not be overlooked that music publishers were anxious to secure almost each one of his works for their publishing company, and most of them were printed immediately after their premieres. In 1899 the "Laban March" was written as his Opus 44. It was dedicated to Major General Rudolf Laban of Vralje, commander of the 3d Mountain Brigade which was stationed in Nevesinje. The title of the march then changed to "Eiserne Brigade" ("Iron Brigade") until it finally became known as "Danubia". It was first printed as late as 1933 by Bohuslav Leopold (Edition Continental). Leopold was a musician in Fuc k's regimental band, and later a successful publisher. He succeeded in securing the best of Fuc k's works for his company. Sketches of "Triglav" date back to 1903. The title alludes to the highest mountain of the province of Slovenia, and this was probably an apt means in the eyes of the composer to demonstrate his "Slavonic patriotism".
Estimated dispatch 7-14 working days
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