Results
-
£49.50Marching to Pretoria (Concert Band - Score and Parts)
A march style piece with the main focus being on your wind section. A great teaching device!
Estimated dispatch 7-14 working days
-
£44.55
Schumann's Soldiers March (Concert Band - Score and Parts)
It takes just the right elements to make a great rock style work for young band. This one's got them all!
Estimated dispatch 7-14 working days
-
£115.60Ungarsk marsj - Hector Berlioz
The "Rkczi March" (Hungarian March) was the unofficial state anthem of Hungary before Ferenc Klcsey wrote the Himnusz which is today the official national anthem of Hungary. The first version of this march-song was probably created around 1730 by one or more anonymous composers, although tradition says that it was the favorite march of Francis Rkczi II. That early version called back Francis Rkczi II to save his people. It was very popular in the 18th century but in the 19th century the more refined Rkczi March became prevalent. Hector Berlioz included the music in his composition "La Damnation de Faust" in 1846, and Franz Liszt wrote a number of arrangements, includinghis Hungarian Rhapsody No. 15, based on the theme. The march gave its name to a 1933 Austrian-Hungarian feature film - Rakoczy-Marsch This arrangement is based on Berlioz instrumentation and phrasing from his Hungarian March, but in the form of the 19th century Rkczi March
Estimated dispatch 7-14 working days
-
£72.00Washington Post
Next to Stars and Stripes Forever, this march, universally known as "The March King," is probably the best-known march by John Philip Sousa (1854-1932). From its energetic opening through the memorable 1st strain, the tuneful second and memorable trio, this is a beloved example of march writing at its best. A perfect introduction to the 6/8 march style, this very playable version will be a great warm-up march for contest and festival. Duration: 3'
Estimated dispatch 12-14 working days
-
£127.30Landlov (Marsj) - Øyvind Strand
This concert march was comissioned by The Royal Norwegian Navy Band for the farewell concert of their manger, Commander Truls Sandaker in March 2017. Sandaker left the Military to become manager of the Festspillene i Vestfold and the march is composed wirh that change in mind the change from Military to civilian. The march is inspired by- and consist of Norwegian signals, themes and songs related to the marine and to the home area of Truls Sandaker.
Estimated dispatch 7-14 working days
-
£49.00Thunder and Fury (Concert Band - Score and Parts) - Shaffer, David
In the style of the purely American circus march, "Thunder and Fury" is a concert march with all the excitement of the three-ring circus! Written at an ability level for younger bands, this march will excite your players and audiences alike and without a doubt, you will be able to hear the ringmaster's call to attention. An excellent opportunity to expose your younger players to the musical style of the march. Duration: 1.40
Estimated dispatch 7-14 working days
-
£84.99
Durkle Bandrydge Suite Wind Band Set (Score & Parts) - Fraser, Bruce
Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its own peculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.Durkle Bandrydge exists at the end of your street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss, who is a giant troll guarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall, mysterious, and somehow sophisticated character, who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walk through quicksand. Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squeals of delight. Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card, buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het 'happy go lucky' approach to life. Marsyn Edginton is the Lord of the manor, the richest man in town, the 'big cheese', the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eats lots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig and this is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade - it is a pity that you can not see them, what is a wonderful sight. If you listen carefully, you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle! 10:00
Estimated dispatch 7-14 working days
-
£13.95MARCHES (Concert Band CD)
The Grand Massed Bands of the Royal Air Force. Seventeen famous marches recorded in concert at the Royal Albert Hall, London.Includes: The Dambusters (Coates); Colditz March (Farnon); Crown Imperial (Walton); Marching with Sousa (Sousa/Langofrd); March of Friendship (Hingley); The Stars and Stripes Forever (Sousa); Pathfinders' March (Lockyer/Fenhoulet); Out of the Blue (Bath); The Jaguar (Richards); Air Crew on Parade (Haywood); March from The Battle of Britain (Walton); Seventy-Six Trombones (Willson); March from Things to Come (Bliss); 633 Squadron (Goodwin); Knightsbridge March (Coates); Royal Air Force March Past (Davies and Dyson); Pomp & Circumstnace March No.1 (Elgar)
Estimated dispatch 7-14 working days
-
£33.10Hunyadi Indul - Ferenc Erkel
The first performance of the opera "Hunyadi Lszl" by Ferenc Erkel (1810-1893) at the National Theater in Pest took place in times that foreboded the revolt of 1848. The rise of this stage work to Hungary's national opera and its ensuing immediate great success probably is due to the plot itself and the atmosphere prevailing in the country at that time. The great flute virtuoso and composer Franz Doppler (1821-1883) asked "Erkel to grant permission to write a march on the basis of motifs from this opera for my citizen's guards band, which he explicitly consented to ..." From the days of the revolution against Habsburg until today the "Hunyadi indul" ("March on Motifs of theOpera 'Hunyadi'") has remained to be popular throughout and therefore may rightly be addressed as a Hungarian national march.
Estimated dispatch 7-14 working days
-
£174.95RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary
The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.
Estimated dispatch 7-14 working days
View Music