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£67.32Last Ride Of The Pony Express
From April 1860 to October 1861, the Pony Express was the fastest way to get a message across the Western half of the US. Now David Shaffer's exciting new composition may well be the fastest way you can get your band excited about their next concert or contest performance! It's a colorful and invigorating work which captures the spirit of these great pioneers and all sections of the band get a chance to lead the way. Includes exciting percussion parts which are all quite playable and yet give the music character and energy! EXTREMELY NICE!
Estimated dispatch 7-14 working days
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£64.35
The Last Rose Of Summer - Swearingen, James
Reminiscent of some of the great works by Grainger, this setting of an old Irish air is breathtakingly beautiful and sure to touch the hearts of both performers and audience members alike. This highly emotional setting features an occasional trumpet solo that is also cued for flute. Rich harmonies, soaring lines and a well-crafted score make this the kind of work that you'll certainly want your band to experience. Outstanding!
Estimated dispatch 7-14 working days
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£67.32
The Last to Defend
An excellent choice for contest or concert performances, this impressive piece is quite playable and yet still retains the energy and vitality long associated with Shaffer's compositions. Certain to be a favorite of bands and audiences everywhere!
Estimated dispatch 7-14 working days
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£19.95Evening Hymn & Cavalry Last Post (Concert Band - Score and Parts)
This set is March Card Sized
Estimated dispatch 7-14 working days
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£79.99
Sir Roger de Coverley - Frank Bridge
Frank Bridge (1879 – 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen’s Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge’s lively treatment of one of England’s most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley’s traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig’s party in Dickens’ A Christmas Carol.
Estimated dispatch 7-14 working days
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Fenix Blue - Peter Meechan
Fenix Blue is a solo work for alto saxophone and wind ensemble, commissioned by and written for British saxophonist, Tim Watson.A wild blues inspired opening for unaccompanied saxophone gives way for a slow, dirty blues! More blues elements appear in the following slow funk section, driven by the percussion section and drum kit.Slow reflective music follows before a return to the slow funk - this time with plenty of the original blues music interjected around the band and from the soloist, leading to a loud conclusion!The title makes reference to the large blues influence in the piece, but the Fenix referred to in the title is a dedication to the Phoenix 2 capsule that rescued the 33 Chilean minors who were trapped underground for 69 days last year, the last of whom was brought to the surface in the capsule as I was finishing this piece.
Estimated dispatch 5-14 working days
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£85.00
Sir Roger de Coverley - Frank Bridge
Frank Bridge (1879 - 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge's lively treatment of one of England's most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.
In stock: Estimated delivery 1-3 days
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£63.92Caprice (Euphonium Solo with Concert Band) Andrew Batterham
VIEW SCORE PDF Caprice was written for Matthew van Emmerik, to showcase his virtuosity in an engaging piece of concert music. The work is in theme and variation form, with the primary material being the theme from the last of Paganini's Ventiquattro Capricci per violino solo, a collection of 24 caprices for solo violin. This theme has been the inspiration for similar works by many composers since it was first published, including Liszt, Brahms, Rachmaninov, Benny Goodman and Andrew Lloyd Webber. In this work, the famous theme is treated to a more contemporary approach. The first variation, Capricious, relies on motor rhythms and jagged dialogues between the soloist and the band. It is couched in an organic scale reminiscent of the Phrygian mode. The second variation, Sad, is in direct contrast, acting as a traditional ballad and allowing the soloist to explore the expressive side of the instrument. The third variation, Energetic, is a micro set of variations in itself, designed to display the soloist's innovative technique and stamina. Each section is more challenging than the last, until the work concludes with a whirlwind dance at breakneck speed. Like all of Batterham's recent work, the musical language of Caprice draws upon classical, jazz, funk and ska elements to create a unique sound where anything can happen, and probably will. This arrangement was made possible through Matt's instigation and generosity. To view a video of Matthew van Emmerik performing the version with brass band please visit www.youtube.com/watch?v=D0hsvux_a5o To view a video of Fletcher Mitchell performing the version with piano please visit www.youtube.com/watch?v=NOZ6KRldDVo Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Euphonium Soloist Piccolo Flute 1-2 Oboe Bassoon Clarinet in Eb Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba String Bass Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£85.00Sir Roger de Coverley - Frank Bridge
Frank Bridge (1879 - 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month.This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band.Bridge's lively treatment of one of England's most famous traditional dance melodies willmake a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.
Estimated dispatch 7-14 working days
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£141.99Concerto for Wind Ensemble - Karel Husa
Commissioned by the Michigan State University Alumni Band, this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the Brass section concertises in groupsof four Brass quintets (2 Trumpets, Horn, Trombone and Tuba or Baritone), spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets, and the Woodwinds occupy the front of the stage, withPercussion on the left and right side. These groups, like the Brass quintets, play in the concertante style, particularly in the first and last movements. 'At the same time, each movement contains individual solo passages(for example, Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today, andby the incredible growth of Wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment.'
Estimated dispatch 7-14 working days
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