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£244.00
Anemoia - Gauthier Dupertuis
Gauthier Dupertuis wrote Anemoia as part of his master's thesis at the Lausanne University of Music. It is dedicated to the most significant figure in his musical life: his teacher Jean-Claude Kolly.Anemoia is the name given to the feeling of nostalgia that one feels for a time that has never known. This emotion often translates into the uneasy sensation of having lost something important or of not living at the right place or time. Fascinated by this concept, Gauthier Dupertuis tried to translate it into music oscillating between exaltation, anguish and nostalgia.The piece is formed by two movements: (Un)desired sorrow and Behind the glass of time. The first movement initially evokes the feeling of unease one feels when suddenly struck by anemoia. It then evolves into majestic atmospheres, marking our admiration for times gone by. The second movement treats anemoia in a more melancholic way.The premiere took place on 6th December 2024, during Jean-Claude Kolly's last concert as a conductor of the Concordia de Fribourg, marking thirty years spent conducting this wind orchestra.
Estimated dispatch 7-14 working days
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£179.99
The Stone Flower - Serge Prokofieff
Sergei Prokofiev's The Stone Flower (opus 118) is his eighth and last ballet, composed between 1948 and 1950. His most famous ballets are Romeo and Juliet, Cinderella and Le Pas d'Acier.The Stone Flower is based on a Russian folk tale from the Ural Mountains. The premiere of the work took place in 1954, one year- after the dead of the composer. The ballet's storyline, rich with myth and legend, is set against the backdrop of the mystical Ural Mountains and centers on themes of love, artistry, and the conflict between material wealth and spiritual fulfillment.In 1951, Prokofiev arranged five movements from the ballet which were later published as the Wedding Suite (opus 126). The movements are:I. Amorous DanceII. Dance of the fiance's girlfriendsIII. Maiden's DanceIV. Ceremonial DanceV. Wedding Dance
Estimated dispatch 7-14 working days
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£106.00
Plasma - Gauthier Dupertuis
When asked by the city of Biberist (Switzerland), to compose a piece for its 150th anniversary, Gauthier Dupertuis thought of a frenetic work, possessed with energy and a constant pulsation from the first to the last note. In this sense the composer was inspired by "plasma", the fourth state of matter (after the solid, liquid, and gaseous states) which makes up, for example, lightning or the sun. Like a plasma ball, whose colors and shapes constantly vary, the musical material of the work is gradually transformed, both in the rhythmic signatures and harmonies and in its atmospheres: it is the same material, but always under a different shape. Sometimes rhythmic and dancing, sometimes solemn and majestic, or soft and lyrical, the work finds its unity in the omnipresence of an ostinato and similar rhythmic and melodic structure. Plasma was premiered in September 2024.
Estimated dispatch 7-14 working days
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£115.60
Romjulsdrm - Thoralf Borg
The poem Romjulsdrm ("Christmas Dream") was first published in Arbeiderbladet on January 3rd 1959, and became known when Thoralf Borg set a melody to it in 1968. Up until this, Alf Prysen had used a melody quite similar to the song Lijan uti dalen, when he sang the song in the TV program Ei vise vil jeg synge in 1964. At the same time that Borg's melody was written, the last four lines of text were also added to the poem, and the song took on the form we know today.The form and structure of this arrangement originates from a version for big band and vocals commissioned by stre Toten Storband, written in 2018 for one of their traditional midnight concerts on the day before Christmas. In an attempt to give the arrangement a nice calm and the text a lot of room, as is often the case in songs like this, it ended up in a relatively narrative style where the variation in tempo and the shifts between swing and straight eighth notes are particularly central.The song is about family, friendship and the quiet days of the Christmas holidays, which hopefully is something most people can recognise. The arrangement for the aforementioned midnight concert was ordered because my sister was to be the soloist for the concert, and since my father also played lead trombone - as he has done in this big band for as long as I can remember - it was natural to add a small trombone solo as well. It's always special to write and arrange music for people I know and appreciate, but it's extra special when it's also for two of my great role models.- David Stre Hveem -
Estimated dispatch 7-14 working days
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£127.30
Takk - Edvard Grieg
"Gratitude" is one of Grieg's beautiful lyrical pieces, Op. 62 No. 2.Eva Knardahl made a beautiful recording that I well remember was used as background for a picture cavalcade by the Norwegian Broadcasting Corporation during the passing of His Majesty King Olav V of Norway in 1991.In this arrangement for band, I have tried to vary the instrumentation, both for the sake of more colours and to emphasize the drama.This piece should be played rubato with elastic phrasing. The form can be described as AABACoda. The most dramatic section is the B part from measure 25, which peaks just before measure 38. The last four measures (from measure 53) can be done a bit 'meno' in tempo.Reid Gilje
Estimated dispatch 7-14 working days
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£115.60
The Outlaws - Roar Minde Fagerli
The Outlaws is a musical piece in three parts who describes three criminal characters.The first part describes a thief in a cartoon who is chased by the police. The second part describes a gangster with a hat and pinstriped suite sitting with his gang planning their next robbery.The last part describes a bandit in the wild west riding across the prairie. He is riding towards a small town to rob the local bank.
Estimated dispatch 7-14 working days
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£99.00
Postcards from Tomorrow - Gauthier Dupertuis
During their childhood, some people have the tradition to put their toys, drawings and wishes for the future into a timebox that they bury somewhere to dig up when they are adults. This has inspired Gauthier Dupertuis for the title of this work: Postcards from tomorrow. What wishes would we put in those boxes for the future; what kind of postcards would we send to our grandchildren? To compose this work, Gauthier Dupertuis was also inspired by three pictures that have some symbolic meaning linked to the question above and that give the names to the three movements that make up this piece.The first movement, Abandoned Blockhouses, refers to war and other horrors in the history of humanity, while Pagoda at the Lake, the second movement, was inspired by the pagoda, a religious building whose function is to house the relics of holy people in Asian worship. The third and last movement, Building Bridges, is a call for hope. In July 221, Postcards from Tomorrow was awarded the first prize at the "La Bacchetta d'Oro" international composition contest in Italy.
Estimated dispatch 7-14 working days
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£87.50
An Ancient World - Adrian B. Sims
An Ancient World, by Adrian B. Sims, imagines the ruins of a past civilization. The work explores the mysterious and fascinating landscapes that were once so beautiful. Reawakened in a new light, the world reignites with energy. After a final mourning of that which was lost and can never be restored, (measures 95--130), the work lives out the essence of ancient royalty with one last celebratory musical statement.
Estimated dispatch 7-14 working days
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£119.20
Sinfonisches Prludium - Anton Bruckner
The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner.Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.
Estimated dispatch 7-14 working days
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£193.20
CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days