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  • £24.95

    Fantasia on Welsh Nursery Tunes (Concert Band - Score only) - Williams, Grace - Jones, William A.

    Grace Williams (1906 - 1977) from Barry, South Wales, was Wales finest composer. She studied composition at the Royal College of Music with Ralph Vaughan Williams and completed the Fantasia on Welsh Nursery Tunes in 1940. The iconic Fantasia, - her most popular work, which brought her to prominence - is a composition for symphonic orchestra based on traditional Welsh nursery tunes and lullabies.It is a light-hearted musical journey through childhood in eight traditional tunes. The jubilant start to the work is echoed in the finale, with a calmer, but effectively scored middle section.The Fantasia was featured in the 2024 Last Night of the Proms. This first Wind Band arrangement received its world premiere by Chalfont Wind Band April 1 2023.Melodies used include:There's Mam coming (Dacw Mam yn Dwad)The Bittern (Deryn y Bwn)Migildi, Magildi (nonsense words imitating the sound of a hammer on an anvil)Sleep my baby (Si lwli mabi)Gee-up, little horse (Gee Ceffyl Bach)Sleep, my pretty child) (Cysga Di, Fy Mhlentyn Tlws)Where are you going, my pretty maid? (Yr Eneth Ffein Ddu)Summer Katie (Cadi Ha)Duration: 11 minutes

    Estimated dispatch 7-14 working days

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  • £171.00

    Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco

    The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45

    Estimated dispatch 7-14 working days
  • £50.50

    Megawatt Rock (Concert Band - Score and Parts) - Sheldon, Robert

    Robert Sheldon's Megawatt Rock will light up your next concert. This high-energy rock-style piece with its rhythmic drive and power chords is sure to amp up the spirit in the performance level of the students. Using only the first seven notes that most beginning band students learn, it is written in Mixolydian mode, with the key signature including the added flat. The rhythms, dynamics, articulation, key, and style provide electrifying teachable moments that occur throughout the piece at no extra charge! Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £134.99

    Cleopatra (Concert Band - Score and Parts) - Deleruyelle, Thierry

    The Last Queen of Egypt. Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity's best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remains a mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises the Roman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra's femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love that Mark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third and last section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of the jealousy and ambition of Octavius, Julius Caesar's son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his own life. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History's most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directed by Philippe Rossignol, to mark its 90th anniversary. Duration: 10.00

    Estimated dispatch 7-14 working days

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  • £150.00

    Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.

    Estimated dispatch 7-14 working days

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  • £499.99

    Deep Field (SATB Chorus and Smartphone App with Concert Band - Score and Parts) - Whitacre, Eric

    Score and Parts includes 40 choral octavos. Grammy Award-winning American composer Eric Whitacre's symphonic work Deep Field was inspired by the world's most famous space observatory, the Hubble Space Telescope, and its greatest discovery, the iconic Deep Field image. The new film - Deep Field: The Impossible Magnitude of Our Universe - illuminates the score by combining Hubble's stunning imagery, including never-seen-before galaxy fly-bys, with bespoke animations to create an immersive, unforgettable journey from planet Earth to the furthest edges of our universe. The soundtrack features a new, epic Virtual Choir representing 120 countries: over 8,000 voices aged 4 to 87, alongside the Royal Philharmonic Orchestra and Eric Whitacre Singers. The smartphone App playing the Deep Field electronica should be triggered by audience members from bar 217 to the end of the piece, as cued by the conductor. The app is free and must be downloaded in advance of the performance. It is available via the App Store and Google Play Store by searching "Deep Field." Duration: 20.00

    Estimated dispatch 7-14 working days
  • £110.00

    I Was Glad When They Said Unto Me (Choir with Concert Band - Score and Parts) - Parry, Hubert C. - Noble, Paul

    I Was Glad is an introit commonly used in the Anglican Church, and also used as an anthem traditionally sung at the coronation of the British monarch. Its most famous setting was written in 1902 by Sir Hubert Parry. Parry's version was composed for the coronation of King Edward VII in 1902, and revised in 1911 for that of King George V, when the familiar introduction was added. This setting employs antiphonal choir effects and brass fanfares. Apart from the imperial splendour of the music, the chief innovation is the incorporation in the central section of the acclamations Vivat Rex... or Vivat Regina... (Long live King/Queen...) with which the King's or Queen's Scholars of Westminster School have traditionally greeted the entrance of the monarch since the coronation of King James II in 1685. This section is generally omitted when the anthem is performed on other occasions. At the last coronation, that of Elizabeth II in 1953, the acclamation took the form of Vivat Regina Elizabetha. Parry's setting of I Was Glad was performed on 29 April 2011 at the Westminster Abbey wedding of Prince William, Duke of Cambridge and Catherine, Duchess of Cambridge (formerly Kate Middleton) as the processional music for the bride and her father and the bridal attendants. It had previously been performed at the wedding of the Duke's parents, Charles, Prince of Wales and Diana, Princess of Wales in 1981.

    Estimated dispatch 7-14 working days

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  • £99.99

    Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip

    Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30

    Estimated dispatch 7-14 working days

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  • £69.99

    A London Intrada (Concert Band - Score and Parts) - Sparke, Philip

    London is one of the largest, busiest and most vibrant of capital cities and hosts millions of visitors from around the world every year, who come to enjoy its many attractions and rich history. From the daily Changing of the Guard at Buckingham Palace to the annual Trooping the Colour, which celebrates the Queen's official birthday, ceremony plays an important part in London life and symbolises the city for many tourists. A London Intrada celebrates this love of 'Pomp and Circumstance'.Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £179.99

    Amazonia (Concert Band - Score and Pars) - Van der Roost, Jan

    This major concert work consists of five movements:1st movement: La Laguna del Shimbe. Situated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powers and for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside his patient. The biggest lagoon is the "Laguna del Shimbe", one of the countless wells of the immense Amazon stream.2nd movement: Los Aguarunas. Further downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It's a proud, beautiful and independent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants... They also grow some crops and live as semi-nomads. They take their fate into their own hands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways.3rd movement: Mekaron. Mekaron is an Indian word meaning "picture", "soul", "essence". The Indians are the original inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music and medicine. "Everywhere the white man goes, he leaves a wilderness behind him", wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely).4th movement: Ktuaj. This is the name of the initiating ceremony of the Krah tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with red paint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound.5th movement: Paulino Faiakan. In 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam in Brazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribes around Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of the Brazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was, albeit temporarily, stopped.Duration: 12:30

    Estimated dispatch 7-14 working days

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