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£105.00Danceries (Set I) (Concert Band - Score and Parts) - Hesketh, Kenneth
The term 'Danceries' can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century (and no doubt earlier). This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping! The melodies themselves are a mixture of new and old--well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set.Movement 1: Lull me beyond thee. Gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name 'Poor Robin's Maggot' - a rather disconcerting title; maggot, however, in seventeenth-century parlance meant whim or fancy. This theme can also be found in The Beggar's Opera by John Gay (first performed in 1728) under the title 'Would you have a young lady' (Air 21).Movement 2: Catching of Quails. A colourful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-bodied tuttis. The last few bars fade away to almost nothing before a final surprise!Movement 3: My Lady's Rest. A tender pavane, also on an original theme, with Moorish leanings. Solos for principal winds and brass contrast with warmer tutti passages. The movement culminates with a final presentation of the theme before evaporating in held flute and trumpet chords.Movement 4: Quodling's delight. The final movement to the set combining one of the melodies from Playford's Dancing Master ('Goddesses') with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.Duration: 12.00
Estimated dispatch 7-14 working days
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£176.50Four Norfolk Dances - Philip Sparke
Norfolk is one of the most beautiful counties in England, famous for its charming villages and boundless broads, a popular centre for sailing holidays. It is also the home of one of the best known of all British composers, Sir Malcolm Arnold. The date of the premiere of this piece was to fall close to his 80th birthday, so Philip Sparke decided to write something of a birthday tribute. Some of Arnold's best-loved orchestral works are his sets of dances: there are two sets of English Dances, Four Scottish Dances, Four Cornish Dances etc., most of which have been arranged for concert band at one time or another. Philip Sparke thought it would be appropriate for the concert band tohave its own set of dances and wrote Four Norfolk Dances very much in the style of Arnold's suites.
Estimated dispatch 7-14 working days
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£72.99Crystal Waves - Stef Minnebo
During the first half of the sixties the world was under the spell of Californian surf music. Groups such as the Beach Boys, Dick Dale and his Del- Tones, The Surfaris and The Challengers dominated the international charts. The summery and happy style was very catchy, and as it turned out had a great influence on early rock music. Crystal Waves is an ode to this surf music and utilises its characteristic melodies, chords and rhythms to form a catchy piece for concert band.
Estimated dispatch 7-14 working days
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£199.99Bolero (Concert Band - Score and Parts) - Ravel, Maurice - Sparke, Philip
Bolero was originally written as a ballet for a famous ballerina and achieved great success on the stage. Nowadays the ballet itself is only rarely performed and even though Ravel thought the orchestra would seldom play it, it has become one of the best-loved pieces for the concert stage. This arrangement by Philip Sparke keeps very close to the original score in this melodically and rhythmically unique work.Duration: 15:00
Estimated dispatch 7-14 working days
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£176.50Four Norfolk Dances (Concert Band - Score and Parts) - Sparke, Philip
Norfolk is one of the most beautiful counties in England, famous for its charming villages and boundless broads, a popular centre for sailing holidays. It is also the home of one of the best known of all British composers, Sir Malcolm Arnold. The date of the premiere of this piece was to fall close to his 80th birthday, so Philip Sparke decided to write something of a birthday tribute. Some of Arnold's best-loved orchestral works are his sets of dances: there are two sets of English Dances, Four Scottish Dances, Four Cornish Dances etc., most of which have been arranged for concert band at one time or another. Philip Sparke thought it would be appropriate for the concert band to have its own set of dances and wrote Four Norfolk Dances very much in the style of Arnold's suites.Duration: 13:00
Estimated dispatch 7-14 working days
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£82.50Power Play - Robert E. Foster Jr.
Power Play was commissioned by band director Robert Ball and the Mill Creek Middle School Band, Shawnee, Kansas. This exciting addition to young band repertoire was written to deliver an energetic element to concert programs. Pushing the tempo will help players develop their technique and, along with exaggerating the accents, will contribute to the driving force of the piece. While the overall effect sounds difficult, it is very playable by middle or high school bands and will be a reliable power source for your next performance.
Estimated dispatch 7-14 working days
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£78.00Country Gardens (Concert Band - Score and Parts) - Grainger, Percy Aldridge - Karrick, Brant
Grainger's first piano arrangement of this English morris dance tune was completed in 1918 as a birthday gift for his mother. It became extremely popular and was his greatest commercial and financial success. Even this simple tune displays his genius with harmony, counterpoint, and colour. This very playable arrangement is an excellent way to introduce your students to the music of Percy Grainger.Duration: 2:10
Estimated dispatch 7-14 working days
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£59.99Maximus Fanfare - Thierry Deleruyelle
Maximus Fanfare is a dazzling, energetic work for wind band, conceived as a short, percussive overture in which brass and percussion impose their power from the outset. From the very first bars, an explosion of sound captures attention before giving way to vibrant orchestral development, leading to a triumphal conclusion.This fanfare was inspired by the majestic golden lion that sits atop the belfry in the Place des Hros in Arras, a town with a rich architectural heritage listed by UNESCO. A symbol of strength and grandeur, the lion finds a musical echo in this brilliant work full of panache.Commissioned by the Orchestre d'Harmonie d'Arras, the piece owes its name to Maxime Lavoine, its conductor since 2011, in tribute to his commitment to and passion for wind band music.With Maximus Fanfare, Thierry Deleruyelle has created an intense and luminous work, a musical tribute to the significance of Arras' heritage and the enthusiasm of the musicians who keep it alive.
Estimated dispatch 7-14 working days
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£76.99Introduction & Punk - Torstein Aagaard-Nilsen
Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies.
Estimated dispatch 7-14 working days
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£76.99
Introduction & Punk Wind Band Set (Score & Parts)
Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around your head. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies. 04:30
Estimated dispatch 7-14 working days
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