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£62.95Leroy Anderson, The Best of (Concert Band - Score and Parts) - Anderson, Leroy - Wagner, Douglas E.
From the dean of American light music, this through-played medley scored for young and developing bands includes "Plink! Plank! Plunk!," "The Syncopated Clock," "Forgotten Dreams," "Blue Tango," "A Trumpeter's Lullaby," and "Fiddle-Faddle." The ample shifting of melodic responsibility permits adequate rests for all. Leroy Anderson's unique style remains as young and fresh as the very day on which it was composed.Duration: 6.30
Estimated dispatch 7-14 working days
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£72.99Devil Went Down to Georgia (Flexible Solo with Concert Band - Score and Parts) - Brown, Michael
Solo feature for Flute, Violin, Clarinet, Alto Saxophone, or Xylophone and optional narrator.Take your best soloist and turn him (or her) loose to do musical battle with the devil! In this cleverly designed novelty number, solo parts are provided for flute, violin, clarinet, alto sax, and mallet percussion. In addition, an optional narration is included along with alternate passages to work with any of the soloists. This tune was a number 1 hit for the Charlie Daniels Band back in 1979, and it could very well be the number 1 hit of your next band concert!
Estimated dispatch 7-14 working days
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£82.50Romp! - Darren W. Jenkins
Romp! was inspired by and dedicated to the composers very cute tabby who decided that his computer table (where he composes) was his spot to be... also when coming up with ideas for this piece, it seemed to fit him very well. The piece represents how he tends to wake up instantly and spring into action... running and darting here and there. The solo breaks and legato section represents how he can shift gears, stopping quickly, then springing right back to his romping around. There is optional "cat meowing" at the end that can be done by one person, if your group has someone who does a good cat meow, or electronically if you have the equipment. Or you can leave it out, though it does add a nice touch.
Estimated dispatch 7-14 working days
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£57.50Carrying You from "Laputa: Castle in the Sky" - Joe Hisaishi
New Sounds in Concert Band Series(NSB) for small band with 2-part choir Duration: approx.4'10" Arranged by Eiji Suzuki"Carrying You" was composed as a theme song to Castle in the Sky, an animated film produced by Studio Ghibli and directed by Hayao Miyazaki, released in 1986. The composer for Castle in the Sky was originally not Joe Hisaishi, but the director Miyazaki strongly requested him. The director told Hisaishi his vision for the film, and based on the world he imagined, Hisaishi made a collection of music called the Image Album. The melody that later becomes the basis for "Carrying You" was born from this album. However, the director Miyazaki was not planning on including a theme song in this film. Isao Takahata, the producer, proposed including a song, for the audience to think over the film at the end. He wanted the audience to think, "While the protagonists sought for the treasure, they didn't obtain any treasure. What did they obtain instead?" They thought, if they are going to create a theme song, it should be something organically connected with the entire film. Takahata requested the director Miyazaki to write the lyrics for the theme song. And to Hisaishi, he gave instructions to create a melody for the theme song using an instrumental piece called "Pazu and Sheeta" from the image album mentioned above. Director Miyazaki handed a piece of memo with lyrics to Takahata. "Carrying You" we hear now is this lyrics with some changes, set to Hisaishi's music. The melody is used at the opening of the film as well as the scene where Laputa is destroyed, and the song is used for the ending. Performance Advice from Arranger Suzuki: This is an extremely simple arrangement that can be performed by lower grade bands and singers. Of course, it can be played without singers and chorus, but the contents of the lyrics are very tasty so if possible, we recommend that you perform using the voices. Depending on your resources, the voice parts can be done as all solo, all female chorus, and so on.
Estimated dispatch 7-14 working days
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£142.90Cantina Band - John Williams
Cantina Band (or Mad About Me) was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called jizz, Williams' take on the more well-known genre jazz. Williams was tasked by Star Wars-creator George Lucas to make music that sounded like several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing.The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name "jizz-wailers", and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well.The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine.In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum.
Estimated dispatch 7-14 working days
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£196.50
Downshifting - Dan Welcher
Commissioned by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher's joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it's possible to keep one's legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse,'shifting' (with a ratchet) as the terrain changes.
Estimated dispatch 7-14 working days
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£289.99Atlas Symphony - Thierry Deleruyelle
The Atlas Symphony for symphonic wind band is an impressive and subtle work, thematically complex, with a rich orchestration, but also great beauty. The composer was keen to draw a parallel between an atlas, where all the geographical maps of the world are collected in one book, and his score, which brings together all the facets of his musical style. Despite being written without any breaks, the symphony is structured around three main ideas. It is based upon a series of notes that will become the very essence of the piece, its building blocks. Like the works of composers of serial music, the series appears in different forms - melodic and harmonic, thematic or simply asan accompaniment. With its wealth of rhythms and contrapuntal power, this piece is a compelling concerto for orchestra. The Orchestre de la Police Nationale was the first to be attracted to this work and premiered it with excellence under the baton of composer Thierry Deleruyelle.
Estimated dispatch 7-14 working days
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£152.99The Legend Of Spirit Island - Philip Sparke
The Legend of Spirit Island was commissioned by the Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, conductor), to honour the euphonium player, Dick Carlson. The piece takes its title from a local legend about Spirit Island, which lies in a gap of the St. Louis River called Spirit Lake. The legend tells the story of Chaska, the son of a Dakota Chief, and Wetona, the daughter of Ojibwe Chief Buckado. He was handsome and she was beautiful; it wasn't long before they fell in love. This is a challenging euphonium solo in which the versatile soloist can explore very expressive melodic sequences, as well as energetic, technical sections.
Estimated dispatch 7-14 working days
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£82.50Letters from the Battlefield - Barry E. Kopetz
Letters from the Battlefield was commissioned by the Land of Grant Honor Band to commemorate the end of the American Civil War. The collected letters of U.S. Grant reveal much information about the thoughts and emotions he was experiencing around the events of the Civil War. Some of the letters are tenderhearted, written in moments of sentimental passion; others are very clear and emphatic statements that he will do whatever it takes to bring the war to a close. The many moods and emotions expressed in his correspondence are reflected in the various sections of this powerful and moving work. An outstanding concert work, it is also appropriate for Civil War or patriotic commemorative ceremonies.
Estimated dispatch 7-14 working days
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£183.20Finale from The New World Symphony - Antonin Dvorak
This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023.The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled.Euphonium II is optional, but it's recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it's recommended to also cover cymbals and mallet percussion.The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part.Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible.This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making.
Estimated dispatch 7-14 working days
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