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£64.90Hedwig's Theme - John Williams
Hedwig's Theme is the easily recognizable melody that musically binds together all of the Harry Potter films. Composer John Williams has used the tune as a leitmotif, setting it in different moods according to the situations in the movie, yet always reminding the listener of it's connection to the main characters of the film. The melody is intervalic, with many interesting dissonances.Normally, this would make the tune difficult for young players, but their familiarity with this particular melody gives them easier access to these dissonances and unusual intervals.
Estimated dispatch 7-14 working days
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£149.40Grevling i taket - Øystein Dolmen og Gustav Lorentzen
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, flutes and clarinets should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the trumpet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. The saxophonists can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 7-14 working days
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£127.30Good Vibes - Idar Torskangerpoll
This piece for beginning band was written as a commission for Norsk Noteservice to the "Music for Beginners" serie.The piece is a feelgood item with limited range for all instruments, suitable for young players. The rhythmic structure is repetitive and polyphony is often in the "call and response" form. Hence it is an easy piece to read and play.The refrain is rhythmically unison making it easy for all to play syncopated rhythms.
Estimated dispatch 7-14 working days
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£74.00
Radetzky-Marsch, Op. 228 - Johann Strauss Sr.
Presented for the first time in August 1848 in Vienna, Johann Strauss Sr's Radetzky-Marsch is one of the most famous marches ever composed, dedicated to Field Marshal Joseph Radetzky von Radetz. Strauss was commissioned to write it to commemorate Radetzky's victory in the battle of Custoza.Next to the waltz An der schnen blauen Donau - On the beautiful blue Danube - by Johann Strauss Jr, the Radetzky-Marsch has assumed the role of 'unofficial' Austrian anthem over time. When it was performed for the first time in front of officers, these began to beat their hands and feet to the rhythm of the music, giving life to a tradition often seen in many concert halls when the march is performed live.The Vienna Philharmonic always performs the march as the final piece in the famous New Year's Concert.
Estimated dispatch 7-14 working days
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£78.00
Interlude - Wilhem Stenhammar
Wilhelm Stenhammar (1871-1927) was a Swedish pianist, conductor and composer. His compositions include incidental music, operas, concerts, two symphonies and choral works. Initially influenced above all by Wagner and Bruckner, Stenhammar increasingly welcomed in his music a Nordic colour as well as melodic and rhythmic characters typical of Swedish folklore. Completed in 1921, the cantata Sngen (The Song) was Stenhammar's last major work, and its combination of harmonic richness and contrapuntal dexterity ensured it a warm reception.The Interlude connecting the two halves of the work is the only part frequently performed today. It begins by creating a serious and intimate atmosphere, then the music gradually unfolds in increasingly powerful sonorities. Towards the middle a noble brass chorale emerges, but neither this nor the following finely crafted climax manage to change the prevailing mood of subtle melancholy typical of late Romantic Scandinavian composers. This arrangement by Franco Cesarini will allow your audience to get to know this great composer unknown to most.
Estimated dispatch 7-14 working days
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£74.00Galop - Amilcare Ponchielli
La Gioconda, with a libretto by Arrigo Boito, is the most successful theatrical work by Amilcare Ponchielli (1844-1886). In this work there are two dance pieces: the Furlana at the conclusion of the 1st act and the Danza delle ore in the 3rd act. The Dance of the Hours has a precise choreographic outline: it is a masked ball which includes the "hours" of dawn, day, evening and night successively, and ends with a wild finale of galop. The latter is a sort of fast polka, in binary rhythm and unbridled pace. A French variant of it is the can-can. The finale in galop time of the Dance of the Hours recalls certain playful dances by the composer Jacques Offenbach, such as the famous Can-can that concludes the overture of the operetta Orphe au enfers.
Estimated dispatch 7-14 working days
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£90.00Bright Dawn Overture, Op. 59 - Franco Cesarini
Bright Dawn Overture was commissioned to Franco Cesarini by the Swiss Band Association as part of a project for the renewal and expansion of the artistic repertoire. "There was never a night or a problem that could defeat sunrise or hope.". This sentence by the English philosopher Bernard Williams inspired Franco Cesarini in composing this overture. In fact, even the darkest night is always followed by the sunrise and metaphorically, in every moment of difficulty, man clings to the hope of a better future. Bright Dawn Overture is written in the classic form of an Italian overture (fast-slow-fast). It is intended as a hymn of hope of recovery after a period of great difficulty. A single theme characterizes the composition, passing through the various registers and presents itself in new forms, while constantly being transformed. In the central part the theme takes on an almost mystical character, while in the finale it presents itself in a heroic guise and the composition concludes with a gesture of decisive optimism.A piece accessible to most concert bands, perfect as an opening work!
Estimated dispatch 7-14 working days
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£64.99
Phantom Regiment - Leroy Anderson
This work was written by Leroy Anderson in 1951 and premiered by him when he recorded it for Decca. Interestingly, in 1956 the Phantom Regiment Drum and Bugle Corps of Rockford, Illinois changed their original name from the Rockford Rangers after having heard the piece played by a different corps. The music emulates the sound of distant trumpets and soldiers marching, drawing closer to the listener bit by bit. As the music gains strength, the marching and trumpets get louder and after passing the audience, it slowly fades away as they disappear into the distance again. This exclusive Southern band edition by Mark Rogers reintroduces Anderson's enchanting work to new generations of audiences.
Estimated dispatch 7-14 working days
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£64.99The Immovable Do - Percy Aldridge Grainger
First published in 1940, this work became a highly respected and widely performed Percy Grainger work. It is unique in that it employs a high drone on the note C, which is sounded throughout the entire piece. Grades 4-5.
Estimated dispatch 7-14 working days
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£56.50The Pines of the Appian Way - Ottorino Respighi
Completed in 1924 Respighi's masterwork consists of four contrasting movements. The final movement, "The Pines of the Appian Way," depicts the advancement of the Roman Legion as it gradually marches towards the listener. It is one of the most glorious and stunning orchestral crescendos in all of classical music. Perfectly arranged for young band by Michael Story! (2:29) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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