Results
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£2.95Holiday Favorites (2 Part Choral Octavo) - Emerson, Roger
Don't miss this medley of holiday favorites! Concert band (Gr. 2) and String arrangements by Paul Lavender also available. Includes: Let It Snow! Let It Snow! Let It Snow!, Rudolph the Red-Nosed Reindeer, Jingle-Bell Rock, Silver Bells, Frosty the Snowman. Duration: 6.30
Estimated dispatch 7-14 working days
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£2.95
Holiday Favorites (3 Part Mixed Choral Octavo) - Emerson, Roger
Don't miss this medley of holiday favorites! Concert band (Gr. 2) and String arrangements by Paul Lavender also available. Includes: Let It Snow! Let It Snow! Let It Snow!, Rudolph the Red-Nosed Reindeer, Jingle-Bell Rock, Silver Bells, Frosty the Snowman. Duration: 6.30
Estimated dispatch 7-14 working days
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£2.99
Holiday Favorites (SATB Choral Octavo) - Emerson, Roger
Don't miss this medley of holiday favorites! Concert band (Gr. 2) and String arrangements by Paul Lavender also available. Includes: Let It Snow! Let It Snow! Let It Snow!, Rudolph the Red-Nosed Reindeer, Jingle-Bell Rock, Silver Bells, Frosty the Snowman. Duration: 6.30
Estimated dispatch 7-14 working days
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£38.50Holiday Favorites (String Pak - Score and Parts) - Lavender, Paul
Don't miss this medley of holiday favourites for choir, band and opt. strings! Includes: Let It Snow! Let It Snow! Let It Snow!, Rudolph the Red-Nosed Reindeer, Jingle Bell Rock, Silver Bells, Frosty the Snowman.
Estimated dispatch 7-14 working days
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£67.50You'll Never Walk Alone (Concert Band - Score and Parts) - Hammerstein & Rodgers - Oud, Thijs
This great football anthem is now infamous as the song sung by 'the kop' at Liverpool Football Club. It was however made famous worldwide when it was sung against the background of the Eiffel Tower to close the 1998 World Cup. It can now be played and enjoyed by your concert band with this great arrangement. An ideal piece to close any concert.Duration: 2:10
Estimated dispatch 7-14 working days
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£92.50Porgy and Bess (Concert Band - Score and Parts) - Gershwin, George - Barnes, James
The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skilfully crafted a wonderful scoring of "I Got Plenty O' Nuttin'," "It Ain't Necessarily So," "Summertime," "Crab Man," and "Bess, You Is My Woman Now." Gershwin at his best!Duration: 8:15
Estimated dispatch 7-14 working days
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£76.99Don't Cry for Me Argentina (from Evita) (Concert Band - Score and Parts) - Lloyd Webber & Rice - Sebregts, Ron
Don't Cry for me Argentina is the best-known song from the 1976 musical Evita. It was sung by Eva Peron when she was addressing the crowds amassed in the square below her balcony. More recently it was a hit for Madonna, who sang it in the 1996 film version of Evita. This arrangement for concert band retains the broad emotive melody of the original together with its intense emotion.Duration: 4:45
Estimated dispatch 7-14 working days
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£104.99Ballabili (Concert Band - Score and Parts) - Verdi, Giuseppe - Van der Beek, Wil
Giuseppe Verdi's opera Macbeth was written in 1846/47 and premiered in Florence. It is based on Shakespeare's Macbeth and, unlike Verdi's other operas, had relatively little broad impact. This may be due to the difficulty of the singing voices, the lack of a love story or the dark mood, without humorous scenes.Musically, however, this opera is not uninteresting. Among other things, all the dramatic highlights culminate in artistically built ensembles. It also contains interesting instrumental effects, such as a wind orchestra under the stage in the witch scenes. This makes the witches and air spirits seem like from another world. In the 19th century opera, such a wind band, a so-called "banda" was not uncommon but an integral part of the scene.The Ballabili comes from Act III of Verdi's opera MacBeth. Ballabili is the plural of the Italian ballabile, meaning "danceable." It can also mean a dance performed by the corps de ballet, or by the chorus in an opera; or the music to accompany this dance.Duration: 2:15
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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