Results
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£82.50Carpe Diem - Steven J. Pyter
Roughly translated as "seize the day," Carpe Diem is a celebratory message of inspiration. It is easy to get caught up in the daily business of life, trapped in memories of the past while waiting anxiously for what is to come. This spirited work challenges the listener to cherish the present, take advantage of what "now" has to offer, and recognize all the gifts that today brings.
Estimated dispatch 7-14 working days
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£82.50
A Christmas Couplet - Vince Gassi
This clever arrangement uses well-known Christmas carols as its motivic inspiration. Cinematic and perfect for both school and community Christmas events, this is going to be one you will want to program year after year!
Estimated dispatch 7-14 working days
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£87.99Alegra - Carol Brittin Chambers
Carol Brittin Chambers' latest concert band work, Alegra, is a joyous celebration of life and happiness. Drawing inspiration from the word's meaning in several languages, Chambers' music takes listeners on a journey of ups and downs, with moments of high energy and lightheartedness. With a nod to circus music and Latin fanfares, Alegra showcases Chambers' skillful use of instrumentation, including the vibrant tambourine!
Estimated dispatch 7-14 working days
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£116.40Noels de France - Meindert Boekel
The Dutch composer Meindert Boekel (Amsterdam, 1914 - Hilversum, 1989) became famous because of the Scherzo from his 'Suite Classique' already published by Molenaar Edition in 1948. Boekel was, no doubt, one of the pioneers of modern wind music in The Netherlands. He became popular as the first conductor of the Dutch National Brass Band in 1962. He composed some sixty works for band; several of them were of religious inspiration.
Estimated dispatch 7-14 working days
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£186.20Wald Sinfonie - Kees Vlak
It was during his stay at Freiburg, Germany, where he was attending a Music Festival, that Kees Vlak found his inspiration for this romantic work. At this festival he was awarded a prize for one of his compostitions, which was played by several bands from different countries. The composer was staying in the small village of Horben, hidden among pine woods on a mountain at the border of the Black Forest. From the balcony of his room he had a splendid view on the Schawinsland Valley, scarcely hidden by the tops of the huge pines. Each morning a blackbird singin in a huge pine next to his window woke him up. This bird song opens the composition.Whenever possible the composer and his wife went for a walk in the Black Rorest. The rediscovery of this wonderful area is expressed by the steadily increasing number of tone colours, used in the orchestration. Each village still boasts its own folk music and dances. More than one hundred bands were playing all around; the Black Forest seemed to be the scene of one huge festival. The image of the Black Forest is also linked to that of hunting scenes, so the next theme is being introduced by hunting horn themes. The second theme paints the lake "Titisee". At first the lake is very calm, but a stiff breeze sets both water and music alike in motion. The small town of Titisee is very popular with tourists and is famous for its woodcutting, its clockworks and musical boxes. It is a popular folk tune, played by a musical box that makes the link with the next theme. The joy and cheerfulness of the dancing village people is expressed by a movement which works out the initial theme.On leaving the little town, one can hear once more the hunting music from the wood as well as the song of the birds. The new theme is againg closely linke d to the hunt and played by the typical German helicon-like euphoniums.this theme interacts with the wecond theme and the word ends with a grnd finale meant as a musical hommage tot this wonderful area.
Estimated dispatch 7-14 working days
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£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
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£140.80Paso Quebrado - Luís Cardoso
Starting from the melodic and harmonic characteristics that identify the Iberian traditional music, 'Paso Quebrado' is a piece that fluently mixes 3/4 and 6/8 times, alternating between melodic and rhythmic phrases, it maintains the grace and vitality of the Iberian folk music, its source of inspiration.
Estimated dispatch 7-14 working days
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£135.70Sea Journey through India - Samuel Pascoal
Portuguese Discoverers in 15th century have been an inspiration for many artistic works. The composer, inspired by the words of Portuguese writer 'Cames', in 'Lusadas' (Epic poem), wrote this piece with 5 different themes, where he illustrates the troubles and joys of this fantastic poetic journey.
Estimated dispatch 7-14 working days
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£122.40Portraits - Feike van Tuinen
On the occasion of its centenary the 'Excelsior' band from the Frisian town Rijperkerk (The Netherlands) commissioned its former conductor Feike van Tuinen to write a concert piece. One of his inspiration sources was the series of portraits of musicians that he remembered while writing this piece. 'Portraits' is a splendid concert piece for bands of the lower divisions.
Estimated dispatch 7-14 working days
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£154.60Oriental Dance - Wilhelm Peterson-Berger
Wilhelm Peterson-Berger (1867 1942), Swedish composer, beloved most of all for his collections of small piano pieces, Frsblomster 1 3 (Flowers from Frs). Peterson-Berger himself, primarily treasured his five symphonies and five operas, but todayit is mainly his songs and piano pieces which are performed. Besides composing he worked as a music critic at the daily paper Dagens Nyheter, and was feared by many for his sharp, sometimes almost vicious, pen.Peterson-Berger originallycomposed Oriental Dance for piano during his studies in Dresden in 1890, and immediately orchestrated the piece. It is one of his earliest pieces,somewhat of a bagatelle, admittedly, which mighthave found its inspiration in Griegs Peer Gyntsuite, yet it has a na ve charm which well compensates for its weakness. Oriental Dance was first performed by the Knstlerverein in Dresden in February, 1890.
Estimated dispatch 7-14 working days
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