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£115.00BOHEMIAN DANCES (Concert Band) - Woolfenden, Guy
Includes:1. Shepherds and Shepherdesses2. Florizel and Perdita3. Dance of the SatyrsOne of my favourite Shakespeare plays is The Winter's Tale, and I have written music for three completely different productions during my time as Head of Music to the Royal Shakespeare Company. One, starring Judi Dench as both the mother, Hermione and her daughter, Perdita, had a big band Tribal Love-Rock score; another had a more classical, but timeless feel to it, and the last was an excellent small-scale touring production, for which I was allowed only a handful of instruments. It is from this source that the basic themes for Bohemian Dances, and an earlier version Three Dances for Clarinet Choir, have emerged. Act IV of the play is set in the kingdom of Bohemia - hence the title of the work.Shakespeare calls for "A Dance of Shepherds and Shepherdesses", which gives Florizel, the son of Polixenes, (King of Bohemia) a chance to become better acquainted with the beautiful Perdita, the lost daughter of Leontes, (King of Sicilia). This movement is written in seemingly tricky and ever-changing metres, but is rhythmically quite logical and melodically catchy.The slower second movement 'Florizel and Perdita' is the lovers' pas de deux: a gentle, slow waltz-like tune, initially presented by the principal oboe, is contrasted with a lndler-like double time melody, at the end of which a solo clarinet makes a link to the last movement.'Dance of the Satyrs' is a rip-roaring, foot-stamping dance performed in the play by 'three carters, three shepherds, three neat-herds, and three swine-herds', who enter in outrageous costumes representing the lecherous half-man, half-goat of Greek mythology. This dance is referred to as a "gallimaufry of gambols" - now where have I heard that word before?! - GW
Estimated delivery 7-14 working days
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£115.00CELEBRATION (Concert Band) - Woolfenden, Guy
Three Movements:RondoValseTristeMarchThis work was commissioned as a celebration of the life and work of Murray Slater, the inspirational musical director of Derbyshire City & County Youth Wind Band, who sadly died in 2000. Murray was greatly loved and respected in the wind and brass band world, was a fine trumpeter and teacher, and was universally known as "Man of Music".Celebration attempts to capture facets of Murray's personality. The Rondo's theme has a witty rhythmic twist to it, the Valse Triste features a solo trumpet, and the concluding March contrasts a Prokofievian theme with a slower "big tune" that attempts to match the stature of the man.The first performance took place on 12th July 2002 in Chesterfield with the Derbyshire City & County Youth Wind Bands, conducted by the composer.Duration 15 minutes
Estimated delivery 7-14 working days
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£110.00CURTAIN CALL (Concert Band) - Woolfenden, Guy
Includes:Solemn MarchValse TristeFinaleThe thematic material for the first movement, Solemn March, started life as a coronation procession in Trevor Nunn's legendary production of The Revenger's Tragedy, a notorious Jacobean blood and guts play by Cyril Tourneur. Trevor Nunn was also the director of a much loved production of All's Well That Ends Well, starring Dame Peggy Ashcroft and Harriet Walter, from which the Valse Triste comes, featuring a haunting melody tailor-made for the oboe. The last movement, Finale, is a reworking of the curtain call music for Bill Alexander's amazing production of Richard III starring Antony Sher, who memorably played the role on crutches.
Estimated delivery 7-14 working days
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£115.00
DIVERTIMENTO FOR BAND (Concert Band) - Woolfenden, Guy
Includes:I. ToccataII. AubadeIII. ScherzoMany of the principal musical ideas for Divertimento for Band are derived from music composed for a documentary film called Country Camera, which celebrated the work of the earliest photographers who recorded a way of life which vanished at the outset of the first World War.The three movements are played without a break. The Toccata pits a four-note motif (which always appears with its mirror image) against several other derived ideas, including a sour horn (later trumpet) figure, a tiny lyrical passage initiated by a solo alto saxophone, and a more gentle, but still staccato episode. Many polytonal devices keep the four-note motif active. The Aubade contrasts a lyrical pastorale, initiated by a solo flute, with a more intense central section on the brass. The Scherzo finale has three main ideas; a tune for principal bassoon and euphonium of a playful child-like nature, a rushing figure for the woodwinds later developed by the full band, and a solo for trumpet and clarinet, involving a descending scale and a lyrical wide-leaping recovery. The exuberant coda is derived from themes from the previous two movements.The world premiere of Divertimento for Band was given at the conference of the World Association for Symphonic Bands and Ensembles in Killarney on 13th July 2007 conducted by the composer, and is affectionately dedicated to Keith Allen, Jayne Rollason and Birmingham Symphonic Winds. -GW
Estimated delivery 7-14 working days
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£115.00FIREDANCE (Concert Band) - Woolfenden, Guy
Firedance was commissioned by Warwick Castle for one of its celebrated annual fireworks concerts at the Warwick and Leamington Festival. The first performance was given by the Philharmonia Orchestra conducted by Martyn Brabbins on July 1st 2000.Keith Allen, musical director of Birmingham Symphonic Winds, heard the piece at Warwick Castle, and commissioned a new arrangement for BSW's 10th anniversary concert on 16th November 2002 at the CBSO Centre, Birmingham, when it was conducted by the composer.Firedance starts with jagged rhythms in a minor tonality, and apart from a final accelerando, keeps the same pulse for its near ten-minute span, becoming gradually more celebratory, major-key and melodic.This new version for concert band is dedicated to all members of Birmingham Symphonic Winds with great affection. - GW
Estimated delivery 7-14 working days
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£140.00GALLIMAUFRY (Concert Band) - Woolfenden, Guy
Gallimaufry (gali maw'fri): A medley; any confused jumble of things; but strictly speaking, a hotch potch made up of all the scraps of the larder. cf Shakespeare: The Winter's Tale: "a gallimaufry of gambols"I. Church and StateII. Inn and OutIII. Starts and FitsIV. Father and SonV. Advance and RetreatVI. Church and Status QuoGallimaufry was inspired by Shakespeare's Henry IV plays, and derives from music I composed for the Royal Shakespeare Company's production which opened the Barbican Theatre in 1982. The score is dedicated to Trevor Nunn, then Artistic Director of the RSC, with grateful thanks for his suggestion that I should expand and mould the music from these productions into a form suitable for concert performance.My thanks also to Timothy Reynish and the British Association of Symphonic Bands and Wind Ensembles who, with funds provided by North West Arts, commissioned the work and helped to ensure its first performance on September 24th 1983 with the Royal Northern College of Music Wind Orchestra.The work is continuous and the thematic material of each of the six sections closely related. The "establishment" - leadership, temporal and ecclesiastical power - are depicted in the stately march which opens the work. (Church and State)The second section, Inn and Out, in an energetic hemiola rhythm, is concerned with the stews and low-life revels at the Boar's Head Tavern. This is interrupted and finally integrated with the Tavern Brawl and Gadshill Ambush of Starts and Fits.The mood changes and the ambivalence of Prince Hal's relationship with his father and surrogate father, Falstaff, is portrayed in a serene cor anglais solo. (Father and Son)Advance and Retreat is a recruiting march, derived from the Tavern Tune and leads into the last movement, Church and Status Quo, which deals with the rejection of Falstaff and the crowning of Price Hal. Order is restored with a majestic affirmation of the opening material.
Estimated delivery 7-14 working days
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£120.00
ILLYRIAN DANCES (Concert Band) - Woolfenden, Guy
Includes:I. RondeauII. AubadeIII. GigueThis suite of three dances was commissioned by the British Association of Symphonic Bands and Wind Ensembles with funds provided by West Midlands Arts. The first performance took place on 26th September 1986 at Warwick University during the fifth annual BASBWE Conference. As with Gallimaufry, some of the thematic material is adapted from music originally written for productions with the Royal Shakespeare Company.The precise location of Illyria was not important to Shakespeare; what excited him was the resonance of the word itself and the romance of all far away, make believe places. Illyria is Never Never Land and the idea of inventing dances for such a place intrigued me.The opening Rondeau has a seven bar refrain with a rhythmic twist to it, which alternates with variants highlighting most sections of the orchestra. The Aubade is a gentle dance in ternary form featuring the flutes, with a hint of the dawn chorus at the close. The final Gigue is a rondo in six-eight time, with the recurring theme also appearing in counterpoint to the many subsidiary themes.Illyrian Dances is dedicated to my old and good friend Timothy Reynish.-GW
Estimated delivery 7-14 working days
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£45.00Irish Reel (Concert Band - Score and Parts) - Britten, Benjamin - Woolfenden, Guy
This rousing piece was originally composed as title music for "Around the Village Green", a documentary film exploring changes to rural life in East Anglia. In the work Britten makes use of the folk tune "The Bottom of the Punch Bowl".
Estimated delivery 7-14 working days
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£85.00
MOCKBEGGAR VARIATIONS (Concert Band) - Woolfenden, Guy
Includes: Prelude, Theme and Five VariationsUnlike my other pieces for concert band, Mockbeggar Variations has no roots in any of my work for the Royal Shakespeare Company, but resulted from a commission by Robert Roscoe for the Berkshire Youth Wind Orchestra, with funds provided by the Berkshire Young Musicians Trust. Robert, on learning that I was stuck for a suitable title, and noting my penchant for the unusual, suggested the address of the Trust - Mockbeggar House - might take my fancy.The Prelude hints at the melodic and harmonic material of the Theme, which appears in the thirty-first bar, distributed between various solo instruments and small groups of players. The five succeeding variations are contrasted in mood, tempo, style and instrumentation.A large part of the score was written in a chalet high in the Swiss Alps with a continual clangour of sixteen different pitches of cow bell constantly ringing in my ears. There is no Mahlerian hint of this in the music, nor was my wife, Jane, successful in shooing the cows away or muffling their bells.....! - GW
Estimated delivery 7-14 working days
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£115.00S.P.Q.R. (Concert Band) - Woolfenden, Guy
Includes:I. Fosse WayII. NotturnoIII. Via AppiaS. P. Q. R. was commissioned as part of the Warwickshire County Council centenary celebrations in 1988 and my response was to delve even further back than a mere one hundred years, to encompass the Roman occupation of Britain, which lasted 350 years from AD 43. The standard of the Roman legions often carried the letters S. P. Q. R: Senatus Populusque Romanus - The Senate and People of Rome.Among the lasting monuments to this long occupation is the amazing system of roads, one of which, the Fosse Way, bisects the county of Warwickshire from south-west to north-east. Four of the major areas of modern Warwickshire: Stratford-upon-Avon, Warwick, Rugby, and Nuneaton and Bedworth, lie adjacent to this mighty thoroughfare.S. P. Q. R. attempts to juxtapose and contrast the ancient and indissoluble links between rural and urban Warwickshire and the might of ancient Rome. Thus the river Avon becomes a tributary of the Tiber and the Fosse Way joins the Via Appia: All roads lead to Rome!
Estimated delivery 7-14 working days
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