Results
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£32.95MUSIC FOR A FESTIVAL (Prestige Concert Band Extra Score) - Sparke, Philip
Extra Score. This work falls into three movements which are played without a break. The outer two movements are full of energy and surround a tender central section with delicate quartet writing and a broad climax for the whole band. Performance time 12'32" (Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£164.95
MUSIC FOR A FESTIVAL (Prestige Concert Band Set) - Sparke, Philip
Score and Parts. This work falls into three movements which are played without a break. The outer two movements are full of energy and surround a tender central section with delicate quartet writing and a broad climax for the whole band. Performance time 12'32" (Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£32.95
THEATRE MUSIC (Prestige Concert Band Extra Score) - Sparke, Philip
Extra Score. Commissioned for the "Musikpreis Grenchen 1990", a contest for new music in Switzerland, this attractive suite is in three movements which each pay tribute to the stage. OVERTURE is a brisk and lively movement, full of fun, ENTR'ACTE a tender interlude and FINALE a romp for the whole band. Performance time 10'22" (Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£164.95
THEATRE MUSIC (Prestige Concert Band Set) - Sparke, Philip
Score and Parts. Commissioned for the "Musikpreis Grenchen 1990", a contest for new music in Switzerland, this attractive suite is in three movements which each pay tribute to the stage. OVERTURE is a brisk and lively movement, full of fun, ENTR'ACTE a tender interlude and FINALE a romp for the whole band. Performance time 10'22" (Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£112.95
James Cook, Circumnavigator (Prestige Concert Band - Score and Parts) - Vinter, Gilbert - Lamb, Kevin
Originally one of the classic contest works for brass band, this evocative piece has gained life and colour in this transcription for wind band by Kevin Lamb. It depicts the vast and daring voyages of the great explorer, ending with his tragic death at the hands of natives in Hawaii.Performance time 10'50"Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£22.95
James Cook, Circumnavigator (Prestige Concert Band - Score only) - Vinter, Gilbert - Lamb, Kevin
Originally one of the classic contest works for brass band, this evocative piece has gained life and colour in this transcription for wind band by Kevin Lamb. It depicts the vast and daring voyages of the great explorer, ending with his tragic death at the hands of natives in Hawaii.Performance time 10'50"Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£164.95Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95Elgar Variations (Concert Band - Score only) - Ellerby, Martin
The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
SINFONIETTA No.2 (Prestige Concert Band Extra Score) - Sparke, Philip
Extra Score. This 3-movement suite was commissioned by the National Youth Wind Orchestra of Great Britain and first performed by them in August 1992. The Overture is lively and bustling, the Serenade provides a calm central movement and the vivacious Finale has a slower middle section. Each of the movements will stand alone and can be performed separately. (Grade 5) Performance time 16'10" (Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3)
Estimated dispatch 7-14 working days
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£164.95
SINFONIETTA No.2 (Prestige Concert Band Set) - Sparke, Philip
Score and Parts. This 3-movement suite was commissioned by the National Youth Wind Orchestra of Great Britain and first performed by them in August 1992. The Overture is lively and bustling, the Serenade provides a calm central movement and the vivacious Finale has a slower middle section. Each of the movements will stand alone and can be performed separately. (Grade 5) Performance time 16'10" (Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3)
Estimated dispatch 7-14 working days
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