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£58.95SEMPER LIBERI (We Will Always Be Free) (Concert Band) - Smith, Robert W.
Opening with a bold statement on timpani, followed by layered brass entrances, this bracing new fanfare-like work makes a vibrant pronouncement that the music has begun. Energy, vigor, and onviction explode from this highly creative composition. Here is the perfect vehicle with which to open any concert setting. Soaring! (2:22)
Estimated dispatch 7-14 working days
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£21.95SWISS FESTIVAL OVERTURE, A (Prestige Concert Band Extra Score) - Sparke, Philip
Extra Score. This light overture was written for a contest for both wind and brass bands held in Langenthal and funded by the Berne Music Association. It opens slowly and majestically and, after a climax, includes a section in free time for the trumpets and a cadenza for the euphonium. A lively, toe-tapping allegro follows with a central legato melody and a final flourish that recalls the opening fanfares. Performance time 9'37" (Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£107.95
SWISS FESTIVAL OVERTURE, A (Prestige Concert Band Set) - Sparke, Philip
Score and Parts. This light overture was written for a contest for both wind and brass bands held in Langenthal and funded by the Berne Music Association. It opens slowly and majestically and, after a climax, includes a section in free time for the trumpets and a cadenza for the euphonium. A lively, toe-tapping allegro follows with a central legato melody and a final flourish that recalls the opening fanfares. Performance time 9'37" (Recorded on QPRM115D GREAT BRITISH MUSIC FOR WIND BAND, Western Band of the Royal Air Force)
Estimated dispatch 7-14 working days
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£163.99The Pied Piper of Hamelin (Concert Band - Score and Parts) - Schwarz, Otto M.
Stories, sagas and legends--who among us don't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the 'Soup-Kasper' of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colourful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognise this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain forever. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. The work may be performed in two different versions: 1. Purely instrumental (without narrator)--the GPs (pauses) must be kept short 2. With narrator--he speaks in the GPs but not during the music.Duration: 14.15
Estimated dispatch 7-14 working days
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£150.00A Child's Garden of Verses (Soprano Solo with Concert Band - Score and Parts) - Jager, Robert - Noble, Paul
A Child's Garden of Verses has a very special meaning for me. Bob Jager, a family friend, was visiting in our home, and my wife, Mitzi Noble, a soprano soloist, was singing to his children. Bob's two young children became so enthralled with the music that Bob wanted to capture that moment. So he composed this piece for Mitzi, and dedicated it to his children, Kathleen and Matthew. The text is from Robert Louis Stevenson's poems: I. Happy Thought; II. The Wind; III. The Land of Counterpane; IV. From a Railway Carriage; V. Escape at Bedtime. Bob writes: The ideal performance instrumentation would be one on a part. If a larger group is used the balance should be kept proportional. In a few places the terms Solo or One are used where the sonority is critical, and this should be strictly followed. Above all, the singer should never feel forced by the ensemble. This work was composed in 1972, and was never published. I am pleased that Bob has allowed me now to publish it under Noble Music Publications, so that it may be available for others to perform and enjoy. Mitzi writes: Although we did not have access at the time, the ideal performance would be with a throat mic so that the soloist is free to move around the stage and sing, as though singing and relating to children sitting on the front row.
Estimated dispatch 7-14 working days
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£60.99Caribbean Clarinets Wind Band Set (Score & Parts)
Whether you listen to 'Caribbean Clarinets', or you are a member of the orchestra, or you have perhaps even one of the solo parts in this composition, you will imagine yourself in a sun bathed paradise on earth. Dagmar Kildevann has given you a free trip to the Caribbean in this solo piece for the entire clarinet section. This is as cheap as it gets! You can feel the sun, taste the dishes and enjoy the wonderful music. The clarinets are put in the limelight and are given the opportunity to shine in a glorious 'Beguine' and an inviting 'Samba'. Parasol, lounge-chair, drink, being transported to another world by the music, in short : enjoy! 03:30
Estimated dispatch 7-14 working days
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£392.50Old Licks Bluesed Up - Version for Concert Band - Torstein Aagaard-Nilsen
The word "old" and the title of each movement refers to music of the past. The word "licks" comes from blues, rock and jazz. Licks can be arpeggio-figures, scales and riffs that is regularly used in improvisations. Toccata is a well known musical genre from the baroque keyboard music, a free flowing piece filled with energy. The ritornell can be described as a refrain, a recurring theme used in the ritornello form of the baroque era.
Estimated dispatch 7-14 working days
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£76.99
Land of the Free - Rogers
This publication is a reprint of a manuscript arrangement prepared for The Goldman Band. This piece is a handwritten manuscript. Please view the music sample included on this page to ensure your satisfaction with the legibility of the manuscript parts.The arranger's musical judgment has governed the instrumentation employed. Please note the instrumentation page on the attached music sample.If you have any questions prior to placing your order, please contact us at [email protected].
Estimated dispatch 7-14 working days
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£134.99Free World Fantasy (Concert Band - Score and Parts) - De Haan, Jacob
This piece was commissioned by the Dutch province of Groningen for the celebrations commemorating the liberation festivities in 1987. In the composition, the dream of a world without war is symbolized. It is the first composition in a series in which Jacob de Haan combines concert music with pop music in a style, which reminds one of film music. Later compositions in which he has reaped much success with the same formula in style are Oregon, La Storia and Utopia.Duration: 8.00
Estimated dispatch 7-14 working days
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£21.95Metamorphoses (Novello Symphonic Band) Extra Score - Gregson, Edward
Extra Score only. The title of the work refers to the process of constant change that occurs in the music. The opening four note motif provides most of the intervallic and harmonic material. The work is in three main sections, the first of which alternates between pulsed and non-pulsed (or free) music; the second is a slow section with solos for flute and clarinet enhanced by electronic means, whilst the third is high-charged rhythmic music which resolves the symphonic argument.
Estimated dispatch 7-14 working days
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