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  • £159.99

    Concerto for Trumpet No.1 'Trumpet Town' (Concert Band - Score and Parts)

    A rapid flourish in 12/8 time opens composer Otto M. Schwarz' first Concerto for trumpet Trumpet Town, written in October 2009. The metric changes that follow affect the pulse rhythmically and melodically, in exciting and unexpected ways. The solo trumpet's displays of technical prowess and bravura alternate with the film-score-like tutti sections of the brass ensemble. The slow, almost elegiac, central section can be performed on the flugelhorn, while the closing reprise demands that both the soloist and the orchestra give of their best as the piece comes to an exciting, colourful, and uplifting finale. Soloist: Difficulty 5This piece is also available for trumpet and piano. 10:15

    Estimated dispatch 7-14 working days

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  • £39.60

    Crown Century

    Opening with a broad flourish from the upper brass and woodwinds, this truly outstanding prelude will make a powerful opener for any concert. Written as a 3-part rondo, the alternating sections are contrasting in both style and orchestration. Not technically difficult.

    Estimated dispatch 7-14 working days

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  • £144.95

    FANFARE TO PLANET EARTH and MILLENNIUM MARCH (Prestige Concert Band - Score and Parts) - Fanshawe, David - Sparke, Philip

    These two works may be performed individually or, as published, together. Fanfare to Planet Earth - the Fanfare opens dramatically with heraldic trumpets answered by sforzando strikes on deep percussion. The Fanfare embraces the splendour and grandeur of our planet Earth, molto grandioso, and culminates in a chordal cluster - a blaze of brass and percussion in G major, describing feelings of optimism at the start of the 21st century. Performance time 1'50". Millennium March - constructed along classical lines, the theme of Millennium March is catchy and not without humour. Its recurring motif on trumpets, con brio, develops the opening bars of the Fanfare. The March gathers momentum through several dramatic key-changes and ends with a surprise flourish of chromaticism, marked Tempo Apocalyptic. Cannons and fireworks are optional! Performance time 4'10'

    Estimated dispatch 7-14 working days
  • £32.95

    FANFARE TO PLANET EARTH and MILLENNIUM MARCH (Prestige Concert Band - Score only) - Fanshawe, David - Sparke, Philip

    These two works may be performed individually or, as published, together. Fanfare to Planet Earth - the Fanfare opens dramatically with heraldic trumpets answered by sforzando strikes on deep percussion. The Fanfare embraces the splendour and grandeur of our planet Earth, molto grandioso, and culminates in a chordal cluster - a blaze of brass and percussion in G major, describing feelings of optimism at the start of the 21st century. Performance time 1'50". Millennium March - constructed along classical lines, the theme of Millennium March is catchy and not without humour. Its recurring motif on trumpets, con brio, develops the opening bars of the Fanfare. The March gathers momentum through several dramatic key-changes and ends with a surprise flourish of chromaticism, marked Tempo Apocalyptic. Cannons and fireworks are optional! Performance time 4'10'

    Estimated dispatch 7-14 working days
  • £84.95

    Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00

    Estimated dispatch 7-14 working days
  • £149.99

    Land of Legends Wind Band Set (Score & Parts)

    In 'Land of Legends' German composer Andreas Ludwig (what's in a name) Schulte takes you along to the fictional world of legends, myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the scene of action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate, a lot of hustle and bustle appears to be going on in the courtyard. Pages, squires and soldiers are busy attending to their arms. Beer is being brewed, flax is being spun, cattle are being tended and some craftsmen from neighbouring villages are busily at work. In the upper chamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out, and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities, some of them sober, others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets, the bride makes her entrance at the hand of her father. Afterwards, at the party there is dancing to the music played by minstrels and of course a plentiful banquet follows. 11:00

    Estimated dispatch 7-14 working days

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  • £53.46

    Mirages

    Bold and dramatic, this compelling work by composer Robert W. Smith will be a welcome addition to the standard repertoire for the developing band. Beginning with a powerful brass statement, the woodwinds and percussion respond in an equally forceful manner. Using unique harmonic effects for this level of performance, "Mirages" provides excellent opportunities for all sections of the band to grow and flourish in a more mature musical setting. "Mirages" will be a valued resource to your concert programming and teaching literature for many years to come!

    Estimated dispatch 7-14 working days

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  • £64.35

    Overture A La Russe

    From the opening dramatic flourish to the final chord, this exciting, fast moving "tour de force'' presents a variety of colors and timbres in the Russian style. This magnificent contest piece will challenge your performers and hold the attention of your audience.

    Estimated dispatch 7-14 working days

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  • £94.95

    PENTIUM (Concert Band) - Graham, Peter

    Described by conductor Brian Duguid as "a short ride on a PC", Pentium displays some common traits with the minimalist techniques of John Adams. A five-note figure, first heard in the clarinets and saxophones after the opening swirl and flourish, provides the essential building block for the rondo-like movement. Pentium takes it's name from the "silicon glen" where computer chips are manufactured.

    Estimated dispatch 7-14 working days

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  • £289.99

    Rhapsody for Alto Saxophone (Concert Band - Score and Parts)

    Rhapsody is not a programmatic work, but one that spontaneously turns into a natural musical journey. Andr? Waignein showcases and explores both the technical prowess and the expressive nature of the saxophone. The three movements take the soloist from a virtuosic arabesque to a lyrical and expressive theme before jumping back into a lively tarantella. Rhapsody for alto saxophone concludes with one final majestic, breathtaking flourish.Grade of difficulty for the soloist: 6 16:25

    Estimated dispatch 7-14 working days

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