Results
-
£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
-
£7.95
Keep the Faith - Score only - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
-
£39.95Keep the Faith (Concert Band - Score and Parts) - Stubbs, Duncan
The composer writes: This piece originally started as a personal tribute to my late mother. Not long after writing the opening ideas, I was approached to write music to accompany a rendition of the poem, 'We Will Keep the Faith' by Moina Michael for performance as part of the 100th anniversary of the start of World War One. The appropriateness of the music already written, and the sentiment behind both concepts, was a coincidence too good to overlook. Rarely sentimental and always practical, I feel sure my mother would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.
Estimated dispatch 7-14 working days
-
£5.95
Keep the Faith (Concert Band - Score only) - Stubbs, Duncan
The composer writes: This piece originally started as a personal tribute to my late mother. Not long after writing the opening ideas, I was approached to write music to accompany a rendition of the poem, 'We Will Keep the Faith' by Moina Michael for performance as part of the 100th anniversary of the start of World War One. The appropriateness of the music already written, and the sentiment behind both concepts, was a coincidence too good to overlook. Rarely sentimental and always practical, I feel sure my mother would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.
Estimated dispatch 7-14 working days
-
£60.99Faith Eternal
Based on the well-known hymn I know That My Redeemer Lives, here is a carefully crafted setting for young players. Whether used to teach important concepts of lyric style playing, or as an emotional connection for your students, the pacing and dramatic peak in Carol's arrangement ensure a rewarding experience. Dur: ca. 3:00
Estimated dispatch 7-14 working days
-
£102.99
-
£82.50In Simple Faith - William J. Kirkpatrick
This work was commissioned by the Baptist Preparatory School Band of Little Rock, Arkansas, Mrs. Lindsey Leggitt, director. The work is dedicated to that school and the 2016 graduating class of the Baptist Prep Band Program. This musical work for concert band is based on the hymn Tis so Sweet to Trust in Jesus with some additional material created for transitions and unity. The piece is written in the style of classic hymn song settings for band and should be played with careful attention to expression and balance.
Estimated dispatch 7-14 working days
-
£93.90
Have A Little Faith In Me - John Hiatt
Estimated dispatch 7-14 working days
-
£77.22Faith
This poignant setting of variations on the Doxology was composed in memory of a junior high school trumpet player whose life ended abruptly in a tragic car accident. The melody is given reverential, celebratory and celestial treatment to reflect her exuberant character, creating an emotional experience your students and audience will not soon forget.
Estimated dispatch 7-14 working days
-
£202.99Gloriosa - Symphonic Poem for Band Movement 1 - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
View Music