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  • £72.99

    For Good (from Wicked) - Stephen Schwartz

    This gorgeous arrangement of the tender ballad about the love shared between best friends from the hit musical, Wicked, will be the perfect showcase of your young band's tone, phrasing and musicianship. Masterfully scored to be either a standalone arrangement or as an accompaniment to the vocal arrangement by Mac Huff (HL#08621340). Perfect for any concert program.

    Estimated dispatch 7-14 working days
  • £72.99

    For Good (from Wicked) (Concert Band with opt. Choir & Strings - Score and Parts) - Schwartz, Stephen - Brown, Michael

    This gorgeous arrangement of the tender ballad about the love shared between best friends from the hit musical, Wicked, will be the perfect showcase of your young band's tone, phrasing and musicianship. Masterfully scored to be either a standalone arrangement or as an accompaniment to the vocal arrangement by Mac Huff. Add strings to the band arrangement to create a lush, full orchestra accompaniment.

    Estimated dispatch 7-14 working days
  • £127.30

    Knask for aspiranter - Suite in Three Movements - Idar Torskangerpoll

    Candy for Beginners is a suite of three songs used by the composer with the youngest beginners throughout several years. The method is to sing the melodies before learning it on the instruments. Lyrics about candy has proven to be very popular among the youngsters.... In English it can goes like this: "Candy floss, candy floss, candy floss, candy floss, oh yeah". And: "Soda for me, give me soda for free". And: "Lefse, it is good, lefse, now you should, Lefse, give me one, lefse, sure is fun." The composer urges the band to find their own lyrics to the melodies, making it their own with a local twist. This is a good rhythmic exercise for the young players.

    Estimated dispatch 7-14 working days
  • £184.99

    Concertino for Percussion and Band - Menno Bosgra

    This three-part work was commissioned by Kunstfactor--the Dutch Institute for Amateur Art. Its purpose is to further the repertoire for solo percussionist and orchestral accompaniment--whether brass band, fanfare orchestra or wind band. For a good performance, the soloist should be well-versed in a variety of techniques, and should have a good understanding of the instruments not only technically, but also musically. In terms of the selection of instruments and also technique, the first and second movement are more classical in style, while the final movement--with a set-up of various so-called 'untuned' instruments--is more suited to contemporarysolo kit playing. These distinctions will become clear to the soloist while studying the piece. (Menno Bosgra)Movement One requires timpani and tambourine;Movement Two requires marimba and vibraphone;Movement Three is a set-up of: five untuned drums (bongos and toms), large drum (standing), large floor drum or smaller bass drum (lying down), cowbell on a stand, suspended cymbals, Chinese cymbal and small drum.

    Estimated dispatch 7-14 working days

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  • £76.99

    Good Swing Wenceslas

    From the king of swing, Sammy Nestico brings his inimitable symphonic jazz style to the concert stage. Originally written for the Boston Pops Orchestra, Sammy has re-worked this marvelous holiday setting for winds, featuring the classic carol Good King Wenceslas in a variety of jazz-flavored styles. The horn solos are cued and the piano part is optional. Sure to be a holiday favorite for years to come.

    Estimated dispatch 7-14 working days
  • £104.99

    Do Not Go Gentle Into That Good Night - Elliot Del Borgo

    The Dylan Thomas poem Do Not Go Gentle into That Good Night was the motivation for this musical composition. While not a programmatic depiction of the poem, the work attempts to recreate the essence of the poem in sound. Theopening motive, representative of the life force, permeates much of the work. The use of sound layers - in the form of polytonal hymns - calls to mind the struggles and persistence of the human spirit and its refusal to go gentle.A substantial and dramatic work for mature ensembles. Dur: 11:15 (Grade 5)

    Estimated dispatch 7-14 working days
  • £64.99

    The Holly and the Good King - David Mairs

    If you're looking for a Christmas carol arrangement that is beyond the standard fare, look no further. David Mairs brings in his arrangement two bright and cheery Holiday favorites, delivering a happy romp through the English countryside and a bit of fun and dancing with the Good King, who brought along a twinkle in his eye and his old favorite rock guitar!

    Estimated dispatch 7-14 working days
  • £127.30

    Good Vibes - Idar Torskangerpoll

    This piece for beginning band was written as a commission for Norsk Noteservice to the "Music for Beginners" serie.The piece is a feelgood item with limited range for all instruments, suitable for young players. The rhythmic structure is repetitive and polyphony is often in the "call and response" form. Hence it is an easy piece to read and play.The refrain is rhythmically unison making it easy for all to play syncopated rhythms.

    Estimated dispatch 7-14 working days

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  • £59.95

    Great Warm-Ups for Young Bands - Bruce Pearson

    The warm-up is one of the most important components of a good rehearsal for it sets the rehearsal atmosphere for the day and warms up the musician's muscles, mind, instruments and ear.Consisting of 'ChopBuilders,''Technique Builders,' 'Articulate Builders,' 'Ear Trainers,' 'Tuning Exercises,' and Chorales, Great Warm-Ups for Young Bands will improve the musicianship of young instrumentalists and set the framework for successfulrehearsalsand performances.

    Estimated dispatch 7-14 working days
  • £202.99

    Gloriosa - Symphonic Poem for Band Movement 1 - Yasuhide Ito

    A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.

    Estimated dispatch 7-14 working days