Results
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£68.00Those in Peril on the Sea (Concert Band - Score and Parts) - Glover, Andrew
A blockbuster concert band fantasia based on the Navy Hymn, this is a stunning choice for contest, festival, or ceremonial use. Written as four unique and diverse variations on the famous hymn tune Eternal Father, Strong to Save to give your band a chance to showcase their talents and the powerhouse ending will thrill performers and audiences alike. Not to be missed!Duration: 4.30
Estimated delivery 7-14 working days
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£76.95The Perfect Storm (Concert Band - Score and Parts)
From the smash box office hit, this arrangement of James Horner's Coming Home from the Sea combined with the regal Navy Hymn, Eternal Father Strong to Save, from the final scene of the movie is certain to be an awe-inspiring addition to your program. Scored at the concert band level, this arrangement is attainable by both high school and advanced middle school bands. Highly recommended!
Estimated delivery 7-14 working days
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£84.50Songs of Sailor and Sea (Concert Band - Score and Parts) - Smith, Robert W.
Songs of Sailor and Sea celebrates man's eternal fascination with the sea and the centuries of seamen who have battled its powerful waves and mysterious depths. Commissioned by the United States Navy Band, this three-movement work depicts shipboard life with a 'Sea Chanty,' creatures of the sea with 'Whale Song,' and finally, the American Clipper Ships with 'Racing the Yankee Clipper.' Expanded percussion richly enhances this dramatically descriptive musical narrative. This is a major contribution to the concert band repertoire! Duration: 8.00
Estimated delivery 7-14 working days
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£65.50Variations on a Nautical Hymn (Concert Band - Score and Parts) - Williams, Mark
Based on the Naval Hymn, "Eternal Father, Strong to Save," this work opens with an aggressive fanfare which leads to the hymn, stated in a chorale fashion. The first variant is Allegro and features interplay between rhythmic figures in the percussion section with mirrored polychords in the woodwinds. The second variant is reminiscent of the music of Erik Satie and features a beautiful pairing of flute and oboe solos supported by strong countermelodies played by the horns. A third variant in 6/8 provides another interesting point of view before the work closes in Maestoso fashion. Another Mark Williams masterpiece! Duration: 6.15
Estimated delivery 7-14 working days
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£179.99Spartacus (Concert Band - Score and Parts) - Van der Roost, Jan
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical structures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his love by giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad and wide character and refers slightly to film music. In this part of the composition, a special attention is given to the orchestration. The final section is more aggressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolises the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhythmically.Duration: 13:50
Estimated delivery 7-14 working days
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£154.99
Leviathan (Concert Band - Score and Parts)
The leviathan, a demoniacal sea monster that appears as a dragon or serpent, is considered in the Old Testament to be the embodiment of evil. The defeat of the demon is prophesied in Isaiah 27:1: "On that day the Lord will punish with his cruel sword, his mighty and powerful sword Leviathan that primeval sea-serpent, that writhing serpent Leviathan, and slay the monster of the deep ."The composer's main goal is to create an atmosphere thick with agitation, tumult and extreme tension rather than express specific events musically. The monstrous form of the leviathan slowly emerges from the abyss of primordial sounds at the start of the piece, recalling the eternal conflict between good and evil. 08:50
Estimated delivery 7-14 working days
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£154.99
Of Castles and Legends (Concert Band - Score and Parts)
The programmatic composition Of Castles and Legends is basedon the German legend of the white maiden who lived in the smallcity of Volkmarsen. It tells the tale of invading evil knights whokidnap a beautiful maiden, who through sheer panic commandedher spirit into the hands of God and by jumping into the abyss fromthe highest tower of the castle where she was being held. Fromthat day onward, she appeared from time to time, in shiny whitegarments, a sign of eternal heavenly joy. A fantastically descriptivepiece which portrays this tragic legend through the power of music. 10:00
Estimated delivery 7-14 working days
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£164.95Roman Trilogy (Prestige Concert Band - Score and Parts) - Ellerby, Martin
This work falls into three movements, all concerned with the subject of the Italian capital city of Rome, rather like previous tributes to other European citites in Paris Sketches, Venetian Spells and The Cries of London. The emphasis is on atmosphere and drama, be they respectful or joyful! It is acknowledged that Ottorino Respighi has influenced this work though his own eternal Rome tributes are not challenged here, rather saluted and celebrated.The three movements are: 1. Collosea di Romaan evergrowing march mood, builds in intensity and density as we approach the mighty Colosseum, the amphitehatre of Classical Rome, where deadly spectacles were once played out. We should not forget that countless thousands died here whilst even more laughed in the name of entertainment: their memory is reflected in the coda. In its unique way this icon of Rome is one of the most tragic historical places.2. Capella Sistinathe Sistine Chapel of the Vatican City is observed in a series of chorales and interludes. The visitor can look 360o around and be presented with a series of Biblical representations and commentaries. The music attempts to reflect these contrasting panels whilst ultimately bowing to the glory of this magnificent artistic creation. The coda is enigmatic, inconclusive - a single viewing cannot reveal all the mysteries and beauties within. 3. Fonatani di Trevitime for laughter and fun! The Trevi Fountain is one of Rome's finest and visually overboard locations! This is indicated as a Burletta: 'a la dolce vita' which means 'the sweet life'. This burletta (meaning 'little joke') makes use of tarantella and saltarello rhythms and features a pair of tambourines which are associated with these forms. La Dolce Vita was also a film by the renowned Italian director Federico Fellini featuring a memorable scene in the Trevi with a wet Enita Ekberg: something modern day visitors are discouraged from emulating!Duration: 11:15Recorded on Polyphonic QPRM161D ROMAN TRILOGY (TheRoyal Northern College of Music Wind Orchestra).
Estimated delivery 7-14 working days
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£37.95
Roman Trilogy (Prestige Concert Band - Score only) - Ellerby, Martin
This work falls into three movements, all concerned with the subject of the Italian capital city of Rome, rather like previous tributes to other European citites in Paris Sketches, Venetian Spells and The Cries of London. The emphasis is on atmosphere and drama, be they respectful or joyful! It is acknowledged that Ottorino Respighi has influenced this work though his own eternal Rome tributes are not challenged here, rather saluted and celebrated.The three movements are: 1. Collosea di Romaan evergrowing march mood, builds in intensity and density as we approach the mighty Colosseum, the amphitehatre of Classical Rome, where deadly spectacles were once played out. We should not forget that countless thousands died here whilst even more laughed in the name of entertainment: their memory is reflected in the coda. In its unique way this icon of Rome is one of the most tragic historical places.2. Capella Sistinathe Sistine Chapel of the Vatican City is observed in a series of chorales and interludes. The visitor can look 360o around and be presented with a series of Biblical representations and commentaries. The music attempts to reflect these contrasting panels whilst ultimately bowing to the glory of this magnificent artistic creation. The coda is enigmatic, inconclusive - a single viewing cannot reveal all the mysteries and beauties within. 3. Fonatani di Trevitime for laughter and fun! The Trevi Fountain is one of Rome's finest and visually overboard locations! This is indicated as a Burletta: 'a la dolce vita' which means 'the sweet life'. This burletta (meaning 'little joke') makes use of tarantella and saltarello rhythms and features a pair of tambourines which are associated with these forms. La Dolce Vita was also a film by the renowned Italian director Federico Fellini featuring a memorable scene in the Trevi with a wet Enita Ekberg: something modern day visitors are discouraged from emulating!Duration: 11:15Recorded on Polyphonic QPRM161D ROMAN TRILOGY (TheRoyal Northern College of Music Wind Orchestra)
Estimated delivery 7-14 working days
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£44.55Spanish Dance (Concert Band - Score and Parts)
The official march of the U.S. Navy has been expertly arranged for young bands by Jay Chattaway, the former chief arranger with the Navy Band in Washington, D.C. Includes the dramatic "Eternal Father."
Estimated delivery 7-14 working days
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