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£106.95
The Masks - Ronald Lo Presti
The Masks was composed in 1955 as a two movement orchestral suite that was part of the American Composers' Edition series produced by Eastman in conjunction with Carl Fischer music publishers. Lo Presti, a student of Howard Hanson is perhaps best known for his Elegy for a Young American written for concert band. Indeed, The Masks is reminiscent of the Elegy in its romantic style with rich contemporary harmonies. There is no programmatic significance to the title, according to Lo Presti, other than the fact that the two movements are in contrasting moods, much like the Greek masks of comedy and drama. Gregory Rudgers transcription is authentic to the orginal piece and gives bandseverywhere a new LoPresti piece of significance.
Estimated dispatch 7-14 working days
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£13.95LEGACY OF DREAMS (Royal Northern College of Music Wind Orchestra) (CD)
Great British Music for Wind Band Vol.18 Royal Northern College of Music Wind Orchestra conducted by Clark Rundell and Mark Heron.Includes:Prelude to Comedy (Gordon Jacob)A Liverpool Overture (Tom Moss)A Soliloquy for Solferino (Martin Ellerby)Earthrise (Concerto for Band)(Nigel Clarke)Legacy of Dreams (Stephen Richardson)High Spirits (Rob Wiffin)Elegy for Checkpoint Charlie (Martin Ellerby) - Alto Saxophone Soloist: Michael JacksonIt Came Upon a Midnight Clear (arr. Duncan Stubbs)Commemorations (Martin Ellerby) containing the movements: Fanfare and Royal Procession; Hougoumont (March in Memoriam); Jacob the Goose (Scherzando Militaire); Elegy 1944 (Anthem for a Regiment) - Trumpet Soloist: Katherine Curlett; Blue, Red, Blue March (Marchi in Celebration).
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£79.95
Celestial Prospect - Wilfred Heaton
Wilfred Heaton's compositions have a worldwide appreciation and although his output was small it is work of the highest integrity and calibre. The history surrounding 'Celestial Prospect' is somewhat sketchy. The composer describes it as a re-casting of an earlier work written sometime in the 1940's, the score of which is now lost. The theme 'Come Comrades Dear' has been known from Christian Mission days and reflects the composer's penchant for old Salvation Army tunes which are simple and direct in character. The following 5 variations contain much interest and originality including a beautiful elegy to departed comrades.
Estimated dispatch 7-14 working days
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£13.95
Chivalry
1Forgotten Heroes - Concert MarchNigel ClarkeRoyal Northern College of Music Wind Orchestra9.062-5In the Realm of the Sun GodKit TurnbullRoyal Northern College of Music Wind Orchestra I. At Dead of Night 1.32 II. The Ascension of the Sun God 3.06 III. Rite of Sacrifice 3.18 IV. The Rebirth of the Sun God 1.496-10Tales from AndersenMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Overture - The Steadfast Tin Soldier 1.58 II. Soliloquy - The Little Match Girl 2.08 III. Scherzo - The Emperor's New Clothes 1.16 IV. Idyll - The Snow Queen 1.42 V. Finale and Chorale - The Red Shoes 2.2211-14Partita for Concert BandDarrol BarryRoyal Northern College of Music Wind Orchestra I. Introit 4.07 II. Impromptu 2.23 III. Elegy (31/12/04) 4.53 IV. Finale 4.1415-17Three Paintings by LautrecLaurie JohnsonRoyal Northern College of Music Wind Orchestra I. At the Circus - The Equestrian 2.27 II. The Girld with Red Hair 2.46 III. Chocolat - Dancing 2.1018Chivalry - Symphonic Tone Poem for Brass, Wind and PercussionMartin EllerbyRoyal Northern College of Music Wind Orchestra14.0519Skyrider - Concert MarchPhilip SparkeRoyal Northern College of Music Wind Orchestra3.40
Estimated dispatch 7-14 working days
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£13.95
The Very Best of Festival of Music Volume 1
1Old ComradesCarl TeikeThe Massed Bands of the Royal Air Force2.182ElegyDavies/Dyson/HingleyThe Massed Bands of the Royal Air Force3.533633 SquadronRob GoodwinThe Massed Bands of the Royal Air Force2.414NimrodEdward Elgar/HingleyThe Massed Bands of the Royal Air Force3.415Sun and MoonSchoenberg/Maltby/BoubillThe Massed Bands of the Royal Air Force2.556USAF MarchCranfordThe Massed Bands of the Royal Air Force1.487Highland CathedralGilmourThe Massed Bands of the Royal Air Force3.328Robin Hood, Price of ThievesMichael KamenThe Massed Bands of the Royal Air Force9.469Marching with Sousaarr. Gordon LangfordThe Massed Bands of the Royal Air Force5.4510Spitfire PreludeWilliam WaltonThe Massed Bands of the Royal Air Force3.4311Bohemian RhapsodyFreddie MercuryThe Massed Bands of the Royal Air Force7.1812Irish Tune from County DerryPercy GraingerThe Massed Bands of the Royal Air Force3.4813In the MoodRazaf & GarlandThe Squadronaires3.2514Pomp and Circumstance No.1Edward ElgarThe Massed Bands of the Royal Air Force6.0315RiverdanceBill WhelanThe Massed Bands of the Royal Air Force5.5316Evening Hymn and Sunsetarr. Rob WiffinThe Massed Bands of the Royal Air Force3.26
Estimated dispatch 7-14 working days
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£13.95
Time Lines
1Club EuropeMartin EllerbyRoyal Northern College of Music Wind Orchestra8.352Time LinesKit TurnbullRoyal Northern College of Music Wind Orchestra13.183-5Three ProcessionalsMichael BallRoyal Northern College of Music Wind Orchestra I. Marziale 1.39 II. Cort?ge 1.43 III. Fiesta 1.266-8Trombone ConcertoMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Panache 5.55 II. Elegy 5.13 III. Mosaic 3.529Cause for CelebrationDarrol BarryRoyal Northern College of Music Wind Orchestra6.1310SpectrumGilbert Vinter arr. Rodney NewtonRoyal Northern College of Music Wind Orchestra12.4011Adrenaline CityAdam GorbRoyal Northern College of Music Wind Orchestra8.15
Estimated dispatch 7-14 working days
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£89.99The Symphony of Souls - Robert W. Smith
This stunning composition by Robert W. Smith is actually a full symphony in smaller proportions. The piece was composed to commemorate the Battle of Bad Axe, the historic last Indian-American battle fought east of the Mississippi River. Written in four descriptive movements entitled Foreshadows, Warriors, Carnage, and Elegy, the piece evokes powerful sounds and imagery through contemporary scoring techniques while being technically accessible to most concert bands. Unique percussion effects combined with creative scoring provide an experience that your band and audience will not soon forget.
Estimated dispatch 7-14 working days
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£141.99Concerto for Wind Ensemble - Karel Husa
Commissioned by the Michigan State University Alumni Band, this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the Brass section concertises in groupsof four Brass quintets (2 Trumpets, Horn, Trombone and Tuba or Baritone), spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets, and the Woodwinds occupy the front of the stage, withPercussion on the left and right side. These groups, like the Brass quintets, play in the concertante style, particularly in the first and last movements. 'At the same time, each movement contains individual solo passages(for example, Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today, andby the incredible growth of Wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment.'
Estimated dispatch 7-14 working days
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