Results
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£120.40Xenon - Filippo Ledda
Elemento chimico della Tavola Periodica degli Elementi, lo Xenon fa parte del gruppo dei Gas Nobili. incolore, inodore e decisamente pi pesante dell'aria. In un tubo riempito di gas, emette una luce molto intensa quando eccitato con una scarica elettrica, per cui viene utilizzato per la realizzazione di lampade e dispositivi luminosi. Il brano, diviso in sette sezioni che si susseguono senza soluzione di continuit, descrive un viaggio immaginario che percorre diametralmente l'interno di un atomo di xenon. La prima sezione (On the Edge of Nowhere), partendo dal presupposto che l'atomo una struttura al 99,9% vuota, descrive una realt non solo impercepibile dall'occhio umano ma anche non facilmente razionalizzabile, cos la sottile linea che separa il "nulla" dalla materia visibile rappresentata da un assolo di sax contralto. La seconda e la sesta sezione (Electrons) descrivono la nuvola di elettroni che turbina vorticosamente attorno al nucleo dell'atomo. I temi musicali qui si rincorrono e si scontrano; la ritmica delle percussioni, perlopi metalliche, simula questo moto perpetuo. La terza e la quinta sezione (Luminescence) descrivono la zona di quiete tra gli elettroni e il nucleo. Tutto avvolto da una luce bianca, simile a quella del sole; un momento di stasi, ma solo apparente: la calma durer poco. La sezione centrale (Core) il nucleo del brano. La parte pi interna dell'atomo anche la pi densa: percussioni martellanti, riff solidi, armonie sature, vogliono rappresentare la sua natura stabile e dinamica al tempo stesso. Infine, l'ultima sezione (On the Edge of Everything) rappresenta la conclusione del viaggio: l'uscita al di fuori dall'atomo di xenon con la consapevolezza, stavolta, che la materia visibile soltanto la miliardesima parte della realt, tutto il resto energia. L'assolo di sax, che riappare nelle ultime battute del brano, assume ora un diverso significato: cos' "nulla" e cos' "tutto"? La fine di questo viaggio immaginario, veramente una fine? Xenon la terza composizione della serie che l'autore sta dedicando ai Gas Nobili.
Estimated dispatch 7-14 working days
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£98.20Miniature Suite - Donald Furlano
Questo brano stato scritto in occasione del 150mo anniversario di fondazione del Corpo Musicale di Settimo Torinese. Se vogliamo fare un paragone con l'arte pittorica, si tratta di un trittico, cio l'insieme di tre distinti quadri, ciascuno dei quali rappresenta un aspetto significativo della citt di Settimo Torinese. Il primo quadro, che si rif ad alcune formule stilistiche della "marcia", rappresenta la Banda, che da 150 anni simbolo ed espressione "sonora" della comunit. Il secondo quadro, di carattere pi intimistico, rapprenta la Chiesa e si ispira allo stile del "corale", pur non avendone la canonica forma. Il terzo ed ultimo quadro rappresenta invece la Torre e quindi, non solo le istituzioni che governano la citt, ma anche i cittadini che vivono all'ombra di essa: da qui il tema popolare e lo stile di "danza" che lo caratterizza.
Estimated dispatch 7-14 working days
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£119.99Queen Medley
La musica leggendaria di uno dei gruppi rock pi famosi di sempre conosciuta in tutto il mondo. Gli arrangiamenti di Masamichi Amano sono alla portata di tutti e il suo repertorio include i successi dei Queen come Don't Stop Me Now, We Will Rock You, We Are the Champions e I Was Born to Love You.
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£75.95
Shoutin' Liza Trombone - Henry Fillmore
Revisit one of the freshest and raciest of Henry Fillmore's trombone features. Full of lively tunes and Fillmore's trademark trombone smears, Shoutin' Liza Trombone has always been a crowd-pleaser and this cleaned up and re-engraved full score edition by Robert E. Foster is a welcome addition to the Authentic Fillmore Edition. Duration: 3'10 Key: F Ranges: Cornet - E, Horn - D, Trombone - F
Estimated dispatch 7-14 working days
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£159.20Chasing the Mystery - Kevin Houben
Commissioned by KU Leuven on the occasion of the 600th anniversary of KU Leuven.Chasing the MysteryKevin HoubenDedicated to the Wind Orchestra Universitair Harmonieorkest (UHO) of KU Leuven.Chasing the Mystery is the final movement of the triptych Beyond the Horizon of Thought.On the occasion of KU Leuven's 600th anniversary in 2025, the university commissioned Kevin Houben to compose a new work tailored to the Universitair Symfonisch Orkest, the Universitair Harmonieorkest and the Leuvens Universitair Koor. Maud Vanhauwaert, writer-in-residence during the 2023-2024 academic year, provided a poetic libretto.With Beyond the Horizon of Thought, Kevin Houben created not only a unique anniversary composition for more than 250 student musicians. The composition also conveys a universal message that perfectly reflects the spirit of the celebrating university: keep searching, keep developing yourself and keep hoping - even in turbulent times.From a compositional perspective, the work is built around themes and motifs with a clear symbolism. Kevin Houben explains: "I use a technique in which letters are converted into musical notes - a method also used by great masters such as Bach, Bartk and Shostakovich. This musical signature forms the basis of the melodic structure. In this way, 'KUL600' is represented by the notes D - G - E - F (re - sol - mi - fa)."The composition is conceived as a triptych: three movements that flow seamlessly into one another and are performed by different orchestral formations, yet together form a single whole. The work opens with the symphony orchestra, where the thematic 'KUL600' cells are introduced and explored. In this movement, Awakening the Wonder, several highlights establish a musical connection with the following movements.In the second movement, The Urge of Search, the choir sings a cappella to the poem Het is het by Maud Vanhauwaert, in which she reflects on the tireless quest for knowledge that has characterized the university for 600 years. Classical Gregorian techniques and traditional voice leading enter into dialogue with contemporary techniques, as the singers alternately whisper, call out and proclaim.Finally, the wind orchestra introduces the third movement, Chasing the Mystery. With a searching and anticipatory character, the orchestra presents the thematic cells in soloistic fashion, based on the main melody of the choral movement. References once again appear to the rhythmic 'KUL600' cells, which ultimately culminate in a grand apotheosis. A solitary soprano saxophone opens the finale with the 'KUL600' theme in its most intimate and meditative form. The expanded choir then joins the orchestra for an impressive final chord, musically preparing KU Leuven for the next 600 years.Beyond the Horizon of Thought premiered on Wednesday 23 and Thursday 24 April 2025 at LUCA Campus Lemmens, and was also performed on 9 May 2025 at Concertgebouw Brugge on the occasion of the 600th anniversary of KU Leuven. More than 250 musicians from the Universitair Symfonisch Orkest (USO) conducted by Edmond Saveniers, the Leuvens Universitair Koor (LUK) conducted by Kevin Hendrickx, and the Universitair Harmonieorkest (UHO) conducted by Erwin Scheltjens shared the stage.Cover illustration design: Grotezk Studio.
Estimated dispatch 7-14 working days
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£233.99First Symphony, Op. 35 - James Barnes
Composed during the summer and fall of 1974, Barnes' FIRST SYMPHONY, Op. 35 was his master's thesis at The University of Kansas. It was premiered in the spring semester of 1976 by their Symphonic Band, Robert E. Foster conducting. The following year, the symphony was awarded the American Bandmasters Ostwald Composition prize, which led to a second performance (of only the first two movements) by the Northwestern Wind Ensemble at the American Bandmasters convention with Col. Jack Cline (U.S Marine Band) conducting. Following this performance, Barnes submitted the work to several publishers, all of which declined on the basis it was too long and difficult to be marketable. For this reason, Barnes set the work aside and there it remained until 2022, when an offer came from the Osaka Shion Wind Orchestra to record all nine of Barnes'_x001A_symphonies to help celebrate their 100th anniversary. Barnes seized the opportunity, engraving all four movements, with revisions and corrections, an effort that took seven days a week for two months to complete. As a result, after almost fifty years, all nine of the Barnes symphonies are finally available for performance.
Estimated dispatch 7-14 working days
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£66.95Polka: From Schwanda the Bagpiper - Douglas E. Wagner
A true classic of the concert band repertoire, the upper-end transcription of this excerpt from Czech composer Jaromr Weinberger's folk opera Schwanda the Bagpiper has appeared on countless concert programs and contest lists for the past nine decades. At long last, this cheerful work is available in a solid scoring for younger players, expanding its appeal to many more ensembles and audiences. Arranged from the original orchestral score, all parameters of this level have been observed for ease of preparation. (2:00)
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£127.30Ballade fra Fantasistykker for Piano op. 36 - Agathe Backer-Grøndahl
Agathe Backer Grndahl's 'Ballade' can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grndahl's production, several of these are grouped under the term 'fantasy pieces'. There are six collections with a total of 48 fantasy pieces on her opus list and 'Ballade' is from the first of these (Op. 36), published in 1895. 'Ballade' is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material.The arrangement is close to Backer Grndahl's original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands.
Estimated dispatch 7-14 working days
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