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  • £46.00

    Puff (The Magic Dragon) (Flexible Ensemble - Score and Parts) - Lipton & Yarrow - Vannebo, Elisabeth

    The music for Puff, the Magic Dragon was written by Peter Yarrow from the group Peter, Paul and Mary. The lyrics is based on a poem written in 1959 by Peter Yarrow, at that time a 19 year old student from the University of Cornell. It tells the story of the ageless dragon ?Puff? and his playmate. Jackie Paper, a little boy who grows up while loosing the childhoods imagined fairy tales, let Puff be with himself. The history about the song takes place at the lake in the fictional town of Honalee. The song became a hit with the group Yarrow through a recording released in January 1963.Duration: 2.15

    Estimated dispatch 7-14 working days

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  • £37.95

    The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip

    The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.

    Estimated dispatch 7-14 working days

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  • £199.95

    The Year of the Dragon (Prestige Concert Band - Score and Parts) - Sparke, Philip

    The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.

    Estimated dispatch 7-14 working days

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  • £50.50

    Dragon Dance (Concert Band - Score and Parts) - Story, Michael

    The Dragon Dance is a popular event in traditional Chinese culture, especially during Chinese New Year celebrations. Originating during the Han Dynasty, the dance is carried out by a team of performers that carry the dragon on poles. Drums, cymbals, and gongs are used with this characteristic dance using only the first six notes learned.Duration: 1.30

    Estimated dispatch 7-14 working days

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  • £16.95

    DRAGON DANCE (Prestige Concert Band Extra Score) - Stubbs, Duncan

    Score only. Of all dragon species, the habits of the ice dragon, hidden away in its mountain fastness, are the least known. Spending most of their lives deep below ground in vast caverns they venture abroad very rarely. Fiercely territorial, encounters with others of their kind precipitate conflict, both immediate and violent. Those few people who have witnessed such encounters, and survived them, liken them to a kind of frenetic dance, hence the title of the piece. Heavily armed, intelligent creatures, the contests are highly ritualised. The frantic pace and intensity of the encounters mean they ten to be brief, ending with one, or often both beasts, crashing into the mountain side, causing a huge avalanche htat invariably marks the end of the encounter. Duration: 5:03 Recorded on Polyphonic QPRM153D Wind Borne

    Estimated dispatch 7-14 working days

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  • £82.95

    DRAGON DANCE (Prestige Concert Band Set) - Stubbs, Duncan

    Score and Parts. Of all dragon species, the habits of the ice dragon, hidden away in its mountain fastness, are the least known. Spending most of their lives deep below ground in vast caverns they venture abroad very rarely. Fiercely territorial, encounters with others of their kind precipitate conflict, both immediate and violent. Those few people who have witnessed such encounters, and survived them, liken them to a kind of frenetic dance, hence the title of the piece. Heavily armed, intelligent creatures, the contests are highly ritualised. The frantic pace and intensity of the encounters mean they ten to be brief, ending with one, or often both beasts, crashing into the mountain side, causing a huge avalanche htat invariably marks the end of the encounter. Duration: 5:03 Recorded on Polyphonic QPRM153D Wind Borne

    Estimated dispatch 7-14 working days

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  • £154.99

    Red Dragon Wind Band Set (Score & Parts)

    The dragon is a mystical monster that plays a prominent role in legends from around the world and it still maintains its timeless hold on humanity. From a destructive force in the west to a messenger sent from the gods in the east, dragons have always been a force of nature. We now invite you to step into the dark and mysterious universe of the Red Dragon, guardian of untold treasures! 09:10

    Estimated dispatch 7-14 working days

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  • £69.95

    SUMMON THE DRAGON (Concert Band) - Graham, Peter

    Featuring the trumpet and trombone sections, Summon the Dragon was written for The National Youth Band of Wales (Music Director James Watson) in the style of movie composer John Williams. From the opening brass fanfares, through lyrical woodwind passages to the majestic finale, Summon the Dragon is sure to delight audiences.

    Estimated dispatch 7-14 working days

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  • £64.99

    How to Train Your Dragon, Selections from (Flexible Ensemble - Score and Parts) - Powell, John - Vinson, Johnnie

    The 2010 movie How to Train Your Dragon has become a film classic and John Powell's masterful soundtrack beautifully captures the dramatic moments and mood of the story. Here are the main themes from the soundtrack in a terrific setting for flexible instrumentation.Duration: 3.45

    Estimated dispatch 7-14 working days
  • £49.00

    Dragon Dance (Concert Band - Score and Parts) - Huckeby, Ed

    Every young band musician wants to perform "real" music! "Dragon Dance" has tremendous appeal, and outstanding melodic and harmonic content. The driving rhythms will make your students want to play it during every rehearsal and on every concert! While very playable, the musical value is truly exceptional. Great for contest or concert...or any performance situation! Highly recommended! Duration: 2.45

    Estimated dispatch 7-14 working days

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