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£174.99Excelsior Wind Band Set (Score & Parts)
Excelsior was composed by Rob Goorhuis in the year 2000 on the occasion of the 75th anniversary in 2001 of the Amsterdam-based concert-band Jong Excelsior. Excelsior is a one-movement fantasia, consisting of contrasting themes. The first theme (the Excelsior theme) is characterized by angular figures moving in an upward direction. The second theme is playful and humorous in nature. Rob Goorhuis, who was born and bred in Amsterdan, may even have utilized memories of his own juvenile pranks in this second theme. The third theme, which is introduced by the cor anglais is melancholy and melodious. The elements mentioned above interchange in a thoroughly captivating manner, which ultimately results in an attractive composition fully capable of adding lustre to an anniversary. Excelsior werd door Rob Goorhuis gecomponeerd ter gelegenheid van het 75-jarig jubileum van muziekvereniging Jong Excelsior te Amsterdam. Excelsior is een doorgecomponeerde fantasie, bestaande uit met elkaar contrasterende themas. Het eerste (Excelsior)thema wordt gekenmerkt door hoekige stijgende figuren. Het tweede thema is speels en humoristisch van karakter. Rob Goorhuis, geboren en getogen Amsterdammer, verwerkte hierin wellicht herinneringen aan de kwajongensstreken uit zijn jeugd in Amsterdam. Het derde thema, ge?ntroduceerd door de Engelse hoorn, is melancholiek en zangerig. Genoemde elementen wisselen elkaar op boeiende wijze af, zodat een attractieve compositie is ontstaan. Dit werk is opgenomen in het Klein repertorium, harmonie - 1e divisie 12:00
Estimated dispatch 7-14 working days
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£140.00GALLIMAUFRY (Concert Band) - Woolfenden, Guy
Gallimaufry (gali maw'fri): A medley; any confused jumble of things; but strictly speaking, a hotch potch made up of all the scraps of the larder. cf Shakespeare: The Winter's Tale: "a gallimaufry of gambols"I. Church and StateII. Inn and OutIII. Starts and FitsIV. Father and SonV. Advance and RetreatVI. Church and Status QuoGallimaufry was inspired by Shakespeare's Henry IV plays, and derives from music I composed for the Royal Shakespeare Company's production which opened the Barbican Theatre in 1982. The score is dedicated to Trevor Nunn, then Artistic Director of the RSC, with grateful thanks for his suggestion that I should expand and mould the music from these productions into a form suitable for concert performance.My thanks also to Timothy Reynish and the British Association of Symphonic Bands and Wind Ensembles who, with funds provided by North West Arts, commissioned the work and helped to ensure its first performance on September 24th 1983 with the Royal Northern College of Music Wind Orchestra.The work is continuous and the thematic material of each of the six sections closely related. The "establishment" - leadership, temporal and ecclesiastical power - are depicted in the stately march which opens the work. (Church and State)The second section, Inn and Out, in an energetic hemiola rhythm, is concerned with the stews and low-life revels at the Boar's Head Tavern. This is interrupted and finally integrated with the Tavern Brawl and Gadshill Ambush of Starts and Fits.The mood changes and the ambivalence of Prince Hal's relationship with his father and surrogate father, Falstaff, is portrayed in a serene cor anglais solo. (Father and Son)Advance and Retreat is a recruiting march, derived from the Tavern Tune and leads into the last movement, Church and Status Quo, which deals with the rejection of Falstaff and the crowning of Price Hal. Order is restored with a majestic affirmation of the opening material.
Estimated dispatch 7-14 working days
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£174.99
The Legend of Flathead Lake Wind Band Set (Score & Parts)
In Scotland, the monster of Loch Ness is a hot issue, but the American state of Montana enjoys a comparable phenomenon going by the name of Montana Nessie. In the western part of this remote state lies Flathead Lake: a lake of 45 kilometres /38 miles in lenght and 24 kilometres /15 miles breath. At several places, its depth exeeds 100 metres.Nessies discovery takes us back to the year 1889, when captain James Kerr aboard the passengership U.S.Grant was startled by a ship unknown to him suddenly approaching his vessel across Flathead Lake. However, it turned out not to be a ship but an undefinable animal of immense size.From that moment onwards, life would never be the same again in and around Flathead Lake.The composer was inspired by the story, and summarized the events into a symphonic poem, but from a surprising angle:that of the monster. The exiting opening allows us to follow the monster in its natural surroundings.The fast follow-up movement depicts Montana Nessie trotting and frolicking about the Montana woods and prairies.From its abode, it thorougly enjoys everything around it. This period abruptly ends in a short climax (Chimes). The solo for cor anglais marks a new period in the monsters life.The presence of people has a paralizing effect and the apprehensive atmosphere of the slow movement may be felt profoundly.The monster observes and mildly teases the ship. Abhor sounds force the ship to a withdrawal.The moving musical continuation depicts the triumphant monster dancing an ironic waltz. The monsters fear and anger at the intrusion of his freedom run through the piece like continuous threads, and develop into the works final theme. 12:00
Estimated dispatch 7-14 working days
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