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£111.24All Tuned Up - 120 Famous Tunes for All Occasions (Full Set - US Sizes) PDFs
This unique new resource from BrookWright Music will be an essential part of every band's library! All Tuned Up is designed to cater for ensembles for occasions throughout the year. Tunes are drawn from genres including Classical, Hymns, Folk and Patriotic amongst many others to form a comprehensive book that will cover a wide variety of events such as Weddings, Funerals, Graduation Ceremonies, Parties, Proms, Remembrance, Street Playing and Thanksgiving. Playable by as few as five players but also designed to work for full brass band or wind band, it features flexible parts in a wide variety of transpositions. These excellent arrangements have been expertly created by Andrew Wainwright, David E. Jones, Dean H. Jones and Steven Ponsford. The general harmonic format of All Tuned Up is in five parts, although additional notes have been included to thicken the harmony where more players are available. Therefore, the book will work equally well with larger groups, including full brass bands and wind bands. At the end of the Part 1 Bb book are four a capela tunes for Remembrance/Memorial occasions. To view a promotional video please visit https://www.youtube.com/watch?v=nmodRrXQRRs This PDF download is for US sizes: Full Score - Letter Size - 11" x 8.5" Band Parts - 7" x 5" Physical copies of the books available from: UK - Individual Books Full Set Brass Band Set USA - www.solidbrassmusic.com/product/all-tuned-up-ensemble-books The full set includes: Full Score Part 1 Eb (optional) - Soprano Cornet/Trumpet Eb, Clarinet Eb Part 1 Bb - Cornet/Trumpet Bb, Clarinet Bb, Flugel, Soprano Saxophone Part 1 C - Piccolo, Flute, Oboe, Part 2 Bb - Cornet/Trumpet, Clarinet Bb, Flugel Part 2 Eb - Tenor Horn, Alto Saxophone, Alto Clarinet Eb Part 2 F - Horn, Cor Anglais Part 3 Bb - Baritone, Trombone, Euphonium, Tenor Saxophone, Part 3 C (Bass clef) - Baritone, Trombone, Euphonium Part 3 Eb - Tenor Horn, Alto Saxophone, Alto Clarinet Eb Part 3 F - Horn, Cor Anglais Part 4 Bb - Euphonium, Baritone, Tenor Saxophone Part 4 C (Bass clef) - Euphonium, Baritone, Bassoon Part 5 Eb - Bass Eb, Baritone Saxophone Part 5 Bb - Bass Bb, Bass Clarinet Part 5 C (Bass clef) - Tuba, Bassoon, String Bass Percussion (optional) - Various
In stock: Estimated dispatch 1-3 days
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£75.00Two Giants and Ten Thousand Stones - Andrew Duncan
A descriptive work by Scottish composer Andrew Duncan telling the dramatic story of the legendary stone throwing fight between Finn McCool and Finn Gael which formed the spectacular basalt columns of the Giants Causway in Ireland and Fingals Cave in Scotland.The piece was commissioned by and written for the the National School Band Association for the NSBA 2005 County Antrim Youth Band Festival, and is scored for large wind orchestra with additional four Bass Drum parts to be played in the four corners of the hall (amongst the audience) to represent the huge stones crashing into the ground.Scored for:Piccolo;1st Flute;2nd Flute;Oboe;Cor Anglais (English Horn);1st Bassoon;2nd Bassoon;Contra Bassoon;Eb Clarinet;1st Bb Clarinet;2nd Bb Clarinet;3rd Bb Clarinet;Bass Clarinet;Soprano Sax;1st Alto Sax;2nd Alto Sax;Tenor Sax;Baritone Sax;1st Bb Trumpet;2nd Bb Trumpet;3rd Bb Trumpet
In stock: Estimated delivery 1-3 days
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£37.08Elizabeth Remembered (Wind Band) Debbie Wiseman arr. Andrew Wainwright
Released as a charity single in aid of The Queen's Commonwealth Trust, this sublime work was composed by Debbie Wiseman OBE and performed by the BBC Concert Orchestra in tribute to Queen Elizabeth II after her death in September 2022. This tender and contemplative piece was played many times during the BBC's live coverage of the ceremonies across ten days of national mourning; and the full three-minute piece was played at the end of the Queen's State funeral, following Kirsty Young's emotional final words, and accompanied by a poignant and beautiful montage of images from the events of the day. The piece is now available for wind bands through this arrangement by Andrew Wainwright, with permission kindly granted by Debbie Wiseman. To view a follow-the-score video please visit: www.youtube.com/watch?v=gW6AiNQGKEI Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Easy Instrumentation: Flute Oboe 1 Oboe 2 (Cor Anglais) Clarinet in Bb 1-2 Bassoon 1-2 Alto Saxophone Eb Tenor Saxophone Bb Baritone Saxophone Eb Trumpet in Bb Horn in F Trombone Euphonium Tuba Timpani Harp (optional) Glockenspiel (if no Harp) Suspended Cymbal
In stock: Estimated dispatch 1-3 days
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£59.95Christmas Night (Concert Band - Score and Parts) - Wiffin, Rob
This is an arrangement of carols associated with Christmas night. The main song in this arrangement is O Holy Night but it also includes the opening phrase of Franz Gruber's Silent Night as an accompanying motif. The music starts with some lux argentum and then two horns play It came upon the midnight clear as a prelude to the main theme. The first iteration of this beautiful Christmas song should ideally be played on the cor anglais. However, it is cued for oboe or trumpet should a cor anglais not be available.O Holy Night was composed by Adolphe Adam in 1847, originally set to a French poem, Minuit, Chretiens (Midnight, Christians) and published as Cantique de Noel.Duration: 5.00
Estimated dispatch 7-14 working days
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£87.95St. Francis Variations (Concert Band - Score and Parts) - Wheeler, Alastair
Variations on St Francis is a set of four contrasting movements based on the sturdy 17th century hymn tune Lasst uns erfreuen, best known as St Francis after its composer with associated words "All creatures of our God and King". Although often notated in various metres, the tune's original unbarred freedom and Vaughan Williams' later 3/2 setting both inform this work's flexible approach to rhythm and stress.The piece is built from three ideas: the bold opening line of the tune, descending peals of Alleluia, and the answering response phrase.A grand March opens the work, with open-fifth fanfares and flowing Alleluia countermelodies. The Dance that follows shifts the response into a minor key, driven by syncopation and playful overlapping lines. A lyrical Cantabile / Intermezzo, led by cor anglais (or alto saxophone), offers contrast before a Rondo Scherzo reimagines the tune in a quirky modal style, featuring falling thirds and bright harmonic colour. A confident Coda brings the work to a close with chorale statements launched from the percussion section.Duration: 7.30
Estimated dispatch 7-14 working days
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£17.95St. Francis Variations (Concert Band - Score only) - Wheeler, Alastair
Variations on St Francis is a set of four contrasting movements based on the sturdy 17th century hymn tune Lasst uns erfreuen, best known as St Francis after its composer with associated words "All creatures of our God and King". Although often notated in various metres, the tune's original unbarred freedom and Vaughan Williams' later 3/2 setting both inform this work's flexible approach to rhythm and stress.The piece is built from three ideas: the bold opening line of the tune, descending peals of Alleluia, and the answering response phrase.A grand March opens the work, with open-fifth fanfares and flowing Alleluia countermelodies. The Dance that follows shifts the response into a minor key, driven by syncopation and playful overlapping lines. A lyrical Cantabile / Intermezzo, led by cor anglais (or alto saxophone), offers contrast before a Rondo Scherzo reimagines the tune in a quirky modal style, featuring falling thirds and bright harmonic colour. A confident Coda brings the work to a close with chorale statements launched from the percussion section.Duration: 7.30
Estimated dispatch 7-14 working days
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£99.95Sinfonietta No.2 - A Sign of the Times (Concert Band - Score and Parts) - Wiffin, Rob
It was an interesting challenge to return to the form of a sinfonietta some twenty years after the last one. This work is not hugely problematic to play but was written without regard for technical demands, following a series of compositions that needed to take difficulty level into consideration. The work has five percussion parts but the tuned percussion, although desirable, can be omitted. As for the band parts, Oboe 2 is largely covered elsewhere but the colour of the cor anglais would be a definite enhancement to the overall sound. The work was written in 2025 when it seemed as if the world was a particularly volatile place.The first movement 'Foment' seeks to capture that menacing mood of unrest and the potential for violence that seemed to erupt without warning and without efforts to contain it from warmongers posing as peacemakers. The music is severe and focussed with just a short scherzo-like episode of levity to balance the quasi-military mood.'A Dream of Peace' takes a few moments to contemplate a different, more peaceful world and several ideas are considered before settling on the slow waltz-like melody. This uses a very tonal language but is given a particular hue by its use of sevenths and ninths and there are moments of stress which disrupt the tranquillity.In 'Call to Arms' the warlike mood returns with a sense of restless energy that drives the music to its conclusion.- Rob WiffinDuration: 14.00
Estimated dispatch 7-14 working days
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£49.95Cav Party (Concert Band - Score and Parts) - Wiffin, Rob
Cav Party was commissioned by The Band of the Household Cavalry in 2020. The idea was to showcase the various musical elements of the band in a party piece that gets more boisterous as it goes on. It utilises three Eighteenth century melodies associated with the band, starting off with a folkish setting of Handel's March from Scipio for harp, violin, flute and cor anglais (all fully cued on regular wind band instruments) and then into Keel Row where the accordion is featured before the whole band enters, and finally to Money Musk. Both Keel Row and Money Musk are played as Trot Marches by the band.The regimental slow march Scipio comes from Handel's opera of 1725 The Mercy of Scipio, which was based on the life of the Roman General Scipio Africanus.Keel Row is a traditional folk song evoking the life and work of the keelmen of Newcastle upon Tyne. It was first published in 1770, although it could be considerably older. The opening lines of the song describe Sandgate, the part of the quayside overlooking the River Tyne to the east of the city centre where the keelmen lived.Money Musk, also known as Monymusk or Monnymusk was originally a pipe tune composed by Scottish fiddler Daniel (sometimes Donald) Dow (1732 - 1783) in 1776. It takes its name from a baronial estate in Aberdeenshire, Scotland called Monymusk House. The tune first appeared in Dow's Thirty Seven New Reels, c. 1780 under the title Sir Archibald Grant of Monemusk's Reel.Duration: 3.45
Estimated dispatch 7-14 working days
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£224.99Lux Futura (Concert Band - Score and Parts) - Houben, Kevin
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by B?la Bart?k. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the cor anglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. Duration: 17.00
Estimated dispatch 7-14 working days
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£69.95Aylesbury Dances (Concert Band - Score and Parts) - Wiffin, Rob
The suite Aylesbury Dances was commissioned by the Aylesbury Concert Band to mark the occasion of their 25th Anniversary in 2019. Its three movements depict different aspects of Aylesbury: I. Pavane: The Town - Having read something of the town's history and its architecture I decided I wanted to write something ceremonial with the feel of music from Tudor times. Aylesbury was given its charter and borough status in 1554 by Mary Tudor so I took that as my starting point but then added some harmony that moves forward in time. This fits with the town's motto: Semper Prorsum (Always forward) and also with the Band's evolution from Aylesbury Town Band to Aylesbury Community Concert Band to Aylesbury Concert Band. The music can be defined as a pavane, or a cortege. The sense of procession is slightly disturbed by a 'Blue Leanie' moment. The Blue Leanie is an iconic Aylesbury building, an oblique rhombic prism which stands at an angle of 17% inclination. I took a quaver out of the time signature (I know the maths don't work!) to reflect this and added some bluer harmony at that point. This opening movement gives a sense of the grandeur and heritage of Aylesbury town and a chance for my friends from the brass section to warm up! II. Siciliana: Waterside - To balance the outer two movements, the middle movement of the suite has a slow lilting 6/8 rhythm. It is in the style of a Siciliana, a dance form originating in the baroque era. It is a graceful, tender and melancholic dance, cast here in a minor key and featuring the dark voice of the cor anglais. The Siciliana was often linked with pastoral scenes and Aylesbury itself sits amid some beautiful countryside. It may, therefore, seem a bit of a stretch to call this movement 'Waterside', especially as Aylesbury is so far from the sea, but the town has a theatre of that name and that was the genesis for this particular music. There is a statue of Ronnie Barker in the grounds of the Waterside theatre as he started his career in repertory theatre in Aylesbury, so I included a fleeting reference to the theme music of the comedy programme 'Open all Hours'. III. Frolic: Ducks in a Row - It was impossible to write a piece connected with Aylesbury without considering the famous Aylesbury ducks. Duck rearing was a major industry in the town in the 19th century. The white Aylesbury Duck is a symbol of the town, appearing on its coat of arms and in the logo of the Aylesbury Concert Band! This movement is all about trying to get the little darlings in a row so they can sing their 'Duck Chorus' together but they keep on scattering, flying off or swimming away as quickly as they can manage. It's a bit like watching ducks disperse when my dog jumps into the stream after them. Eventually we get more of them in a row - even though they protest. Hidden amongst the ducks is a reference to Erica Miller, saxophonist and chairman of the band, and there's even a veiled reference to a shark in the hope of getting them out of the water. Ducks in a Row is a fun romp bringing this suite of Aylesbury Dances to a suitably celebratory conclusion.- Rob Wiffin.Duration: 9.15
Estimated dispatch 7-14 working days
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