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  • £49.50

    Robin Hood and the Golden Arrow - Robert W. Smith

    The legend of Robin Hood has stirred the imaginations of countless millions over the generations. "Robin Hood and the Golden Arrow" by Robert W. Smith brings the legend to life for the beginning band. Using only six notes, the composition evokes exciting imagery through the use of soaring melody, energetic accompaniment figures and dynamic contrasts. The percussion section explores a variety of colors creating a musically rewarding experience for all. Suitable for concert and festival performance, this is beginning band writing at its finest!

    Estimated dispatch 7-14 working days

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  • £109.99

    Jubilance - Benjamin Yeo

    Jubilance was written to celebrate the 150th anniversary of the founding of the Xinmin Senior School in Singapore. Appropriately for the occasion, the composition is a festive, virtuoso and dynamic opening work. The music of Benjamin Yeo is characterised by up-tempo melodies and widely scored dynamic contrasts. The ideal opener for your concert!

    Estimated dispatch 7-14 working days

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  • £102.99

    Rhapsodia - Robert Finn

    Rhapsodia is a composition full of contrasts, where listener and performer are pulled along together in a musical and emotional adventure. Many human feelings are expressed in the characteristic cinematic style of Robert Finn, making this work an absolute must for every band.

    Estimated dispatch 7-14 working days

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  • £274.99

    Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán

    I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."

    Estimated dispatch 7-14 working days

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  • £64.99

    Three American Spirituals - Mike Hannickel

    This exciting medley of American spirituals is sure to please! Mike Hannickel's carefully crafted THREE AMERICAN SPIRITUALS helps young bands develop those all-important listening skills. They'll hear how each tune contrasts and complements the others when "Go Tell It On The Mountain", "Swing Low, Sweet Chariot" and "Who did Swallow Jo-Jo-Jonah" all come together in rousing counterpoint! THREE AMERICAN SPIRITUALS works wonderfully with the unpredictable instrumentation of so many youth bands, while it's contrapuntal nature allows every section to shine. THREE AMERICAN SPIRITUALS allows each parent to say honestly to their child "I HEARD you play your part!"

    Estimated dispatch 7-14 working days

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  • £37.50

    Pumpkin Polka - Graydon A. Toms

    Perfect for the holidays! Pumpkin pie, applesauce, cherry cobbler and mashed potatoes come to mind as the audience enjoys this noteworthy piece for young bands.Graydon Toms creatively explores a limited rhythmic pallet, giving your Grade 1 group lots of reinforcement of basic reading skills. Plenty of dynamic contrasts and careful attention to articulations also contribute to the educational value of this fresh and joyful offering.Ideal for any harvest season or winter concert, October through February, PUMPKIN POLKA allows your beginning group to showcase new musical skills in a substantial and entertaining way. A feast for the ears!

    Estimated dispatch 7-14 working days
  • £99.99

    Granada Overture - Carmine Pastore

    Spain is a country like no other. Its scenic beauty, colorful history and bold arts and literature are unique and legendary. In this overture Carmine Pastore skilfully portrays this timeless region of many contrasts with the widely-varied orchestration portraying many of the opposing and unique qualities of the concert band.

    Estimated dispatch 7-14 working days

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  • £37.50

    Agon - James Curnow

    Grade 1 literature acts as something of a bridge between beginner literature and "real" music for the nascent musician. With that in mind, it is critical to choose just the right Grade 1 compositions as your group develops.As something of a competition for musical dominance between the Brasses, Woodwinds, and Percussion sections, AGON may be the perfect choice for your festival opening number. Each section, in fact every player, is shown to be an important part of the ensemble. Both smooth and marked playing are called for, while many stylistic and dynamic contrasts complete the recipe for a great young band showpiece.Compelling!

    Estimated dispatch 7-14 working days

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  • £84.99

    Dimensions of Seven - James Curnow

    Commissioned by the University of Georgia Bands F. David Romines, Associate Director of BandsRich modern harmonies and exquisite rhythmic counterpoint make this Grade 3 gem a rich and rewarding project for your ensemble. This remarkable piece is a wonderful and exciting performance piece which at the same allows the director countless opportunities to teach the players about intervals, inversions, and so much more. A nice batterie of Percussion instruments adds lots of color and energy and the contrasts in density and dynamics ensure that Dimensions of Seven will keep the audience fully engaged from the first beat to the last.Unforgettable!

    Estimated dispatch 7-14 working days

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  • £37.50

    Canto and Caprice - James Curnow

    What an excellent way to lift your beginning band up to a higher level of musicianship! This outstanding new work for the beginning band is perfect for that first festival experience or for any concert venue. With accents, staccato, and lots of dynamic and stylistic contrasts there is much to teach in this piece, and yet it remains accessible to the last exciting note. Be sure to pay close attention to this significant new beginning band composition. An important addition to the repertoire

    Estimated dispatch 7-14 working days

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