Results
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£144.99Tetraktys (Concert Band - Score and Parts) - Coulembier, Klaas
Tetraktys, named after a mathematical concept of Pythagoras, is a festive and varied work, composed for the tenth anniversary of the Ghent University Wind Band. A mysterious introduction paves the way for a driving allegro, in which all sections of the orchestra are featured. The slow middle part offers a moment of repose, introduced by a lyrical theme presented by the clarinet section. After a brief recollection of the fast movement, the mood shifts into a swinging big band-style passage, that leads directly into the finale.Duration: 10.30
Estimated dispatch 7-14 working days
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£118.99North Hills Fantasy (Concert Band - Score and Parts) - Sparke, Philip
North Hills Fantasy was commissioned by the North Hills High School Bands, Pittsburgh, Pennsylvania (director: Len Lavelle) as part of a commissioning programme that has run since 1965 - the longest of its kind in the USA. The work opens with a reflective, unaccompanied solo for alto saxophone which develops into a chorale for horns and saxes. This is taken up by the trumpets and subsides to a change of key and mood, with highly decorated folk-like solos for clarinet, bassoon and saxes. These solos build to a climax for full band, which heralds a triumphant return of the horn chorale, accompanied by florid woodwind figuration. But the mood soon winds down; fragments of earlier melodies return calmly to peacefully close the work. Duration: 5.30
Estimated dispatch 7-14 working days
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£99.99March of the Robot Army (Concert Band - Score and Parts) - Sparke, Philip
March of the Robot Army was commissioned by Linda Anzolin and Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by Just Italia. Campobanda is an Italian summer music camp for 8 to 18 year olds which has a different theme every year. The theme for 2019 was science fiction, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromatic figures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change of key introduces a legato trio melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting the first two themes in new guises before finishing the march with a flourish.Duration: 5.00
Estimated dispatch 7-14 working days
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£59.00Heralding Angels (Concert Band - Score and Parts) - Mendelssohn, Felix - Susi, Anthony
Heralding Angels is a regal presentation of the traditional holiday favorite by Felix Mendelssohn capturing the glory of the text with fanfares, trills and carefully crafted flourishes! The trumpet descant and percussion add to the majesty of this classic holiday work. With moderate ranges, ample doubling of parts, limited independence, and 2nd clarinet below the break, this well-known piece is accessible to many bands. A great choice to introduce and reinforce a variety of eighth and sixteenth note rhythmic combinations. Sure to be a favorite at the annual winter concert! Duration: 2.45
Estimated dispatch 7-14 working days
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£72.99On to the Next Frontier (Concert Band - Score and Parts) - Saucedo, Richard L.
Richard's exciting overture captures feelings of adventure and daring as we look towards a new frontier and flourishing future. The percussion section is featured at the start, as layers of patterns build up to a vibrant full band statement of the main theme. The lyric middle section features short solos for clarinet and trumpet accompanied by lush background harmonies from the ensemble. The fast pace returns introduced by a playful baritone sax solo followed by a full band recap of the opening theme and a rousing finish.Duration: 5.15
Estimated dispatch 7-14 working days
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£50.00Thumbs Up! (Concert Band - Score and Parts) - Hoefle, Heather
Help your clarinets over the break, your flutes jump octaves, and your brass players buzz sirens all within this fun concert tune! Thumbs Up incorporates clarinet register key pop-ups from low C to G and low F to C in an otherwise simple part to give them lots of practice while you prepare for your performance! Entertain your audience as you educate them on the techniques their children are learning! Duration: 2.15
Estimated dispatch 7-14 working days
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£57.50Northwest Odyssey (Concert Band - Score and Parts) - Saucedo, Richard L.
Combining a driving and rhythmic pulse, carefully paced mixed meters, and full band passages interspersed with percussion feature spots, Northwest Odyssey provides a rewarding and dynamic experience for young players. A brief slow middle section features a dialogue between three soloists (Clarinet, Flute, Alto Sax) before returning to the opening fast pace and exciting finish.
Estimated dispatch 7-14 working days
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£74.00Where Christmas Began (Concert Band - Score and Parts) - Clark, Paul
A wonderful intertwining of "O Little Town Of Bethlehem" and "Once In David's Royal City." From the brief solos for euphonium, clarinet and French horn (all cued in other parts) to the majestic and powerful full-ensemble ending, this will be the centerpiece of your next holiday concert. A beautiful and lush work which involves a minimum amount of preparation, but sounds gorgeous! Very highly recommended! Duration: 3.40
Estimated dispatch 7-14 working days
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