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  • £131.00

    Traveler

    David Maslanka's Traveler, for Symphonic Wind ensemble, was commissioned in 2003 by the University of Texas at Arlington Band Alumni Association, the Delta Sigma chapter of Kappa Kappa Psi and the Gamma Nu Chapter of Tau Beta Sigma, in honor of the career contributions of Ray C. Lichtenwalter, retiring Director of bands at UT Arlington. Maslanka writes, "Ray has been a close friend and champion of my music for many years, and it was a great pleasure for me to write this piece for his final concert. The idea for Traveler came from the feeling of a big life movement as I contemplated my friend's retirement." Carl Fischer Music is excited to offer this beautifully contemplative piece in a study score format.

    Estimated dispatch 12-14 working days
  • £161.00

    Give Us This Day

    A short, two-movement symphony by the masterful David Maslanka, that demonstrates once again the rich possibilities of the wind band in the hands of a composer who understands the creative potential of the medium. The slow and richly scored opening movement makes especially fine use of an expanded percussion section, triadic harmony and melodies with the flavor of an incantation. The second movement is a driving Allegro with a stern, striding C minor theme that dominates the movement until the coda, which ends the piece with a slow, heaven-storming chorale. Despite the title (from The Lord's Prayer), the composer claims a Buddhist inspiration for his piece.

    Estimated dispatch 12-14 working days
  • £56.00

    Clash and Roar

    The title says it all with this aggressively scored piece by Larry Clark that a young band can really dig into. Some unusual percussion effects are called for and Clash and Roar employs a modern harmonic structure and rhythmic energy, which will have considerable appeal to young players. This will be a great piece for festival/contest use. Key: C Minor Duration: 3'

    Estimated dispatch 12-14 working days
  • £53.00

    Journey of the Juno

    In July of 2016, the NASA space probe Juno completed a 5 year journey to Jupiter. The concert piece Journey of the Juno is named for this event. It is a mysterious piece in C minor intended to convey the vastness of outer space. Composer Joseph Compello consistently delivers music that both intrigues students and contains many teachable moments.

    Estimated dispatch 12-14 working days
  • £39.95

    Nearest Thing by Far to Heaven (Flute Solo with Concert Band - Score and Parts) - Wiffin, Rob

    An expressive solo for flute and band, this slow, blue-tinged piece is the result of the opportunity given by the Covid lockdown of 2020 to look anew at some old songs. In this one, a fairly straightforward but expressive melodic line is stated in its original form then repeated in a much expanded and occasionally florid setting, allowing the soloist to cover a range from low C up to top A. Eventually the music returns to the tranquillity of the opening.The band accompaniment was written in 2024 and is kept light but colourful allowing the soloist to be expressive without fighting to project through the texture.Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £49.95

    Cav Party (Concert Band - Score and Parts) - Wiffin, Rob

    Cav Party was commissioned by The Band of the Household Cavalry in 2020. The idea was to showcase the various musical elements of the band in a party piece that gets more boisterous as it goes on. It utilises three Eighteenth century melodies associated with the band, starting off with a folkish setting of Handel's March from Scipio for harp, violin, flute and cor anglais (all fully cued on regular wind band instruments) and then into Keel Row where the accordion is featured before the whole band enters, and finally to Money Musk. Both Keel Row and Money Musk are played as Trot Marches by the band.The regimental slow march Scipio comes from Handel's opera of 1725 The Mercy of Scipio, which was based on the life of the Roman General Scipio Africanus.Keel Row is a traditional folk song evoking the life and work of the keelmen of Newcastle upon Tyne. It was first published in 1770, although it could be considerably older. The opening lines of the song describe Sandgate, the part of the quayside overlooking the River Tyne to the east of the city centre where the keelmen lived.Money Musk, also known as Monymusk or Monnymusk was originally a pipe tune composed by Scottish fiddler Daniel (sometimes Donald) Dow (1732 - 1783) in 1776. It takes its name from a baronial estate in Aberdeenshire, Scotland called Monymusk House. The tune first appeared in Dow's Thirty Seven New Reels, c. 1780 under the title Sir Archibald Grant of Monemusk's Reel.Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £139.99

    In the Air (Concert Band - Score and Parts) - Oswald, Gerald

    The composition is upbeat, dynamic, and the notes dance. There is no story to tell, but simply a mood of cheerfulness and levity. In the Air expresses a consistently joyful, light-hearted and positive vibe through its mischievously playful motifs; the music blows through as if a light breeze, a fresh wind. Gerald Oswald was born in 1968 in Gross-St. Florian. He completed his education as a trumpeter at the Johann-Joseph-Fux Conservatory and the University of Music and Performing Arts in Graz. He further pursued studies in conducting and composition under Franz Cibulka at the Johann-Joseph-Fux Conservatory in Graz, Thomas Doss at the Music and Arts Private University of Vienna, the Music School Leonding, and the C. Monteverdi Conservatory in Bolzano. His compositions for wind orchestras are successfully performed worldwide.Duration: 7.15

    Estimated dispatch 7-14 working days

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  • £119.20

    Sinfonisches Praludium (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner. Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.Duration: 6.15

    Estimated dispatch 7-14 working days

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  • £279.99

    Van Gogh (Concert Band - Score and Parts) - Doss, Thomas

    This composition is not a work inspired by the life of the famous painter, but rather an attempt at a pictorial immersion into his world. In addition to Van Gogh's character and tragic life, the technique he employed to create his works, the bright colours of his paintings and his view of nature served as inspiration for this musical work. Point by point, stroke by stroke, Van Gogh brought his own world to life on canvas.On the life of Van Gogh: The Dutch artist Vincent van Gogh was one of the most important pioneers of Modernism, despite being relatively unknown during his own lifetime. As an artist, he chose a life of poverty and seclusion. From today's perspective, his important woks were created from 1880 onwards, when he had already more or less succumbed to madness. While his earlier works could still be classed as contemporary, he matured into a pioneer of Expressionism with his later work indicating an increasing self-awareness. He was just 37 years old when he died but he created over 750 paintings and 1600 drawings in the last ten years of his life.The structure of the work:Start: Brushes and Paints: Van Gogh retired to Arles in southern France where he found his artistic home. The colours and flowering gardens of this landscape awakened in him an unbelievably great creative power.A: A Picture Comes into Being: Van Gogh's psychotic episodes and bouts of depression did not stop him from painting wonderful pictures. Hardly anyone recognised his genius during his lifetime, on the contrary, he often felt misunderstood.C: Paris - Arles: In Paris (from 1886), Van Gogh became inspired by the French art scene. His works found few takers, however. He met and befriended the painter Paul Gauguin, but the lack of success made Van Gogh short tempered, and he began to drink. Eventually, he moved from Paris to Arles in the south of France to establish an artists' collective with Gaugin. Within a few weeks, the two got into such a violent argument that Van Gogh attacked his friend with a knife. The friends parted ways and afterwards Van Gogh cut off his right ear. In 1889 he voluntarily admitted himself into a mental hospital at St. Remy, suffering from hallucinations and fearing that he would lose his mind.G: The Starry Night One of his most famous paintings, created in 1898.H: Death and Brotherly Love Vincent van Gogh accepted an invitation to Auver-sur-Oise in 1890. This was one of his most intensive creative periods. He also went there for treatment, but his mental state hardly improved. After an extended walk, he injured himself fatally with a pistol under mysterious circumstances. Not even to his beloved brother Theo, who had supported him all his life, did he reveal on his deathbed how the accident had occurred.J: Art Market Today, Van Gogh's paintings are among the most expensive paintings on the art market. How ironic, given that he could hardly sell a painting during his lifetime. "I put my heart and soul into my work and lost my mind in the process." (Vincent van Gogh)Duration: 13.15

    Estimated dispatch 7-14 working days

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  • £95.99

    5 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00

    Estimated dispatch 7-14 working days

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