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£175.0060 Warm-Up Chorales (Concert Band - Score and Parts) - Cesarini, Franco
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organised according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
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£124.00Rotterdam 1945 (Concert Band - Score and Parts) - De Meij, Johan
Rotterdam 1945 was written at the request of Maestro Arjan Tien, the chief conductor of the Marine Band of the Royal Netherlands Navy, to commemorate their 75th anniversary in 2020. 1945 also marked the end of World War II, the year that my home country Holland was liberated from Nazi Germany. My father was born in Rotterdam in 1910, so I have a special bond with this dynamic city. I have used the numbers 1-9-4-5 to create the main theme and translated it into a four-note motif: C - D'- F - G. - Johan de Meij. Duration: 7.30
Estimated dispatch 7-14 working days
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£91.00The End of a Love Affair (Flexible Instrument Solo with Concert Band - Score and Parts) - Grottum, Kare - Kjaernes, Bjorn Morten
Kare Grottum is known to most as a pianist and producer by NRK. He was involved in numerous TV productions, both as producer, musician, composer, and arranger. This tune is taken from a CD released in 1992, Fra en musikers dagbok where he brings with him several Norwegian soloists of international class. It is Erling Wicklund who does a brilliant solo on Flugabone which has also used as a starting point for the written improvisation. The arrangement should be played in a slightly swinging way, but not as much as a jazz waltz. Play with the straight eighths and then let it flow, with a faint two against three feeling, which clearly shows up in some places. If you do not have bassoon and oboe, let alto sax and tenor sax make up the duet from 9. Enjoy! Solo Options: C BC Instruments; Bb TC Instruments; Eb TC Instruments. Duration: 4.15
Estimated dispatch 7-14 working days
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£59.00Record Breaker (Concert Band - Score and Parts) - Barnhouse, C. L. - Glover, Andrew
Here's a piece that's accelerated fun for performers and audiences, from start to finish! "Record Breaker" can be played at a wide range of tempos, but is most effective when taken at a full-blown galop tempo. Limited ranges and technical demands present the opportunity to lay this rollicking galop at rapid tempos. An excellent and fun closer or encore for any concert situation. See how fast you can go, and maybe you can break the record! Zoom! Duration: 2.00
Estimated dispatch 7-14 working days
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£17.95The White Stone (Concert Band Double CD) - De Haan, Jacob
Includes:Disc 1:Fanfare for KoreaMinistry of WindsNostalgiaLorraineOdiliaMemorial Suite in C minorGoddess of Jeju IslandElegy IThe Blues FactorySa MusicaDisc 2:Campus IntradaThe White StoneQueen of the DolomitesEverestCaldas de RainhaThe Duke of AlbanyRiver CityPisaCall of the ValleyImages of BellacManzaraSingapore RhapsodyViterbo
Estimated dispatch 7-14 working days
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£148.00Da Vinci (A Study on the Ivory Keys) (Concert Band - Score and Parts) - De Meij, Johan
The fascinating life of Leonardo da Vinci and his enormous curiosity spurred Johan de Meij to experiment with musical material, by using only the ivory keys of the piano during the composition process. Da Vinci opens with a grand, massive chord over five octaves throughout the orchestra. This chord, the Da Vinci Chord, is the connective tissue between the various sections, and it leads to a radiant C major chord, as an ode to one of the greatest geniuses of all time.Duration: 8.15
Estimated dispatch 7-14 working days
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£195.00Mass, Suite from (Brass Quintet with Concert Band - Score and Parts) - Bernstein, Leonard - Sweeney, Michael
Bernstein's Mass is a monumental 90-minute work, written in 1971 for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. In this suite commissioned by the Canadian Brass and the Eastman Wind Ensemble, arranger Michael Sweeney focuses on a select number of movements, often using the brass quintet to represent the vocal lines found in the original. The striking and beautiful work includes Alleluia, Sanctus, the well-known A Simple Song, Agnus Dei, Offertory and Almighty Father. Although scored for brass quintet and wind ensemble, ample cues are provided to allow this to be performed by a wind ensemble or symphonic band alone. Duration: 15.00
Estimated dispatch 7-14 working days
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£53.95The Hiding Place (Concert Band - Score and Parts) - Burke, Dallas C.
This work is named after the memoir recounting the incredible journey of Corrie ten Boom, who provided rations and a hiding place for her Jewish neighbors during the Nazi invasion of the Netherlands. This poignant work is elegantly written, and will provide a very special moment on any concert.
Estimated dispatch 7-14 working days
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£75.00Angelus ad Virginem (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Angelus ad Virginem (or its English title, Gabriel, From Heven King Was To The Maide Sende) was a popular medieval carol,whose text is a poetic version of the Hail Mary and the Annunciation to the Virgin Mary. Probably Franciscan in origin, it was brought to Britain by French friars in the 13th century. It is said to have originally consisted of 27 stanzas, with each following stanza beginning with the consecutive letter of the alphabet. Surviving manuscripts may be found in a c. 1361 Dublin Troper (a music book for use at Mass) and a 13th or 14th century vellum Sequentiale that may have been connected with the Church of Addle, Yorkshire. Its lyrics also appear in the works of John Audelay (perhaps a priest, he definitely spent the last years of his life at Haughmond Abbey, where he wrote for the monks), in a group of four Marian poems.
Estimated dispatch 7-14 working days
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£75.00Blessed Be That Maid Mary (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
The text for Blessed be that maid Mary comes from an anonymous 15th century English author. It makes liberal use of a common literacy device of the time: mixing English and Latin phrases together. The melody is from William Ballet's Lute Book (c.1590), David Willcocks's setting was written for the choir of King's College, Cambridge, and was first published in Carols for Choirs in 1961. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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