Results
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£60.99Dance of the Spirits - Michael Sweeney
The Native American Cree tribe refer to the aurora borealis (or northern lights) as the dance of the spirits. Using a variety of unusual sounds and effects, quickly changing textures and surprises, Michael Sweeney has created amusical impression of this phenomenon's stunning beauty and unpredictable nature. An exciting and unique addition to the young band repertoire, this will be enjoyable to rehearse and perform. (Grade 2.5) Dur: c. 5:30
Estimated dispatch 7-14 working days
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£57.50Highlights from High School Musical
Breaking free = F major (1 flat)Start of something new = Eb major (3 flats)We're all in this together = C major (no sharps or flats)
Estimated dispatch 7-14 working days
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£84.99Consuelo Cscar - Ferrer Ferran
This festive composition, a traditional Spanish paso doble, has been dedicated to Consuelo C scar, a true devotee of the Valencian culture. This paso doble describes her Spanish, and particularly her Valencian, personality. With this work, filled with colorful harmony, the composer wishes to pay tribute to this extraordinary Valencian woman
Estimated dispatch 7-14 working days
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£79.99Siorai September - Samuel R. Hazo
Translated from Gaelic as Eternal September, this marvelous setting for band is designed to take each listener back to their own vivid fall memories on a college campus. Commissioned by the University of Notre Dame and premieredat their Carnegie Hall performance in 2010, this work is also dedicated to the composer's father, Dr. Samuel J. Hazo, a 1949 graduate of Notre Dame. Additionally, Dr. Hazo's poem Home Are the Sailors is incorporated in the middleof the piece. Rich in musical references and varied textures, this is a dramatic and rewarding work for mature ensembles. Dur: c. 5:30
Estimated dispatch 7-14 working days
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£104.99Praise to the Lord - Carl Wittrock
This composition, based on the hymn Praise to the Lord, is comprised of eight separate parts that can be played together as a concert piece or opening work. The A and B sections are different openings, C is four-part arrangement of the hymn, D is a solo for four saxophones, or two trumpets and two trombones, E is a calm intermezzo, F a solo for trumpet or cornet, and G and F finally are a majestic or peaceful closing section. How will you choose to present this piece on stage?
Estimated dispatch 7-14 working days
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£47.40
Bandstand Boogie - Sussman c.s.
Estimated dispatch 7-14 working days
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£149.40O Helga natt - Adolphe Charles Adam
O Holy Night is a very well-known Christmas carol. The origin of the carol is French beginning with the words: "Minuit! Chrtiens, c'est l'heure solennelle". It is about the birth of Jesus and was written in 1843 by a wine merchant and poet by the name of Placide Cappeau (1808 77). He turned to the composer Adolphe Adam (1803 56) and asked him to write a suitable melody. The result was brilliant and the carol was premiered in Cappeau's home town Roquemaure in 1847 by the opera singer Emily Laurey. Based on Cappeau's French text, the English version was written in 1855 by an American Unitarian (Calvinist) minister by the name of John Sullivan Dwight (1813 93). Adolphe Adamwas the son of the pianist and composer Louis Adam (1758 1848), who did not want his son to follow in his foot-steps as a musician. However, Adolphe wanted otherwise, and already at the age of 17 he was accepted to study at the music conservatoire in Paris. He was a student under Franois Adrien Bo eldieu and composed several comical operas that became successful. After the July-revolution 1830 Adam moved to London. He worked for a couple of years before returning to Paris, where he founded a new opera house in 1847, the Th tre national. After the revolution in 1848 it had to close and Adam was ruined, why he had to go back to composing. In 1856 he concluded the ballet Le Corsaire, which together with the ballet Giselle are his most performed works today.
Estimated dispatch 7-14 working days
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£75.00Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 7-14 working days
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£54.99 -
£72.70
The Love Boat Theme - C. Fox
Estimated dispatch 7-14 working days
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