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  • £84.99

    The Magic Flute (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Hannickel, Mike

    Themes from the OvertureAny list of Mozart's greatest works should include this overture. Loved by millions, Mozart's Magic Flute is remarkable for so many reasons and worthy of study by every musician! Why should we deny young band students the joy of playing Mozart just because they don't happen to use a bow on their instruments? Mozart belongs to Everyone! Skilfully brought to the concert band stage by an arranger who works with young bands daily, this somewhat shortened version of the enigmatic Overture is accessible to young bands, but retains a great deal of authenticity. There is added versatility built into this arrangement. A nice performance is possible by using a complete Woodwind section and a Timpanist only. Inspiring!Duration: 3.45

    Estimated dispatch 7-14 working days

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  • £164.99

    Wilten Festival Overture (Concert Band - Score and Parts) - Sparke, Philip

    To celebrate the 350th anniversary of the Stadtmusikkapelle Wilten in Innsbruck Philip Sparke composed Wilten Festival Overture. A bold fanfare, led by the horns, forms the opening of the work from which an expressive theme unfolds until the full band reaches a climax. Short solo statements from saxophone, horn and trumpet lead to a recapitulation of this theme which melts into a rhythmic Vivo. A robust melody is is then played by the clarinets and taken up by the whole band before a legato figure leads to a cantabile theme, again presented by the clarinets. The original Vivo melody reappears before the opening fanfare is briefly heard and the work comes to an end with a short Coda. A great experience for the whole band!Duration: 8:00

    Estimated dispatch 7-14 working days

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  • £137.99

    Hanover Festival (Concert Band - Score and Parts) - Sparke, Philip

    The Hanover Wind Symphony, New Jersey, USA was founded in 1984 by its conductor Peter Boor. He commissioned Hanover Festival to celebrate the band's 15th Birthday and the first performance took place on October 27th 1999. The piece starts with a solemn brass fanfare. Woodwinds join in and the music subsides into an expressive chorale. A climax is reached and the fanfare returns. Trumpets introduce an explosive vivo section, characterised by an energetic theme from the horns and low clarinets. A bridge passage with strong brass chords leads to a playful section that introduces a legato central theme under woodwind figures. This is taken up by the full band, the playful music returns and the original horn tune is reintroduced. Finally the opening fanfare returns, this time accompanied by music from the vivo section, until a fast and furious coda closes the work.Duration: 8:20

    Estimated dispatch 7-14 working days

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  • £44.95

    Three Folk Miniatures (Concert Band - Score and Parts) - Fraser, Bruce

    Three Folk Miniatures (Good Mornin' to Ye; Shepherd Song; When the Sun Shines) reflect the style of old English folk songs offering young players the opportunity to show off several acquired skills in performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2:20

    Estimated dispatch 7-14 working days

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  • £44.95

    Ye Olde Dance Musicke (Concert Band - Score and Parts) - Fraser, Bruce

    This piece reflects the style of Elizabethan dance music. The opening tempo should be quite steady, though played with energy. Good balance is required to achieve the contrasts. The change of tempo should be easily achieved, again taking care with the balance, dynamics and accents to produce an energetic performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45

    Estimated dispatch 7-14 working days

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  • £104.99

    Nocturne (Clarinet Solo with Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Van der Beek, Wil

    Tchaikovsky is best known for his purely instrumental compositions. However, we must not underestimate him as a composer of operas. Many of his operas such as Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin), composed in 1877-1878, was not called an opera by Tchaikovsky himself, but lyric scenes. The work is entirely dominated by lyricism. However, there are two moments that contrast sharply with this lyricism: two ball scenes, for which Tchaikovsky wrote a waltz and a polonaise. After opening with a less well-known allegro dansant, this arrangement features the aforementioned waltz, which can be considered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera, this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.Duration: 3:30

    Estimated dispatch 7-14 working days

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  • £132.00

    Madurodam (Concert Band - Score and Parts) - De Meij, Johan

    Madurodam is a small scale miniature town at Scheveningen (near The Hague) and is since many years one of the most important tourist attractions of the conurbation of Western Holland (called Randstad). On a scale 1:25 a charming picture of The Netherlands is given in bird's eye view: several important buildings, churches and townscapes are reconstructed up to the smallest details. There is also a fine transport system: a network of railroads, harbours and motorways covers the park and Madurodam Airport enables air traffic with all continents. The miniature suite Madurodam consists of eight short parts presenting a musical impression of the smallest town in The Netherlands.Reveille the piccolo flute and the side drum announce a new dayToy Soldiers there is a military parade in front of the George Maduro BarracksBinnenhof/Buitenhof a solemn melody is the main theme of the suite and depicts the state buildings and the nearby lake Hofvijver at The HagueSmall Windmills everything that moves or whirls at Madurodam is described in this barrel organ waltzIntermezzo/Nocturne Madurodam by night is described by a solemn passage played in unison by the lower instrumentsThe Westerkerk Church also the capital Amsterdam is represented with the chimes of the famous Westerkerk churchThe Muiderslot Castle an elegant pavane recalls medieval atmospheresGrande Finale the windmill theme comes back and then the suite comes to an end with the Binnenhof theme, decorated by the first strains of the national hymn, Wilhelmus.Duration: 9.15

    Estimated dispatch 7-14 working days

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  • £149.99

    Nemu-Susato (Concert Band - Score and Parts) - Van der Roost, Jan

    Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names 'Nemu no Sato' and 'Susato' into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor and speaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997.Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £132.00

    Continental Overture (Concert Band - Score and Parts) - De Meij, Johan

    The Continental Overture was commissioned by the California Band Directors Association (CBDA) and was premiered on February 23rd 1997 at the 40th annual CBDA Conference in Bakersfield, California, by the California All State Symphonic Band, conducted by the composer. It is a short, dynamic work full of energy and spirit, with a melodic middle section and a spectacular ending. The composer does not try to hide his continental roots: several influences by some of the great European composers can be recognised. Duration: 6.45

    Estimated dispatch 7-14 working days

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  • £60.00

    Derbyshire Cavalry Marches (Concert Band - Score and Parts) - Haydn, Joseph - Hash & Walters

    Haydn wrote these marches during his second trip to London in 1794-95. The original autograph is titled "Two Marches Composed by J. Haydn for Sir Henry Harpur... to the Volunteer Cavalry of Derbyshire, embodied in the year 1794". Scored for the typical military band of the time, the instrumentation included a trumpet, two horns, two clarinet, two bassoons and a serpent (a curved bass instrument played with a cupped mouthpiece). Percussion parts would have been added by the regimental drum major and played by soldiers, not regular musicians. Due to a lack of printed marching books at the time, selection had to be short to facilitate easier memorisation. In this arrangement for modern concert band, the marches have been transposed from the original keys to Bb and F Major. Percussion parts have also been added by the arrangers and can be used at the director's discretion. Though these marches have been scored with the intermediate level band in mind, the integrity of the originals have been maintained, making them of interest to musicians and music students alike, at all levels.

    Estimated dispatch 7-14 working days

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