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£184.99Concertino for Percussion and Band - Menno Bosgra
This three-part work was commissioned by Kunstfactor--the Dutch Institute for Amateur Art. Its purpose is to further the repertoire for solo percussionist and orchestral accompaniment--whether brass band, fanfare orchestra or wind band. For a good performance, the soloist should be well-versed in a variety of techniques, and should have a good understanding of the instruments not only technically, but also musically. In terms of the selection of instruments and also technique, the first and second movement are more classical in style, while the final movement--with a set-up of various so-called 'untuned' instruments--is more suited to contemporarysolo kit playing. These distinctions will become clear to the soloist while studying the piece. (Menno Bosgra)Movement One requires timpani and tambourine;Movement Two requires marimba and vibraphone;Movement Three is a set-up of: five untuned drums (bongos and toms), large drum (standing), large floor drum or smaller bass drum (lying down), cowbell on a stand, suspended cymbals, Chinese cymbal and small drum.
Estimated dispatch 7-14 working days
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£159.99Ouverture To The Three Angels - Jelle Tasseyns
This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.
Estimated dispatch 7-14 working days
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£109.99Villa Wertha - Willy Fransen
The Dutch town of Weert was originally (in 1062) called Wherta and is derived from the Dutch word 'Waard'. The small town's value is its high location in the middle of a marshland. The work describes the history of how Belgium and the Netherlands fought a long battle to gain possession of the town during the revolution in the Low Countries in the 16th century. To illustrate this, Willy Fransen brought together parts of the Dutch and the Belgian national anthems in a subtle manner. This work is dedicated to the Municipal Brass Band of Weert.
Estimated dispatch 7-14 working days
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£184.99
Il Cantico - Oliver Waespi
Commissioned by the Stadtharmonie Zurich Oerlikon-Seebach for the 2005 WASBE Conference in Singapore"Il Cantico" was inspired by the poem "Cantico di Frate Sole" (Canticle of Brother Sun) by St. Francis of Assisi. In this famous mystic poem, St. Francis expresses his gratitude to God for the creation of nature, the sun, the earth and the living beings."Il Cantico" is based on specific parts of St. Francis's poem. A slow, dreamlike song in the flute leads gradually to the appearance of the sun, the light energy of which is expressed by radiant, powerful music in the brass instruments. The next, slower part of the work is dedicated to the moon (sora luna), a sort of mirror of thesun, and to the stars (le stelle). The music becomes more thoughtful, leads to a calm sound field in the woodwinds and later to a mystic horn solo. Still during the slow part, several chord fragments flash up, thereby announcing the fast ultimate part of the work. This part is about the fire (frate focu) illuminating the night, some sort of representative of the sun on earth. Towards the end of the work, the sun theme is combined with the fire theme.Besides these images, a purely musical structure guides the development of Il Cantico. Almost the entire piece evolves from a basic four-tone cell which appears in the horns and flute at the beginning. Consequently, the work is mainly monothematic and structured in the form of a metamorphosis. The basic cell gradually leads to a rich melodic and harmonic development. This basic material is later completed by a new chord series belonging to the fire theme. In the conclusion both approaches are combined.
Estimated dispatch 7-14 working days
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£264.99Pome Montagnard - Jan van der Roost
Jan Van der Roost received the commission for this work from the 'Orchestre d'Harmonie du Val d'Aoste' and dedicated the composition to Lino Blanchod, the conductor of the orchestra. The first performance was on 26th January 1997 by the orchestra itself and under the direction of the composer. This extensive symphonic poem depicts the atmosphere and history of the autonomous French speaking region 'Val d'Aoste' in northern Italy, and is meant as a musical homage to the historical figure Cathrine de Challant.The opening of this piece describes the rugged nature of this region dominated by Mont Blanc, the roof of Europe. A brief, combative passage conjures up the numerous warsfought here through the ages, later expanding into a surprising 'Renaissance Dance' with an original and fitting recorder quartet. A broad, lyrical theme portrays the love that has always played an important role here. After recapturing several of the earlier themes, the piece closes with the renaissance dance, this time played by the brass. A spectacular finale brings this symphonic poem to a close.
Estimated dispatch 7-14 working days
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£76.99
Chant and Jubilo - W. Francis McBeth
New flex band arrangement by Clarence Barber, playable on any SSATB combination of woodwind, brass, or string players with optional percussion. This title has been recognized as one of the most outstanding of the composer's works and is justly regarded as one of the classics of the band repertoire. In anticipation of the composer's 35th Anniversary with Southern Music, the editors reexamined this masterwork in 1996 in order to prepare a new edition embodying the composer's experience in conducting this work for many years.
Estimated dispatch 7-14 working days
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£179.99Outback - Thomas Doss
This work was commissioned by the "-sterreichische Blasmusikjugend" (Austrian Brass Band Association - Young Musicians).The Aboriginal indigenous people of Australia are among the oldest surviving human cultures. The arrival of the Europeans markedtheir decline and endangered their existence. The many secrets the Aborigines hold served as inspiration for this work. Aboriginal SpiritOver many centuries, the Aboriginal people have cultivated a unique ability to live in harmony with theworld around them. Maintaining the delicate balance between their trinity - nature, man, and creation - is an important factor for bliss and happiness.Primeval Sound and Dreamtime The tens of thousands-year-old stories from the era calledDreamtime - the Aborigines' creation myth - play an important role in not only their beliefs, but their everyday lives and laws as well. Ancestral worship and various other rituals and ceremonies are still held in high regard to this veryday.Running HunterThe Aborigines are extremely skilful hunters and are able to run for extended periods of time when chasing their prey. Hunting weapons, such as the boomerang, exemplify their abilities.Uluru (Red Rock)Uluru, also knownas Ayers Rock, is a natural sandstone "inselberg" rising 348m above Australia's plains, and is one of the country's most recognisable icons. Uluru is also a sacred place for the local Aborigines. Its history stretches back to Dreamtime, although itdid not exist in its current state at that time.Encounter with the White MenUnfortunately, the "White Men" did not realize the significance and importance of the Aborigines and their culture until the end of the 20th century. Before then, theywere unaware that the Aborigines were quite possibly one of the oldest known cultures on earth, with a seamless history stretching back to creation itself; Dreamtime. BushfireFire has been present on the Australian continent for millions ofyears. Many of the indigenous flora and fauna have needed to adapt to fire, and evolution has led to unique solutions for survival. Over time, a complex symbiotic relationship has grown between life and the continually returning bushfire.
Estimated dispatch 7-14 working days
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£267.99Sinfonietta No 3 - Philip Sparke
In each of the four movements of this major work for concert band, the composer has tried to capture in music something of the spirit of this beautiful Swiss town of Rheinfelden, which lies on the banks of the Rhein. The opening movement, Promenade, sees woodwind and brass alternating short melodic fragments leading to a noble melody from the horns. The dreamy Ballad features a saxophone solo and chorale-like melody. This leads, via a four bar Interlude, to the Scherzo which takes the form of a moto perpetuo.
Estimated dispatch 7-14 working days
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£106.99Mndalen Landscapes - Philip Sparke
The picturesque town of Mandalen lies amid snow-covered mountains and scenic fjords on the west coast of Norway. MANDALEN LANDSCAPES was commissioned by and written for Mndalen Skule og Ungdomskorps (Mandalen School and Youth Band) for a major concert in November 2003 at the instigation of its conductor, John Hudson, a long-time friend of composer Philip Sparke.Sparke set out to capture the beauty of the area in music and the piece opens with an evocation of the crisp, clear air of a Norwegian morning. After this introduction, the main theme is stated on clarinets and saxophones. A central bridge section takes the listener through several moods until the brass reintroducethe main theme under a woodwind descant. Material from the introduction brings the work to a peaceful close.
Estimated dispatch 7-14 working days
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£209.99Diamond Concerto - Philip Sparke
Diamond Concerto was commissioned by Musikverein Mrschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMrschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and brass band (AMP 354-030).
Estimated dispatch 7-14 working days
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