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  • £209.99

    Diamond Concerto - Philip Sparke

    Diamond Concerto was commissioned by Musikverein Mrschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village ofMrschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and brass band (AMP 354-030).

    Estimated dispatch 7-14 working days

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  • £360.00

    Praise Jerusalem! - Alfred Reed

    A major work of lasting importance for the modern symphonic band or wind ensemble by this acknowledged master of the medium. This set of variations on a 7th Century Armenian Communion Easter hymn calls forth every possible sound, color and tonal effect, showing off the winds, brasses and percussion of the modern band in all their glory. An overwhelming conclusion that blends an additional six-voice brass choir with the full band makes this one of the finest closing works for a concert in many years.

    Estimated dispatch 7-14 working days

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  • £154.99

    Pompeii - Filip Ceunen

    Filip Ceunen's latest concert piece takes us on a journey back through time and explore the ancient Italian city of Pompeii. Through three interlocking movements, the composer creates a musical tale of Pompeii's humble beginnings, its growth and splendour under Roman rule and, of course, the terrible eruption of Mount Vesuvius. This piece is ideally suited for both concerts and competitions alike, with its many contrasting musical characters and orchestration that brings each section of the band to the foreground. Powerful brass passages, lyric melodies in the woodwinds and exciting percussion sections make Pompeii an exciting musical mountain to climb.

    Estimated dispatch 7-14 working days

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  • £184.99

    Concertino for Percussion and Band - Menno Bosgra

    This three-part work was commissioned by Kunstfactor--the Dutch Institute for Amateur Art. Its purpose is to further the repertoire for solo percussionist and orchestral accompaniment--whether brass band, fanfare orchestra or wind band. For a good performance, the soloist should be well-versed in a variety of techniques, and should have a good understanding of the instruments not only technically, but also musically. In terms of the selection of instruments and also technique, the first and second movement are more classical in style, while the final movement--with a set-up of various so-called 'untuned' instruments--is more suited to contemporarysolo kit playing. These distinctions will become clear to the soloist while studying the piece. (Menno Bosgra)Movement One requires timpani and tambourine;Movement Two requires marimba and vibraphone;Movement Three is a set-up of: five untuned drums (bongos and toms), large drum (standing), large floor drum or smaller bass drum (lying down), cowbell on a stand, suspended cymbals, Chinese cymbal and small drum.

    Estimated dispatch 7-14 working days

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  • £159.99

    Ouverture To The Three Angels - Jelle Tasseyns

    This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.

    Estimated dispatch 7-14 working days

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  • £109.99

    Villa Wertha - Willy Fransen

    The Dutch town of Weert was originally (in 1062) called Wherta and is derived from the Dutch word 'Waard'. The small town's value is its high location in the middle of a marshland. The work describes the history of how Belgium and the Netherlands fought a long battle to gain possession of the town during the revolution in the Low Countries in the 16th century. To illustrate this, Willy Fransen brought together parts of the Dutch and the Belgian national anthems in a subtle manner. This work is dedicated to the Municipal Brass Band of Weert.

    Estimated dispatch 7-14 working days

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  • £274.99

    Suite (From Der Rosenkavalier) - Richard Strauss

    Richard Strauss (1864-1949) is mainly known for his symphonic poems such as Don Juan, Also Sprach Zarathustra, Ein Heldenleben,... However, he also wrote many operas and "Der Rosenkavalier" (created in 1911 in Dresden) with a libretto by Von Hofmannsthal is probably the most popular of them all. In our "Jan Cober Series", we would like to present this very special arrangement of the suite from "Der Rosenkavalier". Jan Cober worked extensively on this arrangement and carefully composed this new suite. In this respect, he preserved the necessary mood and vitality of Strauss's music so it could be played by a brass band. He has done this without losing sight of the musicaltension of the original.

    Estimated dispatch 7-14 working days

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  • £79.99

    English Carol Fantasy - James Curnow

    Contrasting colors and varied orchestration techniques make this majestic setting of OH LITTLE TOWN OF BETHLEHEM come alive for Christmas. Of the three different tunes that are commonly associated with the original carol text, this arrangement uses the melody that's best known in England. ENGLISH CAROL FANTASY remains entirely accessible to bands at this level and plenty of cueing makes sure it's useful for ensembles of all shapes and sizes. Feature your deserving young trumpet section leader on the easy solo, or let the entire first trumpet section play it soli. The low woodwinds and brass also get some "well doubled" exposure, so playing this one will be fun for all.Try it!

    Estimated dispatch 7-14 working days

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  • £109.99

    Homage - Jan Van der Roost

    In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian comopser Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond.Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tonerow: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.

    Estimated dispatch 7-14 working days

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  • £189.99

    Manhattan Pictures - Jan Van der Roost

    In this colourful composition, Jan van der Roost recreates the energetic and multi-racial city life in Manhattan, using four contrasting movements. The opening movement is rather short and rhytmical. In the second "Picture", a variety of musical entities accumulate into a coloured "sound curtain", on top of which the brass section presents a broad theme. In contrast to the two previous movements, the third movement is exremely quiet, featuring the first flute, clarinet an oboe in broad melodies. Again, the orchestration plays an essential role. Following on a majestic "tutti" (almost "movie-like....) the serenity of the very beginning reappears. Finally, the nervousness anddynamic style of the two first movements come back in an exciting apotheosis with rich and sometimes surprising instrumentation which explores the multiple possibilities of the large symphonic wind band to the full.

    Estimated dispatch 7-14 working days

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