Results
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£159.99Guardian Angels (Concert Band - Score and Parts) - Houben, Kevin
Guardian Angels gives a musical expression to the legend of Reverend Louis Henri Bahler referring to the use of Psalm 34. North-west Veluwe and in particular Oldebroek (The Netherlands) has a very rich religious tradition which is demonstrated by its monumental churches. They tell the story of a stirring history in which Reverend Bahler played a crucial role. Inspired by his arrival as a pastor in 1870 in the neighbouring Oosterwolde, two big religious communities came into existence with their characteristic churches but this rivalry also resulted in great social unrest. This composition reflects on this striking personality and in particular on the story of the Angel Guard. 'One evening Reverend Bahler has given a sermon in Oldebroek and he walks over the Church path through the pastures to Oosterwolde. On this dark and stormy evening Bahler's opponents are waiting for the pastor in ambush. They want to drown him in a watercourse near the Church path but abandon their plan because Bahler is accompanied by two men. The next day it comes to an encounter between Bahler and his opponents. They repent their, fortunately unexecuted, plan. Bahler firmly believes that on the previous night he walked alone over the Church path, and was not accompanied by two men. It was concluded that it must have been the angels who had protected Bahler.' Psalm 34 is central to this composition and this because of its powerful melody but also because the lyrics of verse 4 of the rhymed version fit in well with the special legend of Reverend Bahler: The Lord's angel gathered round him An invincible heavenly guard, Who tries God's will, around him So he's well guard(ed) A second melodious and harmonic cell is a musical transformation of the name 'Bahler'. This cell is varied in major and minor third chords and sometimes used as the main idea or apotheosis, but also serves as an accompanying cell or as a bridge between other melodic and rhythmic constructions. The composition was made possible by contributions of: Mr Evert van de Poll, owner of the Van Gelder Groep, Het Prins Bernhard Cultuurfonds Gelderland en Het Feteris Oosterbaan Fonds. Duration: 16.30
Estimated dispatch 7-14 working days
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£84.99St. Patrick Dances (Concert Band - Score and Parts) - Nijs, Johan
In 432 St. Patrick travelled from Scotland to Ireland and within a few years he succeeded in converting the entire Irish population to Christianity. The bishop died on 17th March 461 and in Ireland, as a tribute to this remarkable bishop, this date became a national holiday called St. Patrick's Day. St. Patrick's Day, symbolized by the shamrock, is one big party with traditional Irish dancing, parades with highly decorated floats, hundreds of concerts and all kinds of colourful characters on the streets. Bring a touch of Irish magic to any concert with this lively composition.Duration: 2.15
Estimated dispatch 7-14 working days
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£104.99Sing, Sing, Sing (Concert Band - Score and Parts) - Prima, Louis - Iwai, Naohiro
The swing classic Sing, Sing, Sing, which in 1937 was a major hit for the Benny Goodman Orchestra,was written by its trumpet player Louis Prima. Prima, born in New Orleans, did not only later become known for his spectacular live and radio performances, he also created his own jazz style, a mix of dixieland and swing. This arrangement for concert band brings the unforgettable sound of the big bands from the thirties back to life.Duration: 5:30
Estimated dispatch 7-14 working days
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£134.99Gulliver's Travels (Concert Band - Score and Parts) - Appermont, Bert
The book Gullivers Travels (1726) by author Jonathan Swift formed the provocation for writing this composition. Even though this composition isnt a literal representation of the original story, a number of elements were still retained. The ships doctor Gulliver finds himself in 4 (fictive) areas, each with their own inhabitants and customs. Each part of this suite also received the name of one of these areas:I. Lilliput The enterprising Lilliputians are represented by a playful, common theme in the first part.II. BrobdingnagIn the land of "Brobdingnag" Gulliver is carried off by gigantic giants, which you hear approaching with the sounds of the bassinstruments. The same theme is constantly repeated and quickened in order to increase the tension.III. LaputaLaputa is an island that floats in the air; its inhabitants are strange people with slanting heads. The dreamy, special atmosphere is especially well conveyed here.IV. The HouyhnhnmsFinally Gulliver finds himself in the land of the Houyhnhnms, where intelligent and noble horses rule over the primitive, undeveloped people (yahoos). The trumpets in the brilliant opening express the galloping horses; the gallant theme that follows (horns and trombones) symbolises the primitive yahoos. The whole composition ends with a big finale.I intentionally tried to limit the degree of difficulty of Gullivers Travels. Despite this I think that this work can appeal to many orchestras due to the colourful orchestration (cues are provided where needed), the simple and clear theme and the highly imaginative breeding ground of a beautiful story around which this composition is built." Duration: 8:00
Estimated dispatch 7-14 working days
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£139.99Pacific Dreams (Concert Band - Score and Parts) - De Haan, Jacob
Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this old colonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams. Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrow streets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters around Sydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan of Hawaiian music. Maybe he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metro at Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso: Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, he wants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasising about Hawaii and Tahiti.Andante Lamentoso: In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro: Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is travelling on to Hawaii. Or is it home, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.Duration: 9:15
Estimated dispatch 7-14 working days
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£104.95Circus Ring (Concert Band - Score and Parts) - Hart, Paul
This circus has frequently provided inspiration for composers; from Fucik's "Entry of the Gladiators" to Stravinnky's Circus Polka. The tension, the big top, and in the old days, the band, all add to the atmosphere. This colourful scene is brilliantly captured in Hart, Paul's tour de force, as the jugglers, cyclists, acrobats, and clowns make their appearance, dressed up in an astonishing variety of musical colours from bicycle bells to ratchets and a precarious pair of alto saxophones.
Estimated dispatch 7-14 working days
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£20.95
Circus Ring (Concert Band - Score Only) - Hart, Paul
This circus has frequently provided inspiration for composers; from Fucik's "Entry of the Gladiators" to Stravinnky's Circus Polka. The tension, the big top, and in the old days, the band, all add to the atmosphere. This colourful scene is brilliantly captured in Hart, Paul's tour de force, as the jugglers, cyclists, acrobats, and clowns make their appearance, dressed up in an astonishing variety of musical colours from bicycle bells to ratchets and a precarious pair of alto saxophones.
Estimated dispatch 7-14 working days
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£115.00CELEBRATION (Concert Band) - Woolfenden, Guy
Three Movements:RondoValseTristeMarchThis work was commissioned as a celebration of the life and work of Murray Slater, the inspirational musical director of Derbyshire City & County Youth Wind Band, who sadly died in 2000. Murray was greatly loved and respected in the wind and brass band world, was a fine trumpeter and teacher, and was universally known as "Man of Music".Celebration attempts to capture facets of Murray's personality. The Rondo's theme has a witty rhythmic twist to it, the Valse Triste features a solo trumpet, and the concluding March contrasts a Prokofievian theme with a slower "big tune" that attempts to match the stature of the man.The first performance took place on 12th July 2002 in Chesterfield with the Derbyshire City & County Youth Wind Bands, conducted by the composer.Duration 15 minutes
Estimated dispatch 7-14 working days
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£60.99My First Solo Wind Band Set (Score & Parts)
You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall, on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys. 02:45
Estimated dispatch 7-14 working days
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£70.00WARM-UP FUNDAMENTALS FOR CONCERT BAND - Balmages & Gausline
Warm-up Fundamentals was conceived as a tool for directors to use as part of a daily ensemble routine. It covers important fundamental concepts such as breathing, long tones, interval slurs, articulation, flexibility, chords and chorales. Each section breaks concepts down to their most fundamental elements before integrating them together. This gradual approach to the ensemble warm-up helps extend the practical applications of these exercises well into rehearsals and performances. Each instrument part fits on one folded piece of paper, so it's extremely practical in size and can easily fit inside a folder without issue. These warm-ups are also ideal for guest conducting appearances such as honor bands, where conductors need to achieve a uniform sound in a short amount of time. Topics include: Breathing - Build breath support and lung capacity; Long Tones - Approached with phrasing in mind; Interval Slurs -- Both descending and ascending; Articulation - Designed to promote air flow in addition to clarity and speed; Flexibility - Octave studies for woodwinds and lip slurs for brass; Chorales - Progressive chorales that begin with small interval movement and short phrases to allow focus on sound and intonation; Balance - Focus on section, instrument family and full ensemble; Phrasing - All exercises are designed with ensemble phrasing in mind; Efficient - No big part books! Individual parts easily fit into folders and allow for quick navigation to save rehearsal time; Practical - Ideal for guest conducting appearances; Introductory Text - Discusses each section in detail and provides suggestions
Estimated dispatch 7-14 working days
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