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£37.95The Year of the Dragon (Prestige Concert Band - Score only) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£199.95
The Year of the Dragon (Prestige Concert Band - Score and Parts) - Sparke, Philip
The 2017 version of The Year of the Dragon was commissioned by the Siena Wind Orchestra and given its world premiere on June 17th 2017 in Bunkyo Civic Hall, Tokyo, conducted by the composer.The original wind band arrangement of The Year of the Dragon was made in 1985, a year after the composer wrote the brass band version. At that time he was still learning the intricacies of writing for wind band (and still is!) and in the 32 years which have elapsed since then, his approach to scoring for the medium has developed and, hopefully, improved.Here are the main differences between the two versions:In the 1980's, the wind band movement was much less international than it is now. British wind bands were still to some extent based on the military band tradition of the time, which tended to use rather smaller instrumentation than the then-dominant American university model. The new version embraces a much more international instrumentation, including low woodwinds and string bass, as well as an expanded percussion section.In the original version there was a touch of naivety in the way the composer wrote for the woodwinds; much of their articulation was transferred too literally from the brass version, resulting in some unidiomatic writing, which he has tried to improve in the new version.In addition to the above, Philip's own compositional style has matured and developed in the intervening 32 years. There are some passages in the original which he simply would not write today - not because they are 'wrong', but because his way of writing has changed. The new version is perhaps how he would have written it today, rather than simply dressing the original version in new clothes.The work is in three movements:Toccata opens with an arresting side drum figure and snatches of themes from various sections of the band, which try to develop until a broad and powerful theme from the middle of the band asserts itself. A central dance-like section soon gives way to the return of this theme, which subsides until faint echoes of the opening material fade to a close.Interlude takes the form of a sad and languid solo for alto saxophone. A chorale for the whole band introduces a brief spell of optimism but the saxophone solo returns to close the movement quietly.Finale is a real tour-de-force for the band with a stream of rapid semi-quavers running throughout the movement. The main theme is heroic and march-like but this is interspersed with lighter, more playful episodes. A distant fanfare to the sound of bells is introduced and this eventually returns to bring the work to a stirring close.
Estimated dispatch 7-14 working days
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£248.99Missa Brevis Wind Band Set (Score & Parts)
Missa Brevis, written for choir and wind band, was commissioned by the Conseil D?partemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX's birth in ?guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei are very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In this option, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. In that case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, you can opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of these options (vocally/instrumentally) is also possible - not just from an artistic point of view (variation), but also from a practical starting point - for example in the case that the choir has rehearsed only two movements. With a full strength, the conductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to Bass Clarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. all brass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combined quartet (two cornets and two trombones) + brass band. Choral parts available separately. 0:20:00
Estimated dispatch 7-14 working days
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£45.95Happy Birthday to You (Concert Band - Score and Parts) - Smith, Robert W.
Composed by Patty and Mildred Hill in 1893, "Happy Birthday To You" is considered the most recognised song in the English language. The Beginning Band Melody Mine Series includes a full arrangement for performance as your band celebrates birthdays throughout the year. In addition, the "Melody Mine" allows all students to play the melodic line both in and out of the classroom. A great teaching and outreach opportunity for all beginning band programs!Duration: 0.30
Estimated dispatch 7-14 working days
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£17.95Meet the Band (Concert Band - Score only) - Holmes, Chris
Meet the Band was composed in August 2023 and is written to showcase and contrast, in varying styles, the sound and textures of the different instrument groups in a Concert Band.It was first performed in April 2024 by Salisbury Concert Band, conducted by the composer.Includes:The High WoodwindsThe Low Woodwinds and SaxophonesHorns, Trumpets and Tenor TrombonesLow Brass and Percussion (and Finale)
Estimated dispatch 7-14 working days
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£87.95
Meet the Band (Concert Band - Score and Parts) - Holmes, Chris
Meet the Band was composed in August 2023 and is written to showcase and contrast, in varying styles, the sound and textures of the different instrument groups in a Concert Band.It was first performed in April 2024 by Salisbury Concert Band, conducted by the composer.Includes:The High WoodwindsThe Low Woodwinds and SaxophonesHorns, Trumpets and Tenor TrombonesLow Brass and Percussion (and Finale)
Estimated dispatch 7-14 working days
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£44.95Eyes on the Stars (Concert Band - Score and Parts) - Wiffin, Rob
Eyes on the Stars was commissioned by the Surrey Police Band in 2022 in memory of George Rowland. George was a remarkable character. He was born in Vienna but spent his early days in Tuscany, coming to England with his family at the start of WW2, where he went on to be one of the pioneers of cancer research. He was an avid skier, tennis player and extremely keen musician. Wherever he went he joined a community band so when he and his family settled in Surrey he joined the Surrey Police Band. To them he was George who played bass clarinet, a polite chap with a lovely deep Surrey accent! In trying to fulfil the terms of a commission for a five-minute work I attempted to embrace the verve and aspirational nature of George and his overwhelmingly positive nature, hence the title Eyes on the Stars.- Rob WiffinFirst performed by the Surrey Police Band on 18 March 2023 at Emmanuel Church in Stoughton.Duration: 5.15
Estimated dispatch 7-14 working days
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£100.80American Prelude (Concert Band - Score and Parts) - De Meij, Johan
American Prelude was commissioned by the United States Marine Band "The President's Own" and was composed in honour of the retirement of Colonel Jason K. Fettig, the 28th Director of the USMB. This short and energetic work features subtle hints to two of my favourite American composers, Aaron Copland and John Williams. The performance at Colonel Fettig's final concert with the Marine Band was the world premiere, given at the annual Midwest Band and Orchestra Clinic in Chicago, Illinois on December 20st, 2023.Duration: 4.15
Estimated dispatch 7-14 working days
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£63.50Vaktparade (March of the Castle Guard) (Concert Band - Score and Parts) - Strand, Oyvind
When visiting Oslo I always try to manage to see the Castle Guards Parade marching from Akershus Fortress to the Royal Castle (in the summer season). There is always a feeling of spirit and solemnity when the military band leads the procession through the city and the Karl Johan Street up to the Castle, for the changing of the Castle Guards. A dear tradition for the locals as well as visitors to the Norwegian capitol. This march was composed after watching one of these parades in spring of 2018.The First military band to play the march was the Royal Norwegian Marine Band.- Oyvind StrandDuration: 3.45
Estimated dispatch 7-14 working days
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£84.99Little Tokyo Suite (Concert Band - Score and Parts) - Deleruyelle, Thierry
Little Tokyo Suite is a work in three movements for wind ensemble, with a flexible 10-part orchestration suitable for concert band or fanfare band. It portrays the "Japantowns" established by Japanese emigrants around the world. They are often called "Little Tokyo", in reference to the capital of Japan. The three movements each focus on a region with such a Japanese community. This suite is dedicated to the concert band of the conservatory of the 12th arrondissement of Paris, whose conductor is a lover of Japanese culture, and to Mochizuki Junior High School, Saku City (Nagano, Japan).Duration: 7.15
Estimated dispatch 7-14 working days
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