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£248.99Missa Brevis Wind Band Set (Score & Parts)
Missa Brevis, written for choir and wind band, was commissioned by the Conseil D?partemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX's birth in ?guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei are very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In this option, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. In that case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, you can opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of these options (vocally/instrumentally) is also possible - not just from an artistic point of view (variation), but also from a practical starting point - for example in the case that the choir has rehearsed only two movements. With a full strength, the conductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to Bass Clarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. all brass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combined quartet (two cornets and two trombones) + brass band. Choral parts available separately. 0:20:00
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£41.04Be Thou My Vision (Wind Band) Traditional arr. Andrew Wainwright
VIEW SCORE PDF A highly evocative arrangement of the popular hymn, also known as Slane. The arranger Andrew Wainwright responds to the ethereal quality of the tune with an exquisite layering of texture. The three-verse setting grows to a glorious climax on the final verse, before dying away to a serene ending. The arrangement was commissioned by the Nebraska Brass Band and its Musical Director Glenn Greet, and it is now available here for wind band. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com To view a video of Dallas Brass Band performing the brass band version of this work please visit www.youtube.com/watch?v=mUyDYnOkXuE Difficulty Level: Medium Instrumentation: Flute 1-2 Oboe English Horn Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£37.31Evergreen Fanfare - Wind Band (Sean Brown)
The majestic Evergreen Fanfare (Sean Brown) was written in Autumn 2010 and is aimed at a young wind band. The composer writes: 'My goal with Evergreen Fanfare was to have the quality of sound and music that a more advanced band work (or even an orchestral work) would have, but at the difficulty level suitable for an advanced middle band or young high school band. My aim is to always write music that is pleasing to listen to for both the performers and audience alike, musical experts or novices alike.' To view a follow-the-score video of this work please visit: https://www.youtube.com/watch?v=lge5EK-A-Wo PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Instrumentation: Flute 1-2 Oboe 1-2 Clarinet 1-3 Bass Clarinet Bassoon Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet 1-3 Horn 1-2 Trombone 1-3 Euphonium Tuba Percussion 1-6
In stock: Estimated dispatch 1-3 days
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£74.62Variations on Was Lebet - Wind Band (Andrew Wainwright)
A magnificent major work based on the German chorale 'Was Lebet' (O worship the Lord in the beauty of holiness). The piece is made up of five contrasting variations. A majestic, fanfare-like section opens the work, leading into a giocoso classical-style variation. The beautiful Variation 2 is reflective and plaintive, while the next variation is somewhat quirky and volatile in nature. There is a French romantic feel to Variation 4, with a playful waltz providing scope for various soloists around the band to display their musicianship. Variation 5 is fugal in nature, with each section of the band being handed the theme at various points. The sense of motion builds gradually to a grandiose presentation of the theme, the first time that it is heard in its full form, bringing the work to a thrilling, majestic conclusion. *Please note audio and video are of the brass band version. To view The International Staff Band performing the brass band version of the work, please visit https://www.youtube.com/watch?v=LCxs7SpulHY PDF download includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Flute/Piccolo Flute 1-2 Oboe 1 Oboe 2/English Horn Bassoon 1-2 Contrabassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-4
In stock: Estimated dispatch 1-3 days
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£8.00The New Bennett Band Book - Harold Bennett
The Bennett Band Books, published in four volumes starting in 1923, were used to teach literally millions of young band musicians in the middle of the twentieth century the march form and style. The pieces utilized in this book are: Activity, Summit, Success, Project, Courage, Mister Joe, Genius, Improvement, At Sight, Little Rastus, Laurel and Aline. These delightful marches, composed by famous march composer Henry Fillmore using the pseudonym Harold Bennett, have been given new life by arranger Larry Clark. The original essence of these marches is retained and only the instrumentation and some range issues have been altered to fit the needs of today's developing bands. This collection includes twelve of the Bennett marches along with a helpful march warm-up section composed by Larry Clark to help you teach the march form and style to young students. There is the added benefit of a full recording of each march performed by a professional band on the CD that is included in the conductor's score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.
Estimated dispatch 12-14 working days
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£48.50Band Rocks! - Ed Huckeby
The percussion section - and your entire band - will love the driving and infectious rhythms of "Band Rocks!" A perfect selection for that first spring concert or recruiting performances to show how much fun band is! With limited ranges and difficulty but maximum appeal, "Band Rocks!" will be a sure hit with your young musicians and audiences alike.
Estimated dispatch 7-14 working days
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£65.99
And Now, The Band! - Webb
"And Now, The Band!" by Amy Webb puts into play all those concepts you've been teaching your first-year band: articulation, dynamics, crescendos/decrescendos - the list of goes on and on, and they're all here! Designed as a showpiece of everything your young musicians have learned this year, they will sound like a million bucks at your next concert! Excellent as a concert opener, closer, or anywhere - band kids will certainly sound impressive with this exciting piece! Ladies and gentlemen, "And Now, The Band!" A real winner!
Estimated dispatch 7-14 working days
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£65.99Meet the Band - Sandy Feldstein
Meet the Band is intended to be used as a recruitment piece at a recruitment concert. It introduces young students to all of the instruments and sections of the band. The narrator "Sam the Snare Drum" takes the students on a musical journey through the instrument of the band. Many of the instrumental themes will be familiar to the students from their use in the Yamaha Advantage Recorder Plus method. Each section and then the whole band get a chance to shine in this excellent recruitment tool.
Estimated dispatch 7-14 working days
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