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£149.40O Helga natt - Adolphe Charles Adam
O Holy Night is a very well-known Christmas carol. The origin of the carol is French beginning with the words: "Minuit! Chrtiens, c'est l'heure solennelle". It is about the birth of Jesus and was written in 1843 by a wine merchant and poet by the name of Placide Cappeau (1808 77). He turned to the composer Adolphe Adam (1803 56) and asked him to write a suitable melody. The result was brilliant and the carol was premiered in Cappeau's home town Roquemaure in 1847 by the opera singer Emily Laurey. Based on Cappeau's French text, the English version was written in 1855 by an American Unitarian (Calvinist) minister by the name of John Sullivan Dwight (1813 93). Adolphe Adamwas the son of the pianist and composer Louis Adam (1758 1848), who did not want his son to follow in his foot-steps as a musician. However, Adolphe wanted otherwise, and already at the age of 17 he was accepted to study at the music conservatoire in Paris. He was a student under Franois Adrien Bo eldieu and composed several comical operas that became successful. After the July-revolution 1830 Adam moved to London. He worked for a couple of years before returning to Paris, where he founded a new opera house in 1847, the Th tre national. After the revolution in 1848 it had to close and Adam was ruined, why he had to go back to composing. In 1856 he concluded the ballet Le Corsaire, which together with the ballet Giselle are his most performed works today.
Estimated dispatch 7-14 working days
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£84.99Variations on a Theme by Elgar - Árpád Balázs
In rpd Balzs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888). As rpd Balzs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature. There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Bla Bartk's 3rd Piano Concerto. It is like a message from an old composer to the Future.'' The Elgar Variations together with the Concertino (1992, Z. 14909) and the Rhapsody (2015-2021, Z. 15167) form an ambitious, emotionally wide-range trilogy for a concert band.
Estimated dispatch 7-14 working days
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£74.99Fanfare for an Occasion - Philip Sparke
Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the saxes that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close.
Estimated dispatch 7-14 working days
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£252.10Holberg Suite - Edvard Grieg
Edvard Hagerup Grieg (1843-1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folkmusic in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergenand buried there, he traveled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as awhole.1884 was the bicentenary year of the birth of Ludvig Holberg (1684-1754)and as a part of the celebrations various Scandinavian composers were commissioned to write commemorative pieces. From Holbergs Time was one of Griegs contributions. It was first written for piano but in 1885 the composer transcribed it for stringorchestra. For his suite Grieg went back to some of the musical forms used by Holbergs contemporaries but although the forms and style may be rococo the contents are unmistakably characteristic of Grieg himself. Grieg gave the first performance ofthe piano version in Bergen, Holbergs birthplace, in December 1884.
Estimated dispatch 7-14 working days
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£84.99
Three Holiday Scenes - Timothy Johnson
An imaginative look at a good old-fashioned Christmas! From aromas of family favorites cooking in the kitchen, to the images of decorated trees, snow scenes, and caroling - all are a part of that wonderful celebration.Rather than just taking the same old Public Domain Christmas carols for one more go 'round, Timothy Johnson has composed the majority of THREE HOLIDAY SCENES using fresh and original melodies. The first scene opens with fragments of "Oh Tannenbaum" but quickly moves into a beautiful Christmas waltz. An "effets de neige," or "Snowfall effect," carries the luscious second and contrasting scene. In the 3rd and final scene, the phrases from well-known carols mergewith one another, creating the effect of "caroling." Finally, melodies serve as counterpoint for one another and bring this delightful vignette to a close. This piece presents an excellent opportunity to work with the Art department in creating drawings and paintings of holiday images. Pull your chair a little closer to the fireplace and sit back for a winsome holiday treat!
Estimated dispatch 7-14 working days
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£239.99Istvn (part 3 from 'Sinfonia Hungarica') - Jan Van der Roost
Sinfonia Hungarica is a three-movement symphony that depicts the history of Hungary. All three movements were inspired by historical key figures, wars, and other important events from this country. This symphony is a celebration of Hungary's millennium in 2001.The final movement is named after ISTVAN, the King who introduced Christianity into Hungary and who was crowned by Pope Silvestro II on January 1, 1001. A rather solemn start leads to another war-like passage, ending with some loud crashes. This symbolizes the fact that the body of the pagan Koppany was cut into four pieces, and sent to the four castles of the country as an example. After a quiet, almost religiousintermezzo, the National Hymn of Hungary is introduced. This broad "grandioso" ending also has a symbolic meaning: after ten centuries, Hungary has many reasons to look back on the past with pride, and to look forward to the future with optimism and confidence.
Estimated dispatch 7-14 working days
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£82.50Romp! - Darren W. Jenkins
Romp! was inspired by and dedicated to the composers very cute tabby who decided that his computer table (where he composes) was his spot to be... also when coming up with ideas for this piece, it seemed to fit him very well. The piece represents how he tends to wake up instantly and spring into action... running and darting here and there. The solo breaks and legato section represents how he can shift gears, stopping quickly, then springing right back to his romping around. There is optional "cat meowing" at the end that can be done by one person, if your group has someone who does a good cat meow, or electronically if you have the equipment. Or you can leave it out, though it does add a nice touch.
Estimated dispatch 7-14 working days
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£69.99Infinity and Beyond... - Philip Sparke
The last decades of the 20th century saw man's first steps in space exploration. Since the first moon landing by Neil Armstrong in 1969, these adventures in outer space have captured the public's imagination and have given birth to scores of science fiction movies, books and TV series that have tackled the subject. Infinity and Beyond... takes as its inspiration the wonderful film scores of composers such as John Williams and Jerry Goldsmith, who have almost invented a style which could be called 'space music'.Opening with a rhythmic bass figure, Infinity and Beyond... begins with a robust introduction in 3/4, which leads to the main theme in 4/4, played by the full band. Ashort bridge passage, utilising the interval of a fourth, leads to a modal central section, featuring first the trumpets and then played by the whole band; this in turn leads back to a repeat of the introduction until the main theme returns to bring the piece to a close.
Estimated dispatch 7-14 working days
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£152.99Centennial Salute - Philip Sparke
Just based on its title, this piece has to be celebratory and up-beat, which it is! It opens with a stately fanfare, first played on the low brass before the entire band joins in. This gives way to a contrasting lyrical theme which develops until it joins up with the fanfare to complete the opening section. A lively and heavily syncopated vivo follows, cast as a traditional march, complete with a 'bass strain' and trio. After the original march theme returns, a climax leads back to a reprise of the majestic opening, which brings the piece to an appropriately triumphant close.
Estimated dispatch 7-14 working days
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£202.99Selections from Kiki's Delivery Service - Joe Hisaishi
Famous musicologist Yuji Numano identified an interesting relationship between classical and film music. Film music is like a second child of 19th century classical music (the first child being 20th century modern music). Although they have a parent-child relationship, there are still major differences."The basic `form' is different. In the history of classical music art forms, there is a continuing dispute on how to convey a story only through music. On the other hand, as a part of motion pictures, film music at times has difficulty being an autonomous art form separate from the visual media. Indeed, film scores alone can lack musical substance. In the sense of acoustical effectiveness, film scoring has absorbed the total aspect of modern and classical music. Yet, there is still a huge distinction from classical music regarding recognizing film music as a standard art form."This Selections from "KIKI'S Delivery Service" is my seventh arrangement of Joe Hisaishi's works. They are either in medley or suite styles. It might be an exaggeration, however, to cite back to Mr. Numano, I have attempted to compensate for the lack of substance in film music by creating an art form more like classical music. Medley should not be about cherry-picking the best bits. I prefer that performers consider the significance of the work's overall structure.It has been 20 years since the premier of the feature animation film "KIKI'S Delivery Service" based on Eiko Kadono's literature for children. Numerous romantic melodies by Joe Hisaishi are used for many occasions and are still very popular. In this arrangement, I have made a medley from the following scenes:1. A Town with an Ocean View2. Starting the Job3. Heartbroken Kiki4. A Gust5. DeparturePlease note that the 4th scene A Gust comes from the "image album" prior to the soundtrack production and is not used in the actual movie.(Kazuhiro Morita, 2008)
Estimated dispatch 7-14 working days
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